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6 Years Ago – A Freezing Thanksgiving

Winter at SnoqualmieBetween family obligations and work, I haven’t been able to get out and do any photography this month. So instead of showing something new, I’ll show something old. Six years ago on November 24th, I shot the above image of Snoqualmie Falls. This is in total contrast to the present November. This year, we have not had a frost yet at my house in Tacoma. But six years ago, a blast of freezing Arctic air descended on western Washington, first bringing snow, then bitter cold.

That Thanksgiving Day in 2010, I packed up Tanya and our newfie, Carson, and drove up to Snoqualmie Falls to see what it looked like in the deep freeze. It was magnificent. The mist off the cascading water had encased the canyon walls in huge icicles, creating a very unusual, and photogenic, view of the falls.

There are several viewpoints at the falls, but only the one close to the parking lot was open due to the ice. While a nice viewpoint, it looks down on the falls, rather than being more level with the falls, and I do not think it is that great for photography. So I carefully walked around a barrier and carried my tripod down to one of the lower viewpoints to capture this shot. Yes it was icy, but not overly so. Plus, there was no one else around, so I could more easily position my tripod where I wanted. I think this little bit of rule-breaking was worth it. (Not that I would ever suggest any photographer should go into closed areas without permission to make an image!)

I’m very thankful about what that freezing Thanksgiving Day six years ago gave me. And thank you to all my friends and readers of my blog – if you are American, enjoy your Thanksgiving holidays, and if not, just have a great end of November.


Ingalls

Ingalls Lake

Ingalls LakeThis is the post I was preparing when my friend Gary died. I had hoped to post this while it was still possible to hike to Ingalls Lake, but it is quite possible it is snowed-in for the season by now. I took the hike on October 10th, hoping to find good fall colors.

As I’ve mentioned in a previous post, to find good autumn colors in Washington State, you need to know where to look and have good timing. My goal for the hike to Ingalls Lake was to see some of those fall colors – specifically the subalpine larch trees. Larch trees are conifers, but unlike other conifers, they are not evergreens. The needles on larch trees turn a beautiful yellow then fall off in autumn. What makes them extra special is their setting. In Washington State, they are only found high in the mountains, which can create some incredible autumn scenery.

Snow, larch trees, and Mount Stewart from Ingalls Pass

Snow, larch trees, and Mount Stewart from Ingalls Pass

Even without the nearby larch trees, Ingalls Lake is spectacular. An alpine lake set in a rocky bowl at the base of Ingalls Peak with a view of the spectacular Mount Stuart that just won’t quit. The conditions were nearly perfect for my hike. It was partly sunny after a rainy weekend – at least it was rainy in the lowlands. At Ingalls Lake there was fresh snow, which just enhanced the scenery.

This nine-mile roundtrip hike immediately starts uphill from the parking lot as the trail switchbacks up to Ingalls Pass where it enters the Alpine Lakes Wilderness Area. The lower part of this portion of the trail is through forest, but the later part is not and has great views of the Esmeralda Peaks and Fortune Pass to the southwest. Once Ingalls Pass is reached, the view expands dramatically to include Ingalls Peaks and all the Stewart Range, anchored by Mount Stewart directly across the valley.

Ingalls Lake is not visible from the pass and is separated from it by the lovely Headlight Basin. The southern side of Headlight Basin has impressive groves of larch trees. The basin also includes many small streams, meadows, bare rock slopes, and boulder fields.

Just past the pass, the trail splits. The more direct route to the lake cuts downhill then uphill again through Headlight Basin. The main trail circles around the west side of the basin, not gaining or losing much elevation. The trails meet up again about 1/4 mile from the lake. From there, the trail scrambles uphill to the lake.

Since I was searching for fall colors, in particular the larch trees, the lake was a secondary objective. But what a secondary objective! I think you’ll agree from the images I’ve included here that the lake is spectacular. And neither was I disappointed by the larch trees.

I had hoped to stay in the basin until sunset, but as the afternoon wore on, more and more clouds were moving in and I thought the sunset might be a bust. So instead, I headed back downhill, stopping in the forested section of the trail to take more images of autumn color in the forest underbrush (the trees here are evergreens). As it turned out, the sun did break out again at sunset. Being back down low, I didn’t get much in the way of sunset shots, but I can’t complain, overall it was one of my best photo hikes in years. Perhaps, based on the images above and below, you will agree.

Esmeralda Peaks as viewed from the trail up to Ingalls Pass

Esmeralda Peaks as viewed from the trail up to Ingalls Pass

Larch trees on the trail west of Ingalls Pass

Larch trees on the trail west of Ingalls Pass

Rock slope and larch in Headlight Basin

Rock slope and larch in Headlight Basin

The larch grove near Ingalls Pass, Iron Peak in the background

The larch grove near Ingalls Pass, Iron Peak in the background

Closeup of larch needles

Closeup of larch needles

Ingalls Lake and Mount Stewart

Ingalls Lake and Mount Stewart

Another view of Ingalls Lake and Mount Stewart

Another view of Ingalls Lake and Mount Stewart

Some of the color in the forest underbrush on the hike back.

Some of the color in the forest underbrush on the hike back.

A bit of fall color along the North Fork Teanaway River near the trailhead.

A bit of fall color along the North Fork Teanaway River near the trailhead.

 


Montreal

Towers of the  Saint-Irénée de Lyon, a Catholic church near the Atwater Market

Montreal's Notre DameTanya and I recently returned from a trip to Quebec and Vermont. We spent four days in Montreal. When talking about the trip to friends here in Tacoma, the most common question asked is why we went to Montreal. They can understand going to Vermont for fall color, but not Montreal.

We chose to go to Montreal because we had never been there before and it didn’t cost too much in terms of frequent flyer miles. When I booked the trip about six months ago, I hadn’t really thought about Montreal either. I didn’t know what tourist attractions the city has or what we would do when in the city.

After this trip, I can highly recommend Montreal as a fun, interesting destination for photographers and non-photographers alike. Montreal, and Quebec in general, is like a little slice of Europe inside North America. French is the native language of most Montrealers. But it is not just the language that sets it apart, the city is different (in a good way) from the other major American and Canadian cities I’ve been to, especially in the old part of the city (called Old Montreal). In Old Montreal, most the streets are narrow, some are set-aside for pedestrian use only, and many are paved with cobblestones – all features of many European cities. There are very many churches in the city (such as the Notre Dame Basilica featured above and in my last post), many being very large and impressive, again reminiscent of Europe. You can easily find traditional French food, and most of the wine is also French. If you are a beer drinker, at least one like me, it is also hard, in my opinion, to find a decent micro-brew there, just like my experiences in Europe. (Traveling the short distance across the border into Vermont was another story – Vermont is chock full of good micro-brews.) There are several open-air markets, again very similar to many European cities.

From a photographer’s point of view, the city is a visual delight as well. I hope the images I posted here can give you a taste of why you should visit Montreal.

Flowers in the Atwater Public Market

Flowers in the Atwater Public Market

Towers of the  Saint-Irénée de Lyon, a Catholic church near the Atwater Market

Towers of the Saint-Irénée de Lyon, a Catholic church near the Atwater Market

Mushrooms at the Jean Talon Public Market in the Little Italy section of Montreal

Mushrooms at the Jean Talon Public Market in the Little Italy section of Montreal

The altar in the Notre Dame Basilica

The altar in the Notre Dame Basilica

The organ and choir loft in the Notre Dame Basilica

The organ and choir loft in the Notre Dame Basilica

Painting of a young Napoleon Bonaparte in the Montreal Museum of Fine Arts

Painting of a young Napoleon Bonaparte in the Montreal Museum of Fine Arts

Tug boat Daniel McAllister and abandoned grain silos/elevators near Old Montreal shot at night

Tug boat Daniel McAllister and abandoned grain silos/elevators near Old Montreal shot at night

Pointe-à-Callière, the Museum of Archeology and History in the Old Port section of Montreal taken at night

Pointe-à-Callière, the Museum of Archeology and History in the Old Port section of Montreal taken at night

Angel on top of the Notre-Dame-de-Bon-Secours Chapel in Old Montreal

Angel on top of the Notre-Dame-de-Bon-Secours Chapel in Old Montreal


Quick Shot – Basilique Notre-Dame de Montréal

160912_montreal_5818Tanya and I are currently enjoying a trip to Quebec and Vermont, both places neither of us have been before. We first spent four days in Montreal, staying in an apartment in Old Montreal just down the street from the Notre Dame Basilica. To tell the truth, I didn’t know Montreal had a Notre Dame until a month or so ago when preparing for this trip. The Basilica is stunning, almost impossible to describe in words. Luckily, I take photographs! Also, what is amazing besides the Basilica itself, is that the Notre Dame Basilica allows tripods! I had assumed not, but thought it didn’t hurt to ask, and was surprised with the yes. So, here I give you a quick shot of view looking up in the Basilica near the organ and choir loft. I’ll post more from our trip later. For now, enjoy this image of Basilique Notre-Dame de Montréal.


New Transform in Lightroom

151214_Paris_8008

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Adobe added a new Transform panel in Lightroom CC in June, and since I typically don’t check what is new in each Lightroom upgrade, I didn’t see this new panel until last month. When I did find it, I thought it was amazing. So much so, that from now on, I’ll be checking each upgrade to see what other new features might be available to improve my workflows.

The old transform was under the Lens Correction panel in the Develop Module under the Manual tab, where there were sliders for you to manually adjust lens, vertical, and horizontal distortions; rotation, scale, and aspect ratio. I made wide use of the vertical and horizontal sliders, but not so much the others. I found it was easier to correct rotations or change the aspect ratio with the crop tool and I usually don’t change the scale of an image except upon export. And while these transform tools where very helpful, sometimes I couldn’t get the results I wanted.

With release 2015.6 of Lightroom, Adobe removed the manual transform sliders from the Lens Correction panel and placed them in a new Transform panel (located directly underneath the Lens Correction panel, see the first screenshot below). The lens distortion slider is gone, and two new sliders, for X and Y offsets, are added. But the best new feature is the addition of automatic or guided distortion corrections. There are six options: off, auto, guided, level, vertical, and full. The pop-up help in Lightroom for each of these options states:

  • Auto: “enables balanced level, aspect ratio, and perspective corrections”
  • Guided: “draw two or more guides to customize perspective corrections”
  • Level: “enable level corrections only”
  • Vertical: “enable level and vertical perspective corrections only”
  • Full: “enable full level, horizontal, and vertical corrections”

There is also a guide tool in the upper left-hand corner with a guide tool. This tool essentially works identically to pressing the Guide button. In both cases, a guide tool becomes active which allows you to place guides on the image to show Lightroom what should be level and vertical. You are allowed to add up to four guides.

I’ve illustrated the use of this new features with an image I took in Sainte-Chapelle in Paris last year. The space is small and crowded, tripods are not allowed, and a wide-angle lens is needed. These conditions make it quite hard to a decent level and perspectively correct shot. The original image, shot with my 28-300mm zoom lens set at 65mm (at 1/20 second, f5.6, ISO 6,400),  is shown here below after all Lightroom corrections except those under the Transform panel.

The original shot, not level and plenty of vertical distortion

The original shot, not level and plenty of vertical distortion

The next image, below, is a screenshot showing the Transform panel open in the Lightroom Develop module. No transform corrections have been selected – the Off button is active. Please note, that when using the Transform corrections, it is best to have the lens profile corrections already active in the Lens Corrections panel.

The image in Lightroom Develop module with the Transform panel open.

The image in Lightroom Develop module with the Transform panel open.

The images below are the results of selecting the Auto, Level, and Vertical buttons. In this case, the results from the Full button is identical to the Vertical button.

Image after selecting the Auto button

Image after selecting the Auto button – improved, the image is almost (but not quite) level, and the vertical perspective is improve but far from perfect

Image after selecting the Level button

Image after selecting the Level button – nice job on leveling, vertical perspective unchanged from original

Image after selecting the Vertical button

Image after selecting the Vertical  or Full buttons (without cropping) – better than the Auto button, both horizontal and vertical perspectives well corrected, though not perfectly

Below I show the steps in using the Guided correction either by guide tool or selecting the Guided button.

Guide tool in use, picking two spots to define, in this case, a horizontally level line. The tool opens up a zoom window to allow the exact placement of the two spots.

Guide tool in use, picking two spots to define, in this case, a horizontally level line along the base of the altar. The tool opens up a zoom window to allow the exact placement of the two spots.

Here I've placed a second guide, this one defining a vertical line. With the placement of the second guide, the image adjusts. If it is still not satisfactory, a third and fourth guides can be added.

Here I’ve placed a second guide, this one defining a vertical line along the left-hand stained glass window. With the placement of the second guide, the image adjusts. If it is still not satisfactory, a third and fourth guides can be added.

Here a third guide has been added, creating a further correction.

Here a third guide (another vertical one, this one along the right-hand window) has been added, creating a further correction.

And now, a fourth guide, in this case, another horizontal one.

And now, a fourth guide, in this case, another horizontal one at the top of the altar. Now the image shows a better correction than any of the automated buttons. Results, of course, depend greatly on the selection and placement of the guides.

You have the option of checking the Constrain Crop checkbox at the bottom of the panel. This crops off the white space created by the corrections, but often it does not do a very good job as was the case here.

You have the option of checking the Constrain Crop checkbox at the bottom of the panel (this works with any of the buttons, not just the Guided one). This crops off the white space created by the corrections, but often it does not do a very good job as was the case here.

Instead you can use the crop tool, shown here, and adjust the cropping for a better composition. Here the crop tool was locked to the original aspect ratio.

Instead you can use the crop tool, shown here, and adjust the cropping for a better composition. Here the crop tool was locked to the original aspect ratio.

In this case, I wanted to show more of the stained glass windows, so I unlocked the aspect ratio and extended the crop upwards to make a vertical panorama. This crop resulted in my finished and featured image at the top of the post.

In this case, I wanted to show more of the stained glass windows, so I unlocked the aspect ratio and extended the crop upwards to make a vertical panorama. This crop resulted in my finished and featured image at the top of the post.