the blog of Seldom Seen Photography

Posts tagged “Tacoma

Playing in the Park

Summer is here and I have not been able to get out and play in the wonderful Pacific Northwest outdoors. It feels like I’m wasting my summer away! Hopefully you are finding time to go out and do what you love this July. I am hoping perhaps to get a backpacking trip in later in the month. Last week I did manage to get over to Point Defiance Park with my camera to take a few shots. I found myself concentrating on details of plants, buildings, etc. Here’s a few shots from my evening playing in the park. Enjoy your summer (or winter for those of you in the other hemisphere!).Point Defiance detail shot 1Point Defiance detail shot 2Point Defiance detail shot 3Point Defiance detail shot 4Point Defiance detail shot 5


Moon Troubles

Full Moon TacomaI have trouble photographing the moon. Okay, it’s not so hard before for the sun sets (which is why the best full moon pictures are typically taken the day before the full moon and, consequently, before the sun sets), but after dark, I have lots of problems. There is just too much contrast. The moon is bright, basically as bright as anything lit by sunlight on a cloudless sunny mid-day. Everything else is dark. The dynamic range of any scene with the moon is too much for a camera to handle.

Perfect time to try some HDR photography, right? Maybe, but I’ve never gotten it to work well. I’ve always get funny looking light artifacts around the moon; all my attempts at using HDR for scenes with the moon have looked awful. How about shooting one exposure for the moon, one for the rest of the scene, and combining them in Photoshop. Again, maybe you can do that, but every time I’ve tried it, it doesn’t work – there’s too much glare around the moon and I can’t get the sky to look right.

Last month when I wanted to photograph the full moon rising behind the Glass Museum in Tacoma, I was disappointed when there were clouds on the eastern horizon and the moon wasn’t visible. Less than an hour later, the moon rose above the clouds, and though it was no longer aligned with the Glass Museum, it lined up nicely with the cable bridge over the Thea Foss Waterway. Nice shot, I thought, except now it was way too dark to capture both the moon and the with a single exposure. I set up the tripod anyway and took a series of shots, hoping that perhaps the contrast would not be too extreme.

Later, when I downloaded the shots, I was disappointed to find out contrast was too great – moon troubles were visiting me again. I tried HDR (once again) and was disappointed with the results (once again). I was frustrated. At that point, I figured someone else must have an answer to this problem, so I spent some time researching moon photography on Google. Most advice centered around photographing during twilight before it was too dark. Not helpful in my case. After a bit of searching, I found a YouTube video (which I can’t find again to credit here), where the photographer used HDR for only the moon and the area of sky immediately around it, a single image for the rest of the shot, then combined the two images in Photoshop. He then re-imported the resultant image into Photomatix for additional tone mapping, which I thought wasn’t necessary. But the first part sounded interesting.

I had a series of seven images, shot one f-stop apart. I imported all into Photomatix and worked it for the moon only. I re-imported the HDR moon image into Lightroom. Then I took a single image from the original seven and worked it in Lightroom for the foreground only. I also worked the HDR moon image in Lightroom to approximately match the sky to the sky (away from the moon) in the foreground image. I exported both images to Photoshop into a single document, with the foreground image as the background layer and the HDR moon image laying on top. I used a layer mask on the HDR moon layer to mask out everything but the area around the moon, feathering the mask match the sky in the underlying layer. The two skies didnt quite match, so I used a curves layer with a clipping mask on the HDR moon layer to get the tone of the two skies to be more similar. Once I was satisfied with the result, I continued with my normal Photoshop workflow to finish the image.

Perfect? No. But in the end, after a lot of work, the result is the best moon image I’ve ever captured after dark. What do you think, is it any good? And please, if anyone has some better way to handle my moon troubles, be kind and let me know.


Choices, Choices

When photography is exercised as an art form rather than an attempt to purely replicate a scene without any interpretation (which, of course is impossible, photographs cannot replicate reality – they are in 2 dimensions instead of 3, they are cropped and reality is not, etc. – this could be a whole separate blog by itself, but I digress), the photographer has a myriad of choices to make. Many choices are made when capturing the image – what lens to use, what exposure settings to use, what to leave in the frame and what to crop out, whether to use a high viewpoint or a low viewpoint, etc. And post capture, there are also a myriad of choices concerning processing – there are global adjustments for exposure, contrast, highlights, shadows, the white point, the black point, clarity, saturation, vibrance; cropping; distortion corrections; adding gradients or brush stroke or radial filters; etc. etc. and that is just in Lightroom; go to Photoshop and the choices explode seemingly exponentially.

For the capture side of photography, I’m a big advocate of trying out lots of different options when photographing a subject to really explore its possibilities (see this old post on the subject). Much is said about per-visualizing an image when photographing. And doing so makes a lot of sense and can make for a great image. However, don’t let that per-visualization get in the way of looking at a subject from different, non-per-visualized vantage points.

Okay, I have a confession to make here, I did not follow my own advice when capturing the images accompanying this post. I had one viewpoint in mind, went out, took the shots, and left. Call me bad. These images were taken earlier in the week at Union Station in downtown Tacoma. Union Station is no longer a train station but is now the US courthouse here in the city. Union Station is an iconic shot of Tacoma which I haven’t explored much before (so iconic in fact that I saw another photographer’s image of it hanging on a wall earlier the same evening I took this shot). And the fact that it is an iconic shot maybe why I neglected to cover it from other angles. So here’s so more unsolicited advice – when shooting icons, get the iconic shot out of the way, then try to cover it from other angles and get your own take on the subject (yes, I hear you, I should follow my own advice).

But even when you only get one shot, even the iconic shot, with your post-capture processing you can put your own spin on a subject by the choices you make. Here are four different interpretations of the same subject. Three are HDR images, processed initially in Lightroom, exported to Photomatrix, then re-imported and finished in Lightroom. The other is not an HDR image and was processed solely in Lightroom. If I decide to work on one or more of the images in the future, I may take it to Photoshop to make additional adjustments. The HDR images are made from a set of five images taken one f-stop apart.

The images represent choices for a single exposure of HDR, more realistic HDR and more “grungy” HDR, and distortion correction and cropping versus no distortion correction and cropping. No one image is correct, and no one image is wrong. None represent the reality of the scene as viewed by my eye (this scene, taken at night, is mostly lit from ugly yellow sodium-vapor street lamps for example). All are interpretations; all are artwork; all represent different choices. With these shots, I believe, at least to a small extent, I put my own spin on an icon. I think I favor the cropped, distortion-corrected version the best; but do like the other ones as well. Do you have a favorite?

Union Station - single exposure

Union Station – single exposure

Union Station - more "realistic" HDR version

Union Station – more “realistic” HDR version

Union Station - more "realistic" HDR cropped with distortion correction

Union Station – more “realistic” HDR cropped with distortion correction

Union Station - grungy HDR look

Union Station – grungy HDR look

 


Panning for Hidden Gems (Christmas Edition)

One chore I accomplish each winter is to edit my photo library for all the photos I neglected to edit earlier in the year. Editing is a thankless task that some notable photographers even suggest is unnecessary due to disk drives being inexpensive. However, it is hard enough for me to find the photos I want when things are edited, let alone when I don’t edit.

Editing, at least for me, has one big added benefit. By going over those thousands of image I took that I didn’t pay a lot of attention to earlier, I always find some hidden gems that I missed earlier (along with lots of dogs – but more on that in a later blog). As my Christmas present to you, I offer a look at some of the hidden gems I’ve found thus far during my editing. Merry Christmas everyone!

Tulips

Tulip fields in the Skagit Valley last spring. I took so many shots on the day I was there, I was bound to miss a few good one when I first looked at the images. Here’s one I missed until my editing this December.

Seattle Moon

This moonrise over Seattle last January was another case of taking a lot of images on one day. Previously when looking at images from this shoot, I was concentrating on horizontal formats, so missed this vertical shot.

Seattle Abstract

I took this during a private workshop I held earlier in the year. Since the focus of the workshop was my student, I didn’t pay much attention to the images I took that day until my recent edit. BTW, I love the downtown Seattle Library for abstract shots such as this.

Hoodoo

On my trip to the Paria last spring, we took a short hike before setting off on the long one. When previously looking at images from the trip, I focused mainly on those from the long hike and didn’t bother to develop this one until much later.

Double Alcove

Another from the same trip, this is the Double Alcove in Zion National Park

Colorful Canoes and Kayaks

Somehow, when going over of images from a day trip to Bainbridge Island last February, I overlooked this image.

Tacoma at NIght

Last April I did a night shoot with friends in downtown Tacoma, the next three shots are images I didn’t process from the trip until recently. I love the colors in these shots.

Tacoma Tug

Another shot from the same shoot

Tacoma HDR

I almost threw away the series of images that this photo came from. I took them with HDR in mind, and when putting it together, didn’t like the result. But when editing this month, I thought I’d try a surrealistic look (which I normally don’t like). In this case, I do like the result.


How do You Photograph Ugly, how do You Photograph Time?

Over the past couple weekends, I’ve led two photo scavenger hunts. Participants in the hunts had 3 hours to photograph a list of 20 topics, such as: color, contrast, bark, soft, old, action, life, and ugly. The area I chose for the hunts was the Old Town portion of the Tacoma waterfront because of the wide range of possible photographic subjects (and, quite frankly, the nearness to my house). I think all the participants would agree, it was a fun time. Because there were two hunts, for two different clubs, and a few people members of both clubs, I made two separate lists with only a couple topics repeated on both lists.

Doing a scavenger hunt is a great way to push your photographic vision, to force yourself to think outside your normal “box.” Want to give it a try? Here’s a list of my favorite topics compiled from the two different lists I used over the past two weekends (minus topics specific to the place). Go someplace you think might have good photographic opportunities, give yourself 3 hours, and try to get a good image of everything on the list. Try for something different from your normal routine shot, be creative and push the envelope!

I’d love to see some of your results or hear your thoughts on whether this is a worthy exercise. Send me some of your results, and I’ll post them in my blog.

Here’s the list:

  1. ugly
  2. time (many people in the hunts I led photographed a watch or clock; try to think a bit more creatively and make a photograph that shows time itself)
  3. soft
  4. person/people (try to make it someone you don’t know)
  5. shadow
  6. light
  7. layers
  8. contrast (many options here, contrast between objects, contrast between light and dark, etc.)
  9. curve
  10. lines
  11. life
  12. action
  13. negative space
  14. color
  15. symmetry
  16. autumn (if in the southern hemisphere, substitute spring)
  17. old
  18. macro/closeup
  19. photographer’s choice (photograph anything you want)
  20. self-portrait

To give a bit of inspiration, here are a few of my shots for the above topics. (Disclaimer: for the actual scavenger hunts, participants are required to take jpegs, so the images submitted have no post-processing. The images below have undergone post-processing with Lightroom 5).

Ugly

Ugly – I found this old bottle nipple stuffed with something green and shot it with a macro lens. It would have worked for the macro category as well.

Autumn

Autumn – colorful leaves fallen onto an evergreen bush. I borrowed a fellow photographer’s black coat, which I laid on the ground, to make the black background.

Negative Space

Negative Space – it’s been foggy recently in the Puget Sound region, making it easy to find an image with lots of negative space

Old

Old – these old foundations from a historic mill on the Tacoma waterfront made an interesting subject and had good light as well.

Photographers Choice

Photographers Choice – the pagoda in Chinese Reconciliation Park looked great with the fog and the fall colors

People

People – this couple (and son) asked me to take their photo with their phone, I took one with my camera as well.

Time

Time – for me, this 4-minute exposure of some old pilings is an image of time, both for the calming effect the long exposure has on the water, but also the mystery of what the pilings were part of in the past


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