El Santuario de Chimayo is Catholic church and shrine in New Mexico about 30 miles north of Santa Fe. It is located in the town of Chimayo, along on the High Road to Taos. While the high road has a number of other adobe churches worth photographing, Chimayo offers much more. Besides the main church, there is another smaller chapel near by, a trading post, and colorful grounds where the faithful pray and leave offerings. If in Santa Fe, it is well worth the drive to Chimayo to see the church and grounds.
If you do visit, you probably will not be alone. Sometimes called the “Lourdes of America,” Wikipedia claims Chimayo has 300,000 visitors per year and is the most important Catholic pilgrimage site in the United States. The main church, El Santuario, has a adobe-walled courtyard and twin bell towers topped with crosses. The nave is decorated with a large carved crucifix and various altarpieces, all from the 1800s. On the side of the nave is a separate prayer room/vestibule literally lined with hundreds discarded crutches from people believed to be healed from the “holy dirt” of the church. One wall of the prayer room, as well as many other walls elsewhere on the grounds, is covered with photographs of people also helped by the shire. The holy dirt is located within a hole in the floor of a small room attached to the prayer room. When we visited, a woman was kneeling on the floor, scooping holy dirt into a Ziploc bag to take home.
The second church is the Chapel of Santa Niño de Atocha. The chapel was built in 1856, but fell into disrepair to be renovated by the Archdiocese of Santa Fe in the early 1990s as a children’s chapel. It is decorated with modern artwork, but still maintains its historic feel.
Unfortunately, photography within both the churches is prohibited. However, many wonderful photographs can be captured by walking around the grounds and in the nearby portions of the town as you can see by the examples I’ve posted below.
While in Santa Fe, Tanya and I visited the Georgia O’Keeffe Museum. We had missed it on our previous trip there, so we wanted to be sure to see it this time. We enjoyed learning about Georgia O’Keeffe and seeing some of her paintings, though quite frankly, both of us we disappointed that more of her work was not on display. That said, it is worth a visit if you are in the area and enjoy the work of this truly American iconic artist.
Non-flash photography is allowed in the museum, though some pieces are marked for no photography signs. Additionally, no tripods are allowed.
One of the issues of photographing paintings and other artwork is getting the color correct. Most museums, not just the Georgia O’Keeffe Museum, have title cards next the artwork that is neutral grey. To get the true color of the piece, also take an image of the title card. Then in Lightroom, use the color balance eyedropper tool to get the correct color balance. Copy the color balance to the image with the artwork, and instantly the colors in the artwork are correct. For more on this technique, see my earlier post on the subject.
Exploring the work of Georgia O’Keeffe in a museum is one thing, but seeing the places she painted with your own camera lens is another. So a day or two after seeing the museum, Tanya and I traveled north of Santa Fe to the region around Abiquiu, where Georgia O’Keeffe lived, to see in person some of the places she painted. We didn’t drive into Abiquiu proper (not there is much town there) because we walked around it several years ago. But if you do visit, the church there is very photogenic. Tours of Georgia O’Keeffe’s house are also available through the Georgia O’Keeffe Museum.
Our first stop was Plaza Blanca, or, as Georgia O’Keeffe called it, the White Place. Plaza Blanca is a spectacular set of white limestone cliffs, small canyons, and hoodoos just north of Abiquiu. To reach the White Place, driving west out of Abiquiu on US Highway 84, shortly after passing over the Rio Chama, turn right on County Road 155. After a mile or two, this good dirt road becomes paved. Shortly after the road becomes paved, turn left on a dirt road through the gate for the Dar al Islam . When the road splits, stay right and come to a small parking lot. The White Place is a short walk down the hill.
Unfortunately, we didn’t have time to explore Plaza Blanca in detail as it was already late afternoon and I wanted to the Ghost Ranch before sunset. The Ghost Ranch is about 10 miles north of Abiquiu on US 84, and while driving there, we stopped to take some pictures of the badlands and red rock cliffs along the highway a mile or so before the turn off for the Ghost Ranch. There is also another spot worth noting between Abiquiu and Ghost Ranch. The highway between Abiquiu and Ghost Ranch climbs up out of the Rio Chama valley west of town. At one point, there is a pullout with a good views of the Rio Chama both looking back to Abiquiu in one direction and toward the mountains in the other. We stopped here on our way back from Ghost Ranch during the blue hour.
Today the Ghost Ranch is an education and retreat center owned by the Presbyterian Church. But you need not be a church member or go on a retreat to visit or even stay there; all visitors are welcome. When arriving at the Ghost Ranch, visitors check in at the Welcome Center. There is a $5/person fee for day visitors. You can also join in at meals in the dining hall (for a small additional fee) or even stay overnight if not full (reservations are available). For visitors not partaking in a retreat or organized educational event, the day pass offers access to hiking trails, the ranch’s museums (an anthropology museum and a paleontology museum), restrooms, trading post, and the rest of the campus grounds.
I had very little knowledge of the Ghost Ranch, other than it was a good place for photography, prior to our arrival. The Welcome Center was closed when we drove up, but a woman was just leaving the building as we got out of the car. It turns out she was the Executive Director of the ranch. She suggested a couple hikes, invited us to dinner at the dining hall, opened the Welcome Center to let us use the restrooms, and told us a bit of history about the ranch. Apparently, the ranch was originally owned by a pair of cattle rustlers and thieves, who kept their pilfered livestock in a box canyon on the ranch. To keep people out, they told stories of evil spirits that haunted the area. This led to the original name Ranch of the Witches which was eventually changed to the Ghost Ranch. Arthur Pack, an east-coast conservationist, purchased the ranch in the 1930s. He sold a small piece of it to Georgia O’Keeffe, who kept a studio there and painted many of the Ghost Ranch landscapes. Pack donated the ranch to the Presbyterian Church in the 1950s to be used as a retreat center.
The ranch is set at the base of a series of red-rock cliffs and small canyons and badlands, quite reminiscent of much of southern Utah. Its most famous geologic feature is Chimney Rock, an orange and red sandstone spire jutting out from a cliff face (shown in the featured images above, as well as one image below). Tanya and I did about half of the Chimney Rock hike, far enough to get a good photograph (the one below). Based on the angle of the setting sun, which was backlighting the formation, we didn’t complete the hike so I could get a better shot entrance road to the ranch. The image above was shot just before sunset along the entrance road, next to an old log cabin (which Tanya explored while I took pictures).
In all, we spent less than half a day exploring the Georgia O’Keeffe country around Abiquiu. From this short outing, I know I want to go back for more.
Tanya and I just got back yesterday from a quick trip to Santa Fe, New Mexico. Santa Fe is one of our favorite places in the American Southwest for many reasons, but one in particular (for me at least) is that the Santa Fe region is a wonderful place to photograph.Santa Fe is at elevation 7,200 feet (2,195 meters) above sea level, and with the elevation, spring was just starting to blossom out there. The quick shot posted here was taken at the Estrella Del Norte Vineyard about 15 miles north of Santa Fe. It has lovely grounds, and I’d like to go back some day when the grape vines are green and the flowers blooming. As you can see in this image, the cottonwoods in the background were just starting to leaf out. Enjoy this shot, and I’ll post more in the next few days.
Not only have I not posted in awhile, I haven’t had time to get the camera out either and it was starting to make me antsy. So yesterday evening, I grabbed the camera and drove down the hill to take a few shots of Mount Rainier and the sunset from Ruston Way here in Tacoma. These shots were taken from a spot about a mile from my house. I still want to get out for a full day with camera in hand, but for a short while, the hour I spent last night scratched my photography itch. Do you have a special, go-to spot when you just have to get out there an click a shutter button for awhile?
I’ve been too busy to write much lately, but I wanted to tell you that my book Scenic Seattle, Touring and Photographing the Emerald City is now available for pre-sale on Amazon. This is an updated and expanded version of the ebook I published in 2013. My publisher, Schiffer Publishing, sent me the a color layout draft of the book this week for markup. The main purpose of this draft is to make sure the photographs are placed in the correct places and have the correct captions, to make sure the previous edits from the text galleys were done correctly, and to start populating the index with page numbers. Then it’s back the publisher next Monday. They will send one more draft for a last check before being printed, and finally it will be available in June.
If you are interested in buying the book, you can pre-order on Amazon, or you might want to wait until the book is printed, after which I will be offering it for a special price on my blog. Stayed tuned for details!
The photo above is of the Suzzallo Library on the University of Washington campus in Seattle, just one of the many places described in the book. The photo, by the way, didn’t make the cut for the book.