It’s been way too long since I posted. The winter has been busy with editing my 2019 photos as well as lots of other chores. But with some nice weather this President’s Day holiday, I was able to get out for the first flight of my new drone (other than just playing around in the yard). The drone is a Mavic Mini, which Tanya gave me for Christmas. It has a 12 megapixel camera, that only shoots jpg, but it seems to do a decent job based on the photos I took today.
I didn’t head very far for this flight. I went to Mason Gulch, about 5 blocks or so from my house. Mason Gulch is a steep ravine cut into the hillside populated with lots of deciduous trees, which are still barren of leaves. It’s a little bit of wilderness here in Tacoma.
So here are a few sample shots. What do you think?
I’m not sure where November went, but it did leave without any posts on my blog. That lack of posts needs to change, so here is one more about Norway. Both Tanya and I enjoy visiting historic sites when traveling, and churches are often on our list of historic places to visit. In Norway, that means visiting stave churches. In the 12th and 13th centuries, while most of Europe was building stone churches, northern Europe, Norway in particular, was building stave churches. These wooden churches are named after the building style that uses thick wooden corner posts, or staves. Their architectural style combines early Christianity with Viking and Nordic designs, and they were traditionally built without nails. Norway once had upwards of 2,000 stave churches. Today only 28 remain. Outside of Norway, there are less than a handful.
Many of Norway’s stave churches look like something out of Lord of the Rings. They are tall and dark (many being almost black), with multiple roofs, decorated with crosses and stylistic dragons. Inside there are no lights and few windows. Traditionally, only small windows were placed high up in the eaves.
While unusual and stunning visually, because they are so dark, both inside and out, they are a challenge to photograph. They are protected from the elements by tar. If the last tar application was recent, the church will be black fading to a dark brown with time. These dark exteriors can lead to bad contrast problems photographing the churches, particularly when including the sky in a composition. I found that for compositions without any sky, I could get away with a single exposure, but if I included the sky in my frame, I usually needed to use HDR to include details in both the church and the sky.
Of the four stave churches we visited, none allowed tripods or flash indoors (and I imagine that is true for all historic stave churches in Norway). The only recourse is to use high ISO settings. I found myself typically using settings of 6,400 or 12,800 while shooting at shutter speeds of 15th to 30th of a second using wide-open apertures.
Brief descriptions of the four stave churches we visited are below. The links lead to my Photohound entries for the churches, which give more details on how and what to shoot as well as directions and GPS coordinates.
Borgund Stave Church
The first stave church we visited was the Borgund Stave Church. It is one of the best preserved stave churches in the country, though the inside is less decorated than many of the others. It was built around 1180 and has wonderful carved portals with crosses and dragon heads decorating the many roof lines. Near the church is a sizable museum dedicated to stave churches. The graveyard around the church is still used for burials today.
Urnes Stave Church
We visited our second stave church later on the same day as the Borgund church. The Urnes Stave Church (the featured image at the beginning of this post) is the oldest stave church in Norway, dating back to before 1130. It is also a UNESCO World Heritage Site. Perched on a hillside overlooking a fjord and mountains, the setting for the Urnes church is stunning. Also, the inside is much more decorated than the Borgund Stave Church. We were the only visitors at the time of our visit, and the docent from the (very) small museum gave us a 20-minute talk about the church, its construction, and history while inside the church. The church is more isolated than the Borgund church, reachable only by a small ferry (perhaps a 10-car ferry) or via a long drive down a country road along the fjord which dead-ends a few kilometers past Urnes. The road was closed when we visited due to mudslides from the torrential rains we experienced that day (coming from the last vestiges of Hurricane Dorian).
Lom Stave Church
Two days later we visited a third stave church, this one Fossbergom. The Lom Stave Church is one the largest stave churches still standing in Norway. The oldest part of the church dates back to 1160, but the church was remodeled and enlarged in the 1600’s, when the walls were extended to create a cross shape. Most of the decorations on the inside of the church date from the 1600 and 1700s. There are several carved panels, as well as the carved canopy above the pulpit, within the church. These decorations from the 17th and 18th centuries give the interior a baroque feel.
Hopperstad Stave Church
On our final day in Norway, we made a quick stop at the Hopperstad Stave Church in Vik. The church was originally built around 1130, but much of it has been replaced over time. Eventually the the church fell into disrepair, and in the 1880s, the architect Peter Blix restored it. For the restoration, Blix used in styles from other stave churches, mostly the Borgund church, as patterns. Like most stave churches, the interior of the Hopperstad Stave Church is extremely dark. However, it is richly decorated; particularly the baldachin, which forms a ceremonially canopy over a side altar.
If you are a waterfall hunter, the fjord region of Norway is quite literally a smorgasbord for cascading delights. Where ever we drove, waterfalls were to be found. Waterfalls of every description (big and wide, skinny and tall, tall and wide, graceful, forceful, wistful) abound, cascading over the mountain sides. Waterfalls that, had they been in the United States would be the focus of a state or national park, were only causally mentioned on maps in Norway.
As I enjoy photographing waterfalls, so I was in waterfall heaven. And waterfalls, unlike many landscape subjects, often look best under gloomy skies, which is what we had for much of the trip. Normally, the best time of year for waterfall hunting in Norway would be in mid-summer, as the snowpack melts and fills the riverbeds, not mid-September when we went. Yet as luck would have it, the remains of two tropical storms went through Norway when we were there, causing heavy rain and cascading waters everywhere ( I guess all that rain was one of those if life gives you lemons, make lemonade type things).
The featured image above is of the famous Seven Sisters, also know as Die Sju Systre and Knivsflåfossen. Below are more of the many waterfalls I photographed during our two weeks in Norway. You can find directions and photo hints for most of these on Photohound – a internet photographic guide site I’m partnering with. If you are interested in these waterfalls and more, also check out the European waterfall website, which catalogs waterfalls throughout Norway and the rest of Europe.
By the way, Photohound is beta-testing its website right now and is looking for photographers to help out. Check their site out, it really is outstanding.
Once again I’m in the Tacoma Open Studio Tour. The tour will be this Saturday and Sunday, October 12 and 13, from 11 a.m. to 5 p.m. both days. The tour invites you inside the working studios of 96 local artists to learn about the artistic process, ask questions, and purchase one-of-a-kind creations. All studios will feature demonstrations or will have hands-on activities for visitors. I will be offering visitors a chance to make a photographic masterpiece using scanography – photography with a flat-bed scanner. I will also have more than 50 prints on display, including the five featured on the this post, many new images from this year, and some of my “classic” images.
Please come by if you have the chance! You can get more information about the tour at the studio tour website. Or you can check out this map with all the studio locations to plan your tour (I’m studio #51).
Norway has 18 national scenic highway routes; and Tanya and I drove several of these as we traveled around the western Norway. I previously posted images from one such route, Hardangervidda. On one of our longer travel days during our trip, I planned a route along three national scenic highways. The first of the day was Sognefjellet. The National Scenic Route Sognefjellet runs 108 kilometers, from Gaupne on Lustrafjorden (a branch of the Sognefjord, Norway’s longest and deepest fjord) up and over the mountains, past Galdhøpiggen (the tallest mountain in northern Europe), and down to the town of Lom.
This is truly a magnificent and scenic road. And we luckily were able to drive it on a mostly sunny morning. We drove from west to east, starting at sea level along the fjord and climbing through a series of hairpin curves up into the mountains above the treeline. The fjord was like a mirror and the mountains were covered with fresh snow – totally incredible. There were almost no cars on the road, which was a good thing considering how slick the road was in the shady sections while coming down off the pass (driving as slow as possible to keep on the road in our rental car with non-winter tires). Our journey over Sognefjellet ended in Lom, with its famous stave church. By the time we reached Lom, the fine sunny morning had given way to a cloudy mid-day.
After visiting the church, we took a different highway and drove back over the mountains to Geiranger, planning to take a detour along our second national scenic road of the day. However, the road was closed due to snow. So we drove straight to Geiranger, traveling on the third national scenic route. But by now, the fine sunny morning had turned to a snowy afternoon with near whiteout conditions, so there wasn’t much scenery to see. As it turned out, that road was closed due to snow not more than an hour after we drove it.
So my day photographing along three scenic roads was disrupted by weather. But even so, that first road, Sognefjellet, made the day one I won’t easily forget.