I recently returned from our quick trip to Utah. While there, I spent several hours in the middle of the night doing some Milky Way shots at Devils Garden in Grand Staircase – Escalante National Monument (a fantastic place that I love and that my so-called President is trying to take away). I arrived at the Devils Garden parking lot at about 1:30 am on a weekday morning. I obviously wasn’t the only one with the idea of shooting there that night, as the parking lot had five other cars parked (by comparison, I took Tanya and our friends Jim and Kris back there later in the morning – around 10 am – and there were only two other cars there).
Devils Garden is a fairly small area filled with wonderful hoodoos and several arches. And I was a bit surprised by the number of photographers there there, but figured if everyone was polite with their lights, we could all get along. I headed toward one particular set of four hoodoos shaped like heads from Easter Island that I thought would look great with the Milky Way and some light painting. However, there was a group of people already working there. So instead, I went to Metate Arch and shot the image above. I did my light painting with a LED headlamp covered with an orange gel. I was pretty happy with the result, and hoped the other folks had moved on to another spot so I could capture the “Easter Island” hoodoos. But no, they were still there.
I talked briefly with another photographer, asking him if my light painting had hindered him, but he said no. He was not with the group by the Easter Island hoodoos also wished they would move. He had been photographing some hoodoos near Metate Arch, and we traded places. I had some trouble shooting this spot, the group down by the Easter Island hoodoos was in the corner of my composition and they rarely turned off their lights. Further the photographer now at Metate Arch was occasionally using his light, and that was partly in my shot as well. Between the two, I took five shots, none without some light from the other photographers – especially the group by the Easter Island hoodoos – whom it seemed when they finished with light painted, turned on red lights and keep them on until they started light painting again (for those who don’t know, when out doing night photography, using a red light helps keep your night vision). Rarely did they have both their normal and red lights off. The image shown here is the best of the lot I took – there is some red light from the photographer by Metate Arch (lower center) and the light on the Easter Island hoodoos (down in the lower left corner) isn’t too bad. I was able to use Photoshop to fix the image (see below), getting totally rid of the red light in the center, removing the light spot in the lower left, and dimming the rest of the light in the lower left (I thought it looked better with a little light there rather than making it totally dark). I am happy with the result, but by now I was starting to get a bit mad at the rudeness of the group down by the Easter Island hoodoos, who almost always had one light or another on.
I ended up photographing three other spots, two of which are shown below, in total spending about two hours at Devils Garden. I never did make it to the Easter Island hoodoos as the light-happy group of photographers there never left the spot. And frankly, even now, days later, I’m still a bit peeved at that selfish and rude group.
Aside: rant directed at that group of photographers: seriously people, would you sit in the front row of a movie theater and talk on your cell phone for the entire movie? Do you enjoy shining your flashlight in other people’s eyes at night? Do you never turn off you high beams when other cars approach on the highway? And it’s not just the lights. It’s hogging the spot. It’s one thing to arrive early and setup at a preferred spot for sunrise – sunrise only last 10 or 15 minutes. But honestly, 2 hours without moving at a place that has dozens of potential shots? Have you no creativity? Obviously not! How many shots of the same set of hoodoos do you need? I suppose you never learned to share your toys when you were a kid either.
With the capabilities of today’s digital cameras, night photography is continually growing in popularity, and you will often find other photographers out with you at the same time as many sites, such as Devils Garden. Such situations beg for politeness and etiquette. If you find yourself out with other photographers at night, please be respectful and use your light sparingly. In places such as Devils Garden, where there are multiple subjects, try not to hog one spot. Nighttime photography is much more difficult than daytime work, it is more difficult to control the camera, more difficult to focus the lens, more difficult to get a composition, and demands long shutter speeds. It is difficult enough that you shouldn’t have to also battle light pollution from other photographers.
Another quick shot for you. I spent most of last week in Spokane, but was not able to slip out and do much photography. However, one night I did get manage to escape and shoot some late evening shots in Riverfront Park. Though water levels were down a little bit from several weeks ago, the falls were still spectacular. This shot is of Upper Spokane Falls, taken from the Post Street Bridge. Enjoy!
Tanya and I recently returned from a trip to Quebec and Vermont. We spent four days in Montreal. When talking about the trip to friends here in Tacoma, the most common question asked is why we went to Montreal. They can understand going to Vermont for fall color, but not Montreal.
We chose to go to Montreal because we had never been there before and it didn’t cost too much in terms of frequent flyer miles. When I booked the trip about six months ago, I hadn’t really thought about Montreal either. I didn’t know what tourist attractions the city has or what we would do when in the city.
After this trip, I can highly recommend Montreal as a fun, interesting destination for photographers and non-photographers alike. Montreal, and Quebec in general, is like a little slice of Europe inside North America. French is the native language of most Montrealers. But it is not just the language that sets it apart, the city is different (in a good way) from the other major American and Canadian cities I’ve been to, especially in the old part of the city (called Old Montreal). In Old Montreal, most the streets are narrow, some are set-aside for pedestrian use only, and many are paved with cobblestones – all features of many European cities. There are very many churches in the city (such as the Notre Dame Basilica featured above and in my last post), many being very large and impressive, again reminiscent of Europe. You can easily find traditional French food, and most of the wine is also French. If you are a beer drinker, at least one like me, it is also hard, in my opinion, to find a decent micro-brew there, just like my experiences in Europe. (Traveling the short distance across the border into Vermont was another story – Vermont is chock full of good micro-brews.) There are several open-air markets, again very similar to many European cities.
From a photographer’s point of view, the city is a visual delight as well. I hope the images I posted here can give you a taste of why you should visit Montreal.
I hope you are having a great summer (or winter for my friends down south). I’m not sure where the time has gone this summer. It seems like I’ve been busy, but have little to show for it. I know my time has not been taken up by photography. I sort my image in my Lightroom catalog by date, and the catalog for July only has two dates in it. Same with August – and those two were from consecutive days of a non-photography trip where the camera barely left the bag. The purpose of the trip earlier this month was a family reunion. Us Beckers gather every year the first weekend in August.
This year, the get-together was at my sister’s house in Lyle, Washington. For those of you that don’t know where Lyle is, it is a small town in the Columbia River Gorge, on the Washington side of the river, ten miles or so east of Hood River, Oregon. My sister actually lives north of town another 10 miles or so in a house with a fantastic view of Mount Adams. However, I didn’t take any shots of Mount Adams when I was there, the air was quite hazy.
Tanya and I stayed right in the town of Lyle in an Airbnb house with a view of the Columbia River. The only photograph I planned to take that weekend was the image above. I knew by checking the Photographer Ephemeris that the crescent moon would be setting directly down the gorge from Lyle. In fact, I didn’t have to travel far to get the shot. The image above was taken from the deck of our rental.
So why is this post called “Rookie Mistakes?” Because I made a mess of my photo shoot. For those of you that have been to the Columbia River Gorge, you probably know the wind blows there a lot, and the night I shot this image was no exception. So, one would think that I, being somewhat of a professional photographer, would take precautions against camera shake. Well, I thought I did. I used my sturdiest tripod, I bumped up the ISO to 800 and used wide apertures to make for shorter shutter speeds. I shot some 30 images. All of them had camera shake to a certain extent. The one above, the last image I shot that night, was the best of the lot. I used Photoshop’s shake reduction filter, and that helped, but I could have done more. I should have used a weight on the tripod. I should have left the stabilizer on my lens, which I normally turn off when shooting from a tripod, turned on. Bad mistakes. I’m lucky I had even one halfway decent shot.
Mistake number two – the moon (and the planet above it in this image, Jupiter, I think) moves fast. My shutter speeds were between 2.5 and 30 seconds. When shooting stars at night, a 30-second exposure is typically not long enough to have star trails show when using a very wide-angle lens. However, I was not using a very wide-angle lens; I was using a telephoto lens. In everything I shot with a shutter speed over 2.5 seconds, the moon was horribly blurred due to the earth’s rotation. The image above is actually a composite, the moon and Jupiter are a 2.5 second exposure, the rest is a 10 second exposure.
All I can say is that when I downloaded these images to my computer, I was very disappointed. I let the excitement of the photo shoot overwhelm good technique. That’s why it is important to get out and practice your craft as much as possible. Keep working on your technique until it becomes second nature. I guess I’m not there yet. Here I encountered two different, unrelated phenomenon that, had I been thinking properly, should have made me use a fast shutter speed. Neither did. I failed and am lucky to have anything to show. But, I learned a lesson and, hopefully, will not make these mistakes again.
If you are like me, it is often difficult to do serious photography when traveling with your family. I wish I had a simple method to address this problem, but I don’t. If you do, please let me know! Or perhaps you don’t think this is a problem. If that is that case, please tell me why.
When traveling with Tanya, she usually requires me classify the trip as a “photograph trip” or a “non-photography trip.” On non-photography trips, I can still take my equipment, but I am expected not to disrupt any trip plans with photography. On photography trips, the world’s my oyster and I dictate when and where.
When we take a big trip, like our trip to Europe last month, they are by default non-photography trips. This is especially true when we travel with others; in this particular case, traveling with my mother-in-law and my son. One word of advice – if you want to get a lot of photography in while traveling, don’t travel with your mother-in-law.
On a photography trip, I tend to take the whole bag. But for non-photography trips, I go more minimal. I usually take my camera backpack as a carry-on in the plane, but I don’t typically carry it around when out shooting except when I’m going out by myself (see below). Even then, I take some of the gear out instead of my normal kit. I typically take my Canon 6D body with battery grip, a 28-300 mm lens, a 17-40 mm lens, about 5 or 6 memory cards, a polarizing filter, a split-neutral density filter, a Canon speedlight flash, four batteries, a battery charger, a tripod, my laptop, a card reader, and a few various accessories (lens cloth, etc.). In addition to the backpack, I also bring a Think Tank Pro digital holster as a smaller bag.
So when on a non-photography trips and heading out with the family, I go with a minimal set of equipment. I will put the 28-300mm lens on the camera, take the battery grip off, and put the camera in the holster (the camera will not fit in the holster with the battery grip on). In the pockets of the holster, which are rather small, I’ll carry a spare battery, a spare memory card, a cleaning cloth, and the polarizing filter. Sometimes, if I know I will want it, I’ll carry the 17-40mm lens in my coat pocket (no room in the camera holster). Rarely I’ll carry the tripod as well with this minimal setup. This minimal set of equipment allows me to get quality photographs without impacting the family, though I will often have to shoot at a higher ISO than I’d like due to not having the tripod (see my last post).
But my main strategy to get quality photography time is to go out without the family. This usually means going out at night after the family has retired to our lodgings for the evening or getting up extra early and going out prior to everyone else being ready for the day. This is one reason I like to stay near major attractions that might look good at night. On your recent trip, we stayed within easy walking distance of the Louvre when in Paris and near the Block of Discord in Barcelona. When going out on my own, I carry my full kit in the photo backpack and always take the tripod (even with high ISOs, it is hard to shoot at night without a tripod). The added advantage is that often there are not very many people around wandering into my frame when shooting, and even if they do, the exposures are long enough that they typically don’t show up if they keep moving.
Shooting at night also has the added advantage of making the sky easier to deal with. When doing travel photography, you typically don’t have a lot of time at any one destination. So you can’t necessarily wait for those “good” sky days. Often the sky is a mass of clouds without any redeeming detail, and if you place it in your composition, it sits there like a huge blown-out white blob. Not to mention the contrast problem it creates with the foreground and your image’s subject. Not a problem at night. At worst, clouds pick up scattered lights from the city and take on an orange glow, which is easy to fix in processing.
The images accompanying this post are from two nights I went out by myself, once in Paris and the second in Barcelona. Unlike my previous post, these images were all taken with an ISO of 100 or 200 while using a tripod. The featured image at the top of the post is of the courtyard of the Louvre.