Winter just seems never to end. We’ve had nothing but a cold, rainy March so far. So what should you do when bored and stuck inside on a rainy winter day? Try your hand at scanography – photography using a flat-bed scanner. If you don’t already own such a scanner, you can often find them cheap at a second-hand store. The images shown here were taken with my Epson Perfection 2450 Photo scanner that I purchased several years ago at Goodwill for $5. The trick is getting such a scanner to run on your computer – often drivers are not available for newer versions of Windows. For example, Epson offer a driver for my scanner for Windows version after XP.
I’m running Windows 7. When I first got the scanner several years back, Windows 7 was still fairly new. To get the scanner to work, I did a Google search on Windows 7 drivers for my scanner model. I discovered that a different Epson model had a driver that worked, so I downloaded that and sure enough, it worked.
Now skip ahead a few years. I tried Widows 10 and decided to go back to Window 7, but when I did so, I lost the driver for the scanner. Well actually, I still had the driver, but Windows would not allow me to install it because it was “unsigned.” This is a case of the software trying to protect your computer from malignant software. I get it, but I really did want to use the scanner again. Finally, after several long Google searches, I discovered there is a way to get Windows to install unsigned drivers. You must first disable the driver signature enforcement, then install the driver. It wasn’t that hard to do, and sure enough, I was back in business.
Since if you pick up a cheap, used scanner, it probably won’t be the same model as mine, I suggest the following. First, go the the manufacturer’s support site and see if there is a driver available. If so, your golden. If not, search Google for an alternate driver. For example, in my case, the Google search might be: “windows 7 driver for epson 2450 scanner”. There is a good chance this will give you a driver that will work. However, if it is unsigned, you still will need some help installing it. So try this Google search: “installing unsigned drivers windows 10”. You will get a number of results that explain how to install unsigned drivers. Good luck!
Once you do get your scanner installed, it’s time to have fun. All of the images here were taken using the scanner. The fun thing about using a scanner for photography, of scanography as it is called, is that you can create interesting effects because the scanner captures an image a line at a time. This means that as the scanner light and sensor moves, you can move your subject either blurring it or making it appear more than once in the frame. I found this is particularly fun for self portraits (just watch out for fogging the glass with your breath).
I found that scanning to TIFF files worked better than to JPGs, but your experience may be different. Once the files are created, I imported them into Lightroom and treated them just like any other file, optimizing them as I saw fit. I found the biggest problem is dust. I’m use to a few dust spots from my camera sensor. With the scanner, you can get hundreds of dust spots, all perfectly in focus. So be sure the clean the glass well when doing your scanography.
Wondering what kind of images you can make with a scanner? My samples here will give you a few ideas. If you want more, just do a Flickr or Google image search for scanography. There is some very creative work out there.
When my children were young, they liked going the Dungeness Spit, though my son liked to call it the “Dungeon of Spit.” Dungeness Spit is the longest natural sand spit in the world. It juts out into the Straits of Juan de Fuca from the Olympic Peninsula near the town of Sequim, Washington. This location, in the rain shadow of the Olympic Mountains, makes it one of the sunniest places in western Washington (Sequim averages only 16 inches of rain per year while the town of Elwha, about 30 miles to the west, averages 56 inches). The spit is home to the New Dungeness Lighthouse, the oldest lighthouse in Washington State north of the Columbia River.
A week ago, I lead a group of four Tacoma Mountaineer photographers on a photo hike of the Dungeness Spit. Though I have been there many times, I’ve never made it all the way out to the lighthouse (an 11-mile round-trip hike from the parking lot). So that was the goal of this trip. This is the rare hike in Washington where you can see your destination almost the entire length of the hike. The first half mile is through forest. But from there on, the hike is on the beach and the lighthouse if visible – though seemingly so very far away. But keep walking on the beach, and eventually you will get there.
The lighthouse is open to the public; volunteer lighthouse keepers lead tours up the tower and gladly answer questions about the lighthouse operation and history. The volunteers each spend a week at the lighthouse, living in the historic lightkeeper’s house and taking care of the place. Our guide lives in Los Angeles but has come up to Washington for the past six years just to spend a week at the lighthouse.
My friend, Greg Vaughn, who wrote the book on Washington, mentions Dungeness Spit in his book, but says it doesn’t offer much for nature photographers. I usually agree with Greg, but here I beg to differ (at least if you like lighthouses and mountains). On a sunny day, with the Olympics and Mount Baker out, the spit offers great views. Though it does help to have a fairly long lens to help pull in Mount Baker (and the lighthouse if you are not close). On this trip, mainly used my 28 – 300mm zoom.
Dungeness Spit is part of the Dungenss National Wildlife Refuge. There is a $3 entrance fee payable at the trailhead. The trailhead is accessed through the Dungeness Recreation Area, a park run by Clallam County. The refuge is open daily from sunrise to half an hour before sunset (though we didn’t make it back until a little after sunset and no one bothered us about it). Half the spit – the half facing Dungeness Bay – is closed to public access to allow the birds a safe haven. So all the hike is on the Strait of Juan de Fuca side, which has bigger waves and less drift wood. The final half mile of the spit, past the lighthouse, is also closed. For much of its length, the spit is only 100 to 200 feet wide (less at high tide, more at low tide). After the walk through the forest, the hike is all on the beach, which is mostly sandy at low tide. At high tide, much of hike is on cobbles and large gravel instead of sand. The spit is a popular hike, and it can be difficult to not get other hikers in your photographs when looking up or down the beach. However, by getting up off the beach into the drift wood, the drift wood can be used to hide people walking on the beach.
To prominently show the lighthouse in your images, you will have to walk at least several miles. However, my favorite view of the lighthouse is actually from a small viewing platform just above the beach where the trail exits the forest. Here the lighthouse is placed directly in front of Mount Baker, and with a long lens, you can get a good shot of it looking small and isolated, alone and practically in the sea in front of the mountain (see featured photo above).
Besides the views of the mountains and lighthouse, Dungeness Spit offers photographers abstract shots of driftwood, shells, rocks, waves, etc. Being a wildlife refuge, there is also lots of birds. Bald eagles are very common, as are many waterfowl (just remember to stay on your side of the beach). One hiker we met said they had seen coyotes on the spit, and I’ve often seen sea lions and seals just off shore.
I just wanted to let you know that I will be speaking
tomorrow night (February 7th) at 7 p.m. at the University Place library about my book, Scenic Seattle. I’ll be discussing how I turned my personal project into a published book, showing photographs of Seattle (including some that did not make it in the book), and answering any questions about photography. Here’s a flyer from the library about the talk. So if you are in the area, come by and say hello.
The library is located at: 3609 Market Place W, Suite 100, University Place, Washington. There is parking available both in front of the library and also in the parking garage underneath the library off of Drexler Drive behind the library building.
UPDATE: the talk tonight was just cancelled because of the weather. I’ll let you know when it is rescheduled.
As now has become my tradition, instead of the best of the year, I give you the worst. Well probably not the very worst, since those are often deleted immediately. While I had a reason to originally shoot these images, the only reason to keep them is to learn from my mistakes. I present these to let you, as well as I, learn from some of my mistakes. I have been doing this exercise of picking the worst of the year now for four years, and I do have to say, it appears harder each year to pick truly awful photos. Perhaps I’m learning? So, here are some of my worst shots of 2016, one for most months, both out of the camera (with default Lightroom processing) and, in some cases, with Lightroom processing in an attempt to save them (though most are not worth saving).
January – Black Dog, White Snow, Bad Combination. This is Nahla on one of my winter outings last year. She was eating snow and I thought I’d get a shot. It is very hard to get a good shot of a black animal and keep detail in the fur. Add snow, and you have a contrast nightmare. To add to it, she moved as I was taking the shot and my shutter speed was too slow. Why? I don’t know, there was plenty of light. No hope of saving this by processing. Lesson learned – use a high shutter speed to freeze action (you’d think I’d know that by now!); control the contrast (I’m just not sure how in this case).
February – Sunrise on Mount Baker with Sticks and Debris. I was up a Fir Island (see my last post) and saw some beautiful sunrise light on Mount Baker. And I liked the reflection in the pond. But to get the reflection, some foreground sticks got in the way. And what is all that stuff floating on the water? Plus, only later did I notice the walkway and lights on the far side of the pond. Processing in Lightroom brings out the colors on the mountain, and cropping gets rid of the sticks and floating debris, but it also takes the reflection. The end result is okay, but not great,and it certainly isn’t the image I was attempting to shoot. Lesson learned – don’t get so excited by the light to forget to check your foreground.
March – Why Did I Shoot This? I didn’t get out much in March, and of the images I took, I didn’t see any real horrible ones. The best (or should I say the worst) I can offer is this image of a boat at Point Ruston near my home in Tacoma. Not a truly awful image, I’m just not sure why I took it. Lesson learned – take photos for a reason, not just because you have a camera in your hand.
April – Slot Canyon Blues. On a trip to New Mexico in April, Tanya and I visited the Kasha-Katuwe Tent Rocks National Monument. On a hike there, we went through a slot canyon. I enjoyed moon hanging in sky above the canyon walls and was inspired to take the above photograph. Perfectly captures the moment does it not? Not is the correct answer. Shot with a wide-angle lens, you can barely see the moon. And can you tell it is a slot canyon if I hadn’t told you? There are contrast problems as well, but processing fixed that. The processed version cannot save the lack of photographic vision. Lesson learned – some scenes do not translate well to photographic images.
May – Small Flowers, White Sky. Early May brought me a bad case of spring fever. So Tanya, Nahla and I drove to eastern Washington to take a short hike to Umtanum Creek Falls. The route passes through a small black-rock canyon. I liked the yellow flowers blooming on the dark rock wall and took the above shot, including the trees and sky above to give a sense of the scene to the image. Again, because of the large contrast between the rocks and the sky, the sky was totally blown out. And the composition is horrible; the flowers small and insignificant when they are supposedly the subject of the image. Heavy processing brought some detail to the sky, but doesn’t help the composition. Lesson learned – make the subject prominent in the image; minimize the area of sky in the frame when there is a large contrast difference between the sky and the rest of the shot.
June – Rain Forest Contrast. In June we made a day trip to the Olympic coast, visiting the Hoh rain forest and Ruby Beach. The light conditions were not very good that day for photography, and while you still can make some good shots in bad light (see my post about that day for examples), the image above is not one of them. Here I liked the backlighting of the leaves, the look of the water underneath, and the moss hanging above. Unfortunately, the contrast between the sunlit water and grass and the shadowed moss was too much for the camera to handle, even with processing. Additionally, the composition is messy – there’s too much in the scene. Lesson learned – simplify compositions (which admittedly is hard to do in a forest); avoid extreme contrast.
July – Action Unfrozen. On the 4th of July last year, Tanya and I walked down to the annual festival along the Ruston Way waterfront. There we briefly watched bicyclists doing tricks. I grabbed a few shots. Unfortunately, I wasn’t paying attention to my camera settings. The scene was in full sun, and I had no reason why I couldn’t use a fast shutter speed to freeze the action. Shooting hand-held with a 300 mm lens of a moving subject with a shutter speed of only 1/60th of a second is a recipe for failure. And that is what I achieved. It may have worked if I had been panning with the bike motion, but that was not the case here. Lesson learned – pay attention to shutter speed with moving subjects.
August – Blurs in the Sky, Blurs on the Ground. I wrote a post specifically about this photo shoot which I titled Rookie Mistakes. I was attempting to photography the setting crescent moon in the Columbia River Gorge and even taking about 30 images, almost totally failed due to not realizing how quickly celestial objects move when viewed with a telephoto lens and not fully taking into account how much camera shake strong winds cause. This image was worse than most, since I thought the airplane was out of the frame. No amount of processing can save bad blurs, though a small amount can sometimes by saved by Photoshop work. Lesson learned – use faster shutter speeds when shooting the moon and stars with a telephoto lens; use faster shutter speeds in windy conditions.
September – Closed Eye Failure. On our trip to Montreal, Tanya and I visited the Atwater Market which included this bakery. I liked the look of the line of glass cover domes leading to where the gal behind the counter was helping customers. I shot off a quick burst of 3 images to catch the interaction between customer and clerk. Unfortunately, I caught the clerk with her eyes shut. Lesson learned – when shooting people, take a lot of images.
October – Vignetting Ingalls Lake. Last year I purchased some Xune filter holder and lens adapters to use with my polarizer and neutral density filters. I knew there would cause more vignetting than when not using the system when using a wide-angle lens. Even knowing so, I wasn’t paying attention when I took the above wide-angle shot at Ingalls Lake with the polarizer. The vignetting was horrible. It can be solved by cropping, as is shown in the processed version. However, such cropping defeats the purpose of using the wide-angle lens. Lesson learned – watch for vignetting when using filters on a wide-angle lens; if you need the filter and still want the wide-angle view, try stitching two or three non-wide angle shots together.
December – Blurry Shore. No bad shots in November because the camera barely left my bag. In December night, I was down on the shoreline in the Old Town district of Tacoma. I loved the reflection of the moon over the wavy shore. However, the wind was blowing very hard. Knowing the problems I had with wind down in the Gorge (see August above), I tried to keep my shutter speeds relatively fast, but even so I failed to get a non-blurry shot. In hindsight, I should have done more to weigh the tripod down and block the wind. Lesson learned – relearn August’s lesson and take precautions against strong winds.
Summary – We can all learn from our mistakes. Above are several of mine. In reviewing these, there are a couple of running themes – problems from contrast and problems with blurring. Those, and in fact none of the issues I’ve presented here, are new for me. But hopefully, by studying my bad shots, I will make such mistakes less and less.
Winter in Washington State brings snow to the mountains, but to the Skagit River delta, it brings snow geese by the ten’s of thousands. And right now is prime snow-goose viewing on Fir Island. In addition to snow geese, there are thousands of trumpeter and tundra swans, as well as dozens of bald eagles and other raptors. Throw in a random flock of ducks and a great blue heron or two and you have a birder’s paradise.
Last Sunday, Tanya, Nahla and I headed up to the Skagit to check out the birds. This is one photo opportunity where you don’t have to get up early in the morning. The snow geese spend the night our on the bay, but fly in to congregate on the agricultural fields of Fir Island (as well as other parts of the delta). They fly in flocks of dozens to thousands, and in my experience, as the day progresses, they tend to gather in larger and larger flocks. Indeed, on Sunday we arrived about 12:30 p.m. and the geese were largely congregated into two huge flocks. It’s always a bit of crap shoot on how close they will be to the road (and you want to shoot from the road, not only are the fields private property, they are extremely muddy), but last Sunday both large flocks were very close to the road. The edge of one flock was within 10 feet of the southern side of Fir Island Road and the other was perhaps 50 feet from Polson Road.
I think most photographers like to get a shot of a huge flock of geese in flight. Normally the geese are gathered on the ground, grazing on the fields, with small groups flying in and out. But now and then, something startles the birds and the entire flock takes off at once. If you wait long enough, you can often capture such a mass takeoff. Last Sunday, I had the perfect vantage (perfect for me, not for the geese) with the flock off Polson Road. The flock was north of the road (in a field closed to hunting), so I was not shooting into the sun, while south of the road were perhaps a dozen hunters (in a field open to hunting). When a few geese would fly over the hunters, shotguns would ring out (see what I mean about not being perfect for the geese), which would scare the flock north of the road and they would all take to flight. The flock would circle north a ways, land, but eventually a few dozen or hundred at a time, come back to where they had originally been and the cycle would repeat.
In addition to the geese, we saw several flocks of swans (a mix of trumpeter and tundra swans), the largest being probably over 1,000 birds. And along the river were plenty of bald eagles, typically in groups of three to seven hanging out in the trees along the river banks.
I normally don’t shoot a lot of bird pictures. I don’t have big enough glass for most bird photography (my 28 – 300 mm zoom is my largest lens and all the bird images in this post were taken with it), and I don’t have the patience that is often needed. But this is why I like going up to the Skagit in winter. Often, as was the case Sunday, you can get decent images without a huge telephoto lens. And you don’t have to wait for a lot of bird action – just drive around on the roads covering Fir Island looking for a flock of geese or a congregation of eagles.
The other thing I like about going there, is that it is close to Deception Pass State Park. Deception Pass is a favorite place of mine to shoot. So, after we had enough bird viewing to fill our day, we drove over to Deception Pass for sunset. From the middle of Fir Island, Deception Pass is about a 30 minute drive away (just over 20 miles). I shot a few images of the Deception Pass Bridge and then hustled down to Bowman Bay to shoot the sun setting over Deception Island.
All and all a good winter’s day.