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Quick Shot – Palouse

I’ve been working on another Greek post, but been too busy to finish it. One reason I’ busy is that I spent several days on a trip to the Palouse earlier this week. I’m preparing a photography guide for the Palouse area for Snapp Guides (I recently finished a Snapp Guide for the Puget Sound region that should, hopefully, be available soon). So, rather than wait for me to finish my Greek post, I thought I’d offer you a quick shot from the Palouse. This unusual round barn is located near the town of Pullman, Washington. This spot (along with many others) will be provided in my Palouse guide, along with the best times to capture the image and other advice. I’ve just started on the Palouse guide, and it should be available sometime next year. You can see my previous posts about the Palouse here, here, here, here, here, here, and here (wow, that’s a lot of posts; I guess I really like the Palouse).

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Chania

On our recent trip, Tanya and I spent several days in Chania (also spelled Hania) and loved it. The Venetian quarter is a maze of small streets and alleys with remnants of Venetian and Turkish architecture. The old quarter is centered around the beautiful and historic Venetian Harbor with its iconic lighthouse (see this recent Quick Shot post and my Instagram feed). We spent hours walking around the old streets seeping in the history of the place, as well spending time sipping drinks (and drinking in the scenery) at a harbor-front café. The Venetian quarter was busy with tourists, and I imagine it get mobbed in summer, but it was well worth visiting. However, when I went to the harbor early one morning for sunrise, there was almost no one around.

We didn’t stay in the old quarter. Instead, we stayed at an Airbnb with a nice sea view in the Tabakaria District, about a half hour walk from the Venetian Harbor. This waterfront district was home to about 80 19th-century leather tanneries (only a few survive today). Most of the old tannery factory buildings are still there, providing me a great photo opportunity literally right outside my door. To make it even better, the best restaurant we ate at in Crete (Thalassino Ageri) was just a 2-minute walk from our room. We ate at a table on the beach, a couple of meters from the waves, enjoying great seafood and a magnificent view – one direction toward the old tanneries, the other to the Sea of Crete and the far shoreline of northwestern Crete.

For travel photograph, for great food, for drinking in history, I highly recommend visiting Chania.

This is part of the shoreline in the Tabakaria District

View of the Venetian Quarter across the water, captured on our morning walk to the old town.

View down one of the small streets in the Venetian Quarter.

Small fishing boat in the Venetian Harbor

Part of the Venetian Harbor on a calm morning.

I liked this scene of a man having a morning smoke in his “Yacht Services” boat.

Old factories in the Tababkaria District at sunset

Sunset over the Sea of Crete and northwestern Crete from the Tabakaria District

 

 

Photographing Ancient Ruins – Knossos

180418_Crete_4608The Palace of Knossos is the capital of ancient Minoan Crete. It is reportedly Crete’s most popular tourist attraction. Ancient ruins, particularly popular ones, present a photographic challenge, at least to me. We see photographs of the ruins in guidebooks and on postcards and want to get similar shots. Yet, often the sites are only have limited hours that do not correspond with the best light and are usually overrun by tourists. How to get a few decent shots without obtaining special access (like the photographers whose images you see on the postcard)?

Knossos is the perfect example. When Tanya and I were there, the last admittance of the day was at 3 p.m. We got there about 2:30 p.m., and I was hoping the crowds would be a bit less. However, as it turned out, we picked International Monuments Day (April 18th) to visit – the good news, free admission; the bad news, more people. It wasn’t overrun with tourists, but there we weren’t alone either. Further, 2:30 p.m. is not a prime time for photography, the light is harsh and contrast can be a big problem.

And you can forget about using a tripod. Even if it would not cause a problem with the crowds, tripods (and large professional cameras – whatever the definition of that is) are not allowed. This is a common policy at many historical sites and museums (occasionally I’m surprised and they are allowed, such at the Met in New York and in the Notre Dame Basilca in Montreal).

So what is your average photographer to do? Here are a few tips I’ve discovered that help me photograph at ancient ruins (and other popular sites).

1. Use a telephoto zoom lens – if you don’t want people in your shots, you will need to zoom in to crop them out. A wide-angle lens is good for providing a big scene, but it is almost impossible to use one and not have people in your image.

2. Shoot details – sure shoot an image with the whole building, but if you want to not have people in the shot, shoot details.

3. Don’t crop too tightly in camera – often you will not have the best vantage point to take a shot. If you think you might be making perspective adjustments Lightroom or Photoshop, don’t crop too tightly in-camera. Leave some room to crop after the perspective adjustment is made.

4. Avoid sky when shooting into the sun – we often don’t have much choice about time of day when visiting a historical site, and that scene you’ve been dreaming about shooting is toward the sun. Cut out the sky to avoid the contrast. For example, one of the most common shots you will see of Knossos is similar to the featured shot above, except that it usually shows some sky as well. Here, shooting toward that sun, I cut out the sky to avoid bad contrast and a totally white sky.

5. Shoot in the shade – again, not having much choice about time of day, shooting in mid-day can cause lots of contrast problems. Look for compositions that are in shade and avoid the contrast of partial sunlight.

6. Up your ISO – often you will be shooting not out in the sun, but in a dimly lit rooms or grottoes. Without a tripod, remember to increase your ISO.

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The Throne Room at Knossos is dimly lit. I used a high ISO in order to capture the image.

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To shoot the Queen’s Room, I had to shoot a bit from the side rather than straight on. I purposely did not crop tightly in-camera, giving me plenty of room to make a perspective correction in Lightroom.

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This mural at the South Portico is another example of shooting wide, and in this case, also upward to avoid a distracting plastic barrier, and then making a perspective correction.

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These old large pots were in the shade, allowing me to more easily control contrast.

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Another set of large clay pots – details like this are easy to photograph without other tourists in the shot.

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This room next the Queen’s Room was closed and only visible from a small window. No other tourists to worry about and in the shade solving contrast issues.

Quick Shot – Old Venetian Harbor, Chania, Crete

Old Venetian Harbor, Chania, CreteTanya and I just returned from a second honeymoon in Greece. As a second honeymoon, I tried to keep photography as a lower priority, so I didn’t shoot as much as I would have normally (though Tanya says that any trip is a photography trip). But that doesn’t mean I didn’t take a few good shots. We spent a week on Crete, several days in the Delphi region, and four days in Athens. One morning while in Chania, also known as Hania, in northwestern Crete, I got up early for sunrise and went to the old Venetian Harbor. The light was magical, and the place was empty of the thousands of tourists that haunt the harbor area during the day and evening. This is a shot of the harbor entrance, showing the Venetian lighthouse, built in the 16th century.

I took the shot using a 10-stop neutral density filter to smooth the water. This is a 25-second exposure at f/8. I’ll be posting more from the trip over the next several weeks.

Explore Tacoma!

Some of you may know I host an AirBnb experience in Seattle. With the success of that tour, I decided to do one for Tacoma as well and show guests my hometown (and also save me from driving to Seattle so often). My Explore Tacoma experience was just approved by AirBnb and went live online yesterday.

For this new experience, I’ll lead individuals or groups up to 4 on a personal photo tour and workshop in Tacoma. Unlike my Seattle tour, which is in the morning, this tour will be in the afternoon and evening, designed to catch sunset on Mount Rainier or the Olympic Mountains. I’ll lead my guests to the Museum of Glass, shooting both the iconic outside of the museum and glass blowing inside in the Hot Room. We’ll also explore the downtown Tacoma waterfront and either the Ruston Way waterfront or Port Defiance Park. I’ll show guests some of my favorite shot locations in Tacoma and provide photographic advice and instruction. The photos accompanying this blog are some of the places where the tour will likely go.

So if you are going to be in the area, and want to do a little photography in Tacoma, consider signing up. I’d love to show you around.

Part of the glass ceiling on the Bridge of Glass leading to the Glass Museum.

Fountain in the plaza of the Glass Museum with Hot Room cone in background

Murray Morgan Bridge, also known as the 11th Street Bridge, in downtown Tacoma. Mount Rainier in the distance.

View of Mount Rainier, the Cable Bridge, and the Glass Museum

Point Defiance Ferry sailing on Puget Sound

Japanese Garden in Point Defiance Park

Dahlia Garden of Point Defiance Park

Chinese Reconciliation Park on a foggy day.

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