I can’t count the number of times I’ve been through Longmire in Mount Rainier National Park; dozens at least, maybe a hundred times over my life. Usually I drive right past on the way to Paradise, but even so, I have stopped many times over the years. The main reason I usually don’t stop at Longmire is that I’ve always considered the view of Rainier to be, frankly, not so good. I’m sure it was great then they built the lodge, but it’s my supposition that over the years, the trees have grown up around Longmire meadow, blocking much of the view of the mountain. Additionally, if you shoot from the lodge, the road runs through the foreground.
Last week I discovered I was wrong. Longmire has a great view of Rainier! Perhaps this is old news to everyone out there whose ever been to Mount Rainier National Park, but it was news to me. Last week my photographer buddy, Mark Cole, and I went to the park to go snowshoeing and take a few pictures. We stopped at Longmire, not because that was our destination (we had planned on going to Paradise), but because the road to Paradise was closed due to the snowplow needing a replacement part. I was resigned to the fact that our photography would be limited to snowy forest scenes, perhaps a few shots of the Nisqually River, and maybe a view of Rainier from the Rampart Ridge trail if we decided to snowshoe it.
We stopped in to talk to the ranger, largely to see if the road to Paradise would open later that day, but we also asked about where to snowshoe at Longmire. We mentioned the main purpose of our outing was photography. He told us about Rampart Ridge, but said the best view of Rainier was at the Community Building right in Longmire. Both Mark and I had never heard of the Community Building nor the road to it. The ranger told us of a road which travels through the employee living area, crosses the Nisqually River on a suspension bridge, and runs down the south bank of the river to the Community Building (and a short distance beyond). We drove to the Community Building and couldn’t believe our eyes, the view of the mountain was awesome. Some of Longmire’s buildings are visible on the north bank of the river, but by wandering along the river, and through careful composition, the buildings can be eliminated from a photo. The bridge is also in the view, but it is pretty scenic, so I kept it in my compositions. I’m not sure what the view looks like here without snow, but with snow, it is great.
We ended up spending an hour of more there, snowshoeing along the river, taking photos of the mountain from several different locations. By the time we finished, we didn’t have enough daylight left to do the Rampart Ridge loop, so we wandered up the Wonderland Trail toward Cougar Rock looking for more shots of the river. But as sun set approached, we again crossed the bridge at Longmire and took shots of the alpenglow on Rainier with the river and bridge in the foreground.
Thanks to a broken snowplow, I discovered the Longmire does have a great view. Who knew?
Winter is rapidly ending here in western Washington. Spring flowers are already blooming in my yard. But it isn’t quite over yet. Here’s a few shots from a snowshoeing outing I made earlier this month in Mount Rainier National Park.
Western Washington has had nice summer weather most of July. Most evenings, there have been few if any clouds, which of course makes for very boring sunset shots. However, when the weather is like this, the hour after sunset brings gorgeous light. Even as it gets too dark for humans to see color well, there are wonderful colors out there to be recorded by your camera.
The period after the sunset (and before the sunrise) is called the blue hour. During the blue hour, sometimes the light is blue, as a result of the blue sky, but other times it is wonderfully warm. This warm light has been referred to as salmon light by the guys over at Photo Cascadia. Whether blue or salmon light, these cloudless evenings can make for good photography. For some reason, I’ve found better luck with the blue hour after sunset rather than before sunrise, but maybe that’s because it’s so hard for me to get out of bed in the morning (especially when the sun rises before 6 a.m., like it is doing now).
I’ve found a online calculator (by JetKo Photo) for determining when the blue hour will occur. However, I’m not sure one is really needed. All you need to know is that after the sun sets, keep the camera out and keep shooting away, even as it gets quite dark. All you need is a tripod and a camera that allows for long exposures. Many DSLRs, in the auto exposure modes, will only allow shutter speeds up to 30 seconds long. When hunting blue hour shots, be prepared to go to manual mode and use the the blub setting on the camera. (Don’t make the same mistake I did recently when first using my newest camera in the blue hour – learn how to set it to blub before setting out).
So after sunset, don’t get blue and put your camera away. Keep that camera out and capture the blue hour.
Wind is often the bane of nature photographers. We are often photographing in fairly low light conditions at sunrise or sunset, and often want a wide depth of field, so end up using small f-stops. Most of us know that using high ISOs leads to objectionable digital noise. These conditions all combine to require a slow shutter speed. So what do you do if there is a breeze moving your foreground around. Not a problem with rocks as a foreground, but what about wildflowers?
The above photo of the Tatoosh Range was taken at Paradise on the Golden Gate trail last month shortly before sunset. To get both the flowers and the mountains in acceptable focus, I took one shot with the aperture at set f/16 and the ISO at 100. This resulted in a shutter speed of 4 seconds (I also used a split neutral density filter). There was a breeze and it was impossible to get a frame without some movement in the flowers.
I then shot another image with the aperture at f/11 and the ISO set to 1250. This allowed the shutter speed to be 1/8 seconds. This was enough to stop most of the flower movement; but as you might imagine, the noise was unacceptable.
To get the above image, I processed both photos in Lightroom and imported them into Photoshop. I used the low ISO image as the background layer, then added the high ISO image in a new layer and added a layer mask filled with black (making none of the high ISO image visible). Then, using a soft brush, I painted white on the mask wherever the flowers were soft due to movement from the breeze. The end result is the image above. Below are close two closeups that show the before and after effects of painting the high ISO image onto the low ISO one.
This technique to stop the wind doesn’t always work, but when it does, it can save a shot.
Earlier this week, Tanya,, Carson and I went camping for three days at La Wis Wis near White Pass. I took the opportunity to drive up to Paradise in Mount Rainier National Park for one sunset and one sunrise. Though it looked like they were slightly past their prime, the wildflowers were incredible at Paradise. If you want to see them this year, you best get up there fast.
For my sunset shots, I hiked from the visitor center eastward on the Skyline Trail then partly up the Golden Gate Trail. The flowers were great on the Golden Gate Trail, but the view of Rainier is partially obstructed by a ridge. Luckily for me, the view of the Tatoosh Range to the south put on a good alpenglow show.
The next morning, after arriving at Paradise at 5:45 a.m. (no trouble finding parking at that time!), I headed north on the Skyline Trail to Glacier Vista, then back to the visitor center via the Deadhorse Creek and Waterfall Trails. Again, great flowers, but also more unobstructed views of Rainier (the featured photo above is of Rainier from the Deadhorse Creek Trail). Unfortunately, there wasn’t much color in the sunrise. However, low-lying clouds below Paradise made for some good shots.
Anyway, I just wanted to post a few photos from the trip to show you why they call it Paradise!