Here it is almost the end of August and I haven’t posted since mid-July. How easy it is to get out of the blogging habit. Even staying mostly home during the pandemic, it is easy to get wrapped up in things and forget to post. Well, I probably should finish the series I started on the Principles of Photographic Improvisation from the book The Soul of the Camera by David duChemin. My previous two posts covered the first three principles Saying Yes, Contribute Something, and Try Something. The fourth principle is There Are no Mistakes.
Wow, there are no mistakes. Seriously!. I have trouble with this one. It seems like I make mistakes all the time. I use the wrong f-stop or ISO, I try to hand-hold at too slow a shutter speed, or I focus on the background instead of the subject. I delete a lot of images after I download them. Not just ones with bad exposure, but also because I typically shoot multiple shots with the same composition with slightly different exposures or trying to capture the “right” moment. For example, I shot my niece’s socially distanced wedding last weekend, taking around 1,500 images. I’m slowly editing those down, and will probably delete 1,000 to 1,200 of them.
DuChemin talks about how photographers often talk about their “keeper rate” as if photography is “a baseball game and someone out there is recording our stats.” Guilty as charged, Mr. duChemin. I mentally think about my keeper rate, not so much as how many I keep (I probably keep too many), but how many are worth keeping and turning into something other than a raw snapshot. DuChemin continues, describing how his own language is often littered with negativity, for example, saying that he went out shooting and “every frame was crap.” (Another admission, I’ve said that too.) He says such an attitude suggests that “we should go out, press the shutter, and end up with a great photograph. As if musicians sit down at the piano and come up with a finished piece the first try. They do not. But they might find a few melodies or harmony that provides clues about the rest of the song the will, eventually, become a classic.”
He asks, “there was a reason you pressed the shutter; what was it?” He’s right. Every time we press that shutter button, we do so for a reason. Our eye saw something and we tried to capture it. Our capture may have been imperfect, or even plain bad, but there was a reason. You need to explore that reason, examine why you tried, and learn from the experience to, perhaps, do better next time. DuChemin suggests those imperfect frames are “part of a process. If you discard them without first giving them a chance to speak, you’ll miss whatever possibilities they were just about to whisper to you. That’s how the creative process works…”
If you are like me, you might come upon a great scene and you start shooting. But as you shoot, you change up the composition a little, or pick a different aperture, or move over ten feet, or get down low. As you explore the scene with your camera, you might learn from you earliest shots, and the images grow better. When I’m editing, most often the earliest shots in a series of images of the same subject are the ones that I throw away. Why, because they often they are bad. But also because I learned as I shot, and the later images are better. I might not keep them, but they are useful to me. In that sense, he is correct, there are no mistakes.
In several posts ago, I mentioned how I’ve been trying to get a shot of Mount Rainier with the moon rising behind it. I tried in June without much success – while you could see the moon and the mountain, the light didn’t cooperate with my vision for the image. I tried again in July. This time, the mountain and the rising moon were covered by clouds. I tried again in August, and this time, I was successful (I’ll post those images in my next blog). Were those two earlier attempts mistakes? Were the images I did take not worthwhile?
The ones I took in June I will probably not do anything with. But I did learn from them; the experience helped me with my technique, and therefore, did help with my successful shots from August. And going out to shoot in July wasn’t a mistake either. I didn’t come home with any images of the moon, but I did shoot the three images featured here, as well as several other “keepers.” And I certainly wouldn’t call any of them mistakes. (In case you are wondering, all three were taken from Dune Park here in Tacoma.) So perhaps there are no mistakes, the only true mistake is not learning from our imperfect attempts.
I’m currently reading The Soul of the Camera, the Photographer’s Place in Picture-Making by David duChemin. This book is full of nuggets of photographic wisdom, and I can highly recommend it to any photographer who wants to improve their game. You will not find much in the way of technical details about how to shoot great images. Instead, duChemin discusses the photographer’s mind and it relationship to picture-making.
There are easily dozens of blog post topics I could cover based on this book, but for now I’ll discuss his four “rules” or “principles” of photographic improvisation; the first of which is to agree or to say “yes” and not “no.” That is, say yes to the scene in front of you even if it was not what you expected or intended. You could say this is to go with the flow (which duChemin also talks about earlier in the book). Say yes to photographing what the world gives you rather than turning your back on the scene and giving up because it isn’t what you wanted. Accept what’s there and make the most of it.
A couple weeks ago, I went over to Fox Island Bridge to take a photo of Mount Rainier with the full moon rising behind it right before sunset. This situation only happens on two days each year: the day before the full moon in both June and August. Last August I tried for the same shot with only limited success. I was disappointed from that shoot, and that probably set me up to ignore the principle of saying yes. The weather was not ideal, and the view of the moon was not very good. I snapped a few shots, including the shown here, and packed up and went home disappointed. I failed to look for what else nature might be offering up. It was a few days later that I read about duChemin’s first principle.
I should have known better even before reading the book. I had a similar idea earlier this year. Back in February, I wanted to photograph the full moon setting behind the Olympic Mountains at sunrise. On the appointed day, I got up early and drove across town to Brown’s Point in Northeast Tacoma. When I got there, the Olympics, let alone the moon, were obscured by clouds. I climbed back in the car and headed toward home, thinking that perhaps I still might get some decent sunrise shots from the Cliff House parking lot. Sure enough, Mount Rainier was visible and the rising sun painted it and the low hanging clouds, as shown on the featured shot above and the other images below. I didn’t get what I wanted, but I said yes to what was given, which wasn’t bad at all.
He’s done it again. In an earlier post I told you about a free ebook being given away by David duChemin titled TEN, Ten Ways to Improve Your Craft Without Buying Gear. This week David announced he is giving away the companion ebook TEN MORE, Ten More Ways to Improve your Craft Without Buying Gear.
As with his first book, this one didn’t present anything new to me personally (while I’d like to think that is because I’m such an experienced and accomplished photographer, in reality, it is probably because I have read all of David duChemin’s print books which cover these topics in more detail). However, for relatively new photographers, it does present good information and techniques they may not have thought about. For experienced photographers, it is always worth reviewing and remembering these relatively simple, yet effective techniques. Also like the first book, this one contains suggested, fun exercises to help learn or reinforce the techniques. Topics covered include: embracing constraints, digital darkroom, shooting in manual mode, honoring the frame, shooting in monochrome, and more.
This is a great little book, especially for the price (free!). It is certainly worth the time to download it. For a link to the book, visit David deChemin’s blog.
David duChemin is a wonderfully talented photographer that I follow. Though he resists being labeled, I’d call him a travel photographer – he truly has a knack for portraying a sense of place through images of people and scenes beyond the typical tourist shots. I’ve enjoyed most of his hard-copy books as well as a few of his ebooks.
Earlier this week, David announced on his blog that his first (at least I believe it’s his first) ebook is now being given away for free. The book, TEN, Ten Ways to Improve Your Craft Without Buying Gear, is a short, educational book on how to improve your photography. While most of its tips were not news to me, his fun writing style and suggested exercises in the book made me think about my images and my approach to photography. Topics covered include creating contrast, creating depth and balance, changing perspective, and looking for “good” light – all topics I like to cover when teaching photography myself.
If you are looking to improve your photography, this short little ebook can certainly help. You can download the ebook at David’s blog.
The cover image of David’s book is used here with permission.