Thinking of Black and White
I love black and white photographs. I think black and white photographs may have been what really started my life-long passion for photography. In my pre-digital days, I had a wet darkroom in the back of the pantry of our kitchen. Though I did a little color processing, it was black and white processing that I truly enjoyed. I loved watching those pieces of photo paper magically transform and reveal an image when soaking in the developer bath. Those days are now long gone; I sold most of my old darkroom equipment for pennies on the dollar and even just threw some of it away when I moved to Tacoma.
But I still love black and white, though I don’t do much of it. I want to change that. Recently I downloaded a copy of Silver Efex Pro. I was excited to give it a try, since so many photographers make great black and white photos with it. Today I tried it out. Today I failed. It causes Photoshop to crash on my computer. I think I may have a video card issue. Luckily, I am planning a computer upgrade in the near future, and that may solve the problem.
But I still had the urge to make at least one black and white image today before getting to my other pressing work – fun before work, right? So I tried using the black and white adjustment layer in Photoshop and was not happy with the results. It caused some of my brush strokes applied in Lightroom to show and pixelated the sky. So I resorted to Lightroom for my black and white conversion. Though it is powerful, it doesn’t allow the type of targeted black and white adjustments I was hoping for that one can make with Photoshop or Silver Effect Pro.
The image here is the result of my efforts today. It is of Cape Disappointment Lighthouse; a 30-second exposure taken after sunset. I like the color version; I really like the black and white version. And I think I could love the black and white version were I to go back and fix some of the defects that my earlier color processing caused that are only visible with the black and white conversion. It seems that black and white conversions, at least the way I like to make them, amplify mistakes in images. Sensor dust spots become more visible; halos from imprecise brush strokes are more obvious; etc. After my computer upgrade, I think I will come back to this image, start over fresh with the RAW file, fix those mistakes and process it specifically for black and white, and again try Silver Efex Pro. Until then I’ll enjoy this slightly flawed image and keep thinking of black and white.
Cape Disappointment State Park – A Photo Guide
Last Friday, Tanya, Nahla, and I drove down to Cape Disappointment State Park for the day. We couldn’t have asked for a better early Spring day. Other than a brief rain shower on the way down, the day was sunny and warm (for early March anyway). We were extremely lucky weather-wise, Friday was the only day without significant rain in the week. Rainfall totals at Astoria, Oregon, the closest weather station to Cape Disappointment, over the past week were 0.33 inches on Monday March 3rd, 0.15 inches Tuesday, 1.43 inches Wednesday, 0.33 inches Thursday, 0.03 inches Friday, 1.38 inches Saturday, and 0.86 inches Sunday.
Cape Disappointment State Park, which is also part of the Lewis and Clark National Historic Park, is one of Washington’s larger state parks covering 1,882 acres. It offers 2 miles of ocean beach, two lighthouses, and old-growth forest. The park is located at the very southwestern tip of the state, at the mouth of the Columbia River. The park encompasses two rocky headlands, North Head and Cape Disappointment, both with their own lighthouses. Between the two is a broad, sandy ocean beach. An ocean coast with both headlands and sandy beaches is unique in this part of the state. The coastline to the north is mostly either low sandy beaches or shallow estuaries, without headlands, for the next 70 miles. I have nothing against broad sandy beaches, but for photography, headlands are generally much more photogenic.
The key photographic highlights of the park are the two lighthouses. Cape Disappointment Lighthouse is the oldest lighthouse on the United States west coast, guarding the mouth of the Columbia River. The lighthouse is reached via a 1/2 mile trail from the parking lot for the Lewis and Clark Interpretive Center at the southern end of the park. (The interpretive center, by the way, is one of the better Lewis and Clark museums in the Northwest, if not the whole country.) The trail approaches the lighthouse from the east, and the lighthouse is not visible from the trail until near the end of the trail. Further, the approach is from below the lighthouse. These factors make the lighthouse backlit for most of the day from the approach, and the ocean is not visible beyond the lighthouse until reaching its base. Space is extremely limited on the northern and western sides of the lighthouse and non-existent on the southern side. Additionally, there is a more modern, small boxy building just to the west of lighthouse. All these restrictions make it difficult to photograph the lighthouse near its base. However, the walk out to it is worth it for the view – the wide, sweeping expanse of the Columbia River entering the Pacific Ocean, with the Oregon coastal mountain range to the south. The mouth of the Columbia contains some of the most hazardous waters on the west coast, and the Coast Guard keeps a close watch on ships and fishing and pleasure boats entering and leaving the river.
In fact, the small building is manned by the Coast Guard. When we were there, the seaman in the station invited us inside to look through his binoculars (I don’t know what size lenses these things had, but if I had to guess, there were at least 600 mm; ie. they were huge) and tell us about his job. We talked about the waves, how big they get, and what it’s like bust through them on a small boat while doing surf training or going on a rescue. If the Coast Guard is surf training when you’re there, with a long lens, you should be able to get some great shots of boats busting through and over breaking waves from the lighthouse.
The best shots of the Cape Disappointment lighthouse itself, however, are not from near the base, but from beach level. The view from just to the west of Waikiki Beach ( a small beach, complete with big waves and surfers, just not the same climate as its more famous cousin) is particularly good. Because this is north of the lighthouse, the best light will be late in the afternoon and near sunset. You can try to capture waves crashing against the rocks beneath the lighthouse or frame the lighthouse with driftwood. Another possible, and more elevated, shot is from the interpretive center, again with the best light in late afternoon or near sunset.
The North Head lighthouse, located near the northern end of the park, has a bit more room around the base, making photographs possible from more angles close to the base. The lighthouse is accessed from a 1/4 mile trail from the historic lightkeeper’s and assistant lightkeeper’s houses and nearby parking lot. The North Head lighthouse sits a bit lower than the much of the land near it, so it is much easier to get a shot of the lighthouse with the ocean in the background than is possible at Cape Disappointment (okay, it’s probably impossible to get that type of shot at Cape Disappointment unless you have a plane or a drone). For example, you can easily walk up the hill behind the lighthouse and capture it with the setting sun over the Pacific.
Other good shots of the North Head Lighthouse can be taken from the beach south of the lighthouse and from an extension of the headland north of the lighthouse. To access this northern area, take the paved trail from the lighthouse parking lot to Bell’s View. Near the wooden view platform, wander off the trail to the west and pick up the informal trail which ends at a small cement pillbox (left over from WWII). But be careful, you’ll be near the edge of a cliff, and it’s a long way down to pounding surf below. While there, it’s also worth taking a peak at Bell’s View, which is northward to the seemingly endless beach and surf on the Long Beach Peninsula.
Other opportunities for photography include the beach between the two headlands, views of Deadman’s Cove along the trail to the Cape Disappointment lighthouse (beach access is not allowed), old growth forest (probably best on the North Head trail), historic artillery bunkers (the park was home to Fort Canby, active from 1852 through the end of World War II), and potentially wildlife. And if you like small fishing towns, visit the harbor at Ilwaco, which is located just outside the park.