the blog of Seldom Seen Photography

Posts tagged “blue hour

Back in the Saddle

Lime Kiln Lighthouse

Lime Kiln LighthouseComputer upgrade is mostly complete, and I am back to having a digital darkroom. It’s like magic! Lightroom is like a totally different program. When going to a 1:1 view, it snaps into focus in about 2 seconds and not the seemingly (I never actually measured) 1/2 minute. When running my Tony Kuyper triple play actions in Photoshop, they finish up in a few seconds. This is great!

The big test, though, was running Nik Silver Efex Pro, which would not run at all on my old computer. Several months ago I posted about wanting to do more black and white work, but not being able to use Silver Efex Pro. I was still able to produce quality black and white images, but was unable to use one of the top plug-ins for creating black and white images. So now with the new computer, it was time to put it to the Silver Efex test; it passed with flying colors (or actually lack of colors that is)!

I tried it out on an image I took over Memorial Day weekend on San Juan Island. Being on San Juan Island over the long weekend, I had hoped to capture some good images. However, since we were with friends and Tanya took pains to remind me that the trip “was not a photography trip,” combined with not the best weather in the world, I didn’t get anything I was really happy with.

Since first seeing photos of the Lime Kiln State Park lighthouse, I’ve always wanted to photograph it. And Memorial Day weekend was my chance. I convinced Tanya and our friends to have an early dinner so we could go out to the state park for sunset. Sunset was kind of a bust – not much color. However, we stayed into the blue hour, and I captured the shot featured here, which I thought might work well as a black and white. Below is the original RAW capture straight out of Lightroom with no development (other than the default). Also below is the color version after I developed in Lightroom and Photoshop – not bad, but not really what I was hoping for. I made a duplicate image and tried the Silver Efex Pro plug-in. It opened right up, and within a few minutes, I was able to create the image above. I was just playing around, and this probably won’t be my final version of the image. But Silver Efex Pro impressed me with how quickly I was able to get close to my black and white vision for the image. It’s great being back in the saddle again.

For those who are interested. This image was taken perhaps 10 or 15 minutes after sunset. The exposure settings were 13 seconds at f22, iso 100. I used a 2-stop, graduated neutral density filter.

Lime Kiln RAW

The original RAW capture with no post-capture development.

Lime Kiln Color

The processed color version used to create the black and white image.


After Sunset? Don’t be Blue, Keep Shooting

Tatoosh Twilight

Tatoosh Range, Mount Rainier National Park, 40 minutes after sunset, 101-second exposure at f/8, ISO 400

Western Washington has had nice summer weather most of July. Most evenings, there have been few if any clouds, which of course makes for very boring sunset shots. However, when the weather is like this, the hour after sunset brings gorgeous light. Even as it gets too dark for humans to see color well, there are wonderful colors out there to be recorded by your camera.

The period after the sunset (and before the sunrise) is called the blue hour.  During the blue hour, sometimes the light is blue, as a result of the blue sky, but other times it is wonderfully warm. This warm light has been referred to as salmon light by the guys over at Photo Cascadia. Whether blue or salmon light, these cloudless evenings can make for good photography. For some reason, I’ve found better luck with the blue hour after sunset rather than before sunrise, but maybe that’s because it’s so hard for me to get out of bed in the morning (especially when the sun rises before 6 a.m., like it is doing now).

I’ve found a online calculator  (by JetKo Photo) for determining when the blue hour will occur. However, I’m not sure one is really needed. All you need to know is that after the sun sets, keep the camera out and keep shooting away, even as it gets quite dark. All you need is a tripod and a camera that allows for long exposures. Many DSLRs, in the auto exposure modes, will only allow shutter speeds up to 30 seconds long. When hunting blue hour shots, be prepared to go to manual mode and use the the blub setting on the camera. (Don’t make the same mistake I did recently when first using my newest camera in the blue hour – learn how to set it to blub before setting out).

So after sunset, don’t get blue and put your camera away. Keep that camera out and capture the blue hour.

Green River at Dinosaur

Green River at Dinosaur National Monument, 32 minutes after sunset, 30 seconds at f/10, ISO 200

Olympic Twilight

Puget Sound and Olympic Mountains from Ebeys Landing, Whidbey Island, Washington, 19 minutes after sunset, 1.3 seconds at f/10, ISO 100

Bisti Morning

Bisti Wilderness, New Mexico, 12 minutes before sunrise, 20 seconds at f/16, ISO 100

Ecola Twilight

Cannon Beach from Ecola State Park, Oregon, 32 minutes after sunset, 10 seconds at f 3.2, ISO 100