I hope you are having a great summer (or winter for my friends down south). I’m not sure where the time has gone this summer. It seems like I’ve been busy, but have little to show for it. I know my time has not been taken up by photography. I sort my image in my Lightroom catalog by date, and the catalog for July only has two dates in it. Same with August – and those two were from consecutive days of a non-photography trip where the camera barely left the bag. The purpose of the trip earlier this month was a family reunion. Us Beckers gather every year the first weekend in August.
This year, the get-together was at my sister’s house in Lyle, Washington. For those of you that don’t know where Lyle is, it is a small town in the Columbia River Gorge, on the Washington side of the river, ten miles or so east of Hood River, Oregon. My sister actually lives north of town another 10 miles or so in a house with a fantastic view of Mount Adams. However, I didn’t take any shots of Mount Adams when I was there, the air was quite hazy.
Tanya and I stayed right in the town of Lyle in an Airbnb house with a view of the Columbia River. The only photograph I planned to take that weekend was the image above. I knew by checking the Photographer Ephemeris that the crescent moon would be setting directly down the gorge from Lyle. In fact, I didn’t have to travel far to get the shot. The image above was taken from the deck of our rental.
So why is this post called “Rookie Mistakes?” Because I made a mess of my photo shoot. For those of you that have been to the Columbia River Gorge, you probably know the wind blows there a lot, and the night I shot this image was no exception. So, one would think that I, being somewhat of a professional photographer, would take precautions against camera shake. Well, I thought I did. I used my sturdiest tripod, I bumped up the ISO to 800 and used wide apertures to make for shorter shutter speeds. I shot some 30 images. All of them had camera shake to a certain extent. The one above, the last image I shot that night, was the best of the lot. I used Photoshop’s shake reduction filter, and that helped, but I could have done more. I should have used a weight on the tripod. I should have left the stabilizer on my lens, which I normally turn off when shooting from a tripod, turned on. Bad mistakes. I’m lucky I had even one halfway decent shot.
Mistake number two – the moon (and the planet above it in this image, Jupiter, I think) moves fast. My shutter speeds were between 2.5 and 30 seconds. When shooting stars at night, a 30-second exposure is typically not long enough to have star trails show when using a very wide-angle lens. However, I was not using a very wide-angle lens; I was using a telephoto lens. In everything I shot with a shutter speed over 2.5 seconds, the moon was horribly blurred due to the earth’s rotation. The image above is actually a composite, the moon and Jupiter are a 2.5 second exposure, the rest is a 10 second exposure.
All I can say is that when I downloaded these images to my computer, I was very disappointed. I let the excitement of the photo shoot overwhelm good technique. That’s why it is important to get out and practice your craft as much as possible. Keep working on your technique until it becomes second nature. I guess I’m not there yet. Here I encountered two different, unrelated phenomenon that, had I been thinking properly, should have made me use a fast shutter speed. Neither did. I failed and am lucky to have anything to show. But, I learned a lesson and, hopefully, will not make these mistakes again.
If you are like me, it is often difficult to do serious photography when traveling with your family. I wish I had a simple method to address this problem, but I don’t. If you do, please let me know! Or perhaps you don’t think this is a problem. If that is that case, please tell me why.
When traveling with Tanya, she usually requires me classify the trip as a “photograph trip” or a “non-photography trip.” On non-photography trips, I can still take my equipment, but I am expected not to disrupt any trip plans with photography. On photography trips, the world’s my oyster and I dictate when and where.
When we take a big trip, like our trip to Europe last month, they are by default non-photography trips. This is especially true when we travel with others; in this particular case, traveling with my mother-in-law and my son. One word of advice – if you want to get a lot of photography in while traveling, don’t travel with your mother-in-law.
On a photography trip, I tend to take the whole bag. But for non-photography trips, I go more minimal. I usually take my camera backpack as a carry-on in the plane, but I don’t typically carry it around when out shooting except when I’m going out by myself (see below). Even then, I take some of the gear out instead of my normal kit. I typically take my Canon 6D body with battery grip, a 28-300 mm lens, a 17-40 mm lens, about 5 or 6 memory cards, a polarizing filter, a split-neutral density filter, a Canon speedlight flash, four batteries, a battery charger, a tripod, my laptop, a card reader, and a few various accessories (lens cloth, etc.). In addition to the backpack, I also bring a Think Tank Pro digital holster as a smaller bag.
So when on a non-photography trips and heading out with the family, I go with a minimal set of equipment. I will put the 28-300mm lens on the camera, take the battery grip off, and put the camera in the holster (the camera will not fit in the holster with the battery grip on). In the pockets of the holster, which are rather small, I’ll carry a spare battery, a spare memory card, a cleaning cloth, and the polarizing filter. Sometimes, if I know I will want it, I’ll carry the 17-40mm lens in my coat pocket (no room in the camera holster). Rarely I’ll carry the tripod as well with this minimal setup. This minimal set of equipment allows me to get quality photographs without impacting the family, though I will often have to shoot at a higher ISO than I’d like due to not having the tripod (see my last post).
But my main strategy to get quality photography time is to go out without the family. This usually means going out at night after the family has retired to our lodgings for the evening or getting up extra early and going out prior to everyone else being ready for the day. This is one reason I like to stay near major attractions that might look good at night. On your recent trip, we stayed within easy walking distance of the Louvre when in Paris and near the Block of Discord in Barcelona. When going out on my own, I carry my full kit in the photo backpack and always take the tripod (even with high ISOs, it is hard to shoot at night without a tripod). The added advantage is that often there are not very many people around wandering into my frame when shooting, and even if they do, the exposures are long enough that they typically don’t show up if they keep moving.
Shooting at night also has the added advantage of making the sky easier to deal with. When doing travel photography, you typically don’t have a lot of time at any one destination. So you can’t necessarily wait for those “good” sky days. Often the sky is a mass of clouds without any redeeming detail, and if you place it in your composition, it sits there like a huge blown-out white blob. Not to mention the contrast problem it creates with the foreground and your image’s subject. Not a problem at night. At worst, clouds pick up scattered lights from the city and take on an orange glow, which is easy to fix in processing.
The images accompanying this post are from two nights I went out by myself, once in Paris and the second in Barcelona. Unlike my previous post, these images were all taken with an ISO of 100 or 200 while using a tripod. The featured image at the top of the post is of the courtyard of the Louvre.
Last week I made a 6-day backpacking trip along the beach in Olympic National Park. More on the trip later. For now I want to just present one image. This is a nightscape I made near my camp at the Norwegian Memorial last Thursday night.
My friend and fellow photographer, Mark Cole, who ventured with me recently to Palouse Falls, also made arrangements to go to the Olympic coast (without my knowledge of his trip, and him without knowledge of my trip) with the expressed intent of doing night photography. As it turned out, we camped about 1/4 mile apart on Tuesday night near the Ozette River, me on the north side and he on the south side. Tuesday night was cloudy. We met up on the wilderness beach on Wednesday morning, and hiked together for a while, and he confirmed he did not get any shots Tuesday night. After awhile, he headed back to his camp and I kept going.
Mark planned to stay Wednesday night at his camp near the Ozette River. I have yet to talk with him, and I don’t know if he made any decent night shots – but it was again cloudy were I was camped.
Then came Thursday. Mark stated he was only out for two nights, so it is probable he missed this. The Milky Way in all its splendor on Thursday night. So this one’s for Mark. Better luck next time!
Technical details – 30-second exposure, ISO 6400, f4, 17mm on a 17-40mm zoom. Light painting done with a headlamp with a Roscoe diffuser and an orange gel.
The Palouse region of Washington State is famous for its verdant spring hills and red barns. Steptoe Butte is a must-visit destination for many travel and nature photographers. I have shot in the Palouse several times, and blogged about it several years ago (see here and here). But one of the highlights of the region I missed until earlier this week – Palouse Falls.
Palouse Falls perhaps gets a bit less traffic than Steptoe Butte and the rest of the Palouse because it is a bit out-of-the-way, more of an outlier to the Palouse region than being in it. It is an hour and 45 minute drive from the falls to Steptoe Butte, and just a bit less to the town of Colfax, where many photographers stay during their trips to the region. If you are staying in Colfax, do you really want to get up at 3:30 a.m. to drive to Palouse Falls for sunrise when you could sleep an hour later and still get sunrise shots at Steptoe Butte?
But Palouse Falls is worth a visit. Perhaps the best way to visit, at least for prime photography times, is to camp there. Palouse Falls State Park has 11 tent camping spots (no trailer hookups; trailers and RVs are sometimes allowed to park overnight in the parking lot during non-peak periods) that are within 100 meters of prime viewpoints for photography.
The Palouse River falls about 185 feet over the edge of a canyon of basalt. Unlike the verdant hills of the Palouse further east of the falls, the falls are in desert. But there is plenty of green in the canyon below the falls, making a wonderful contrast with the black basalt and brown hills (or in spring, brown and green hills). The canyon below the falls is scenic on its own accord and would be worth a visit even without the falls. The canyon curves to the south just downstream from the falls. The campground is perched on the western canyon rim, and it is easy to walk to viewpoints that either look eastward directly toward the falls, or southward down the canyon. These southerly looking viewpoints are north of the parking lot and provide the best view – encompassing the falls and the downstream canyon. Be warned though, they are right on the edge of vertical drop of at least 250 feet straight down to the canyon floor, beyond the fence on the canyon rim near the campground and parking lot, and are not for those who are faint of heart or afraid of heights. To get the falls and downstream canyon both in single composition will require a wide-angle lens of about 18 mm or less on a camera with a full-frame sensor. My 17-40mm zoom worked well, but if you want more sky in the frame, you may want an even wider angle (or stitch together more than one shot).
The falls face west-southwest and receive direct sunlight in late morning through most of the afternoon during the spring (reportedly in summer they may be in partial shadow into the early afternoon). In the evening, the shadow of the canyon wall climbs up the falls, and before sunset, they are completely in shade. Similarly, the falls are completed shaded at sunrise. And, once the sun is up, it shines through and lights up the mist created by the falling water, making early morning shots of the falls more difficult.
However, if the clouds to the south light up during either sunset or sunrise, excellent photo opportunities await. You may want to use a split-neutral density filter to help control the contrast between the sky and the dark canyon below. Similarly, you may consider using HDR.
The falls are also a great location for Milky Way nightscape shots like I’ve discuss recently, and in fact that was the prime reason for my recent visit. In spring, the best viewpoint is again north of the parking lot, on the canyon rim (just be extra careful in the dark, it’s a long fall down). The falls will be completely dark, so light painting is recommended. When I was there, for the image above, I worked with a photo partner. One of us tripped the shutters on the cameras while the other used a spotlight to light paint the falls and canyon from the fenced viewpoint area near the parking lot.
It is possible to hike to the top of or bottom of the falls, though the trails are not maintained by the park. These unofficial trails are steep, so if you do take them, be extra careful. The one in from the south steeply drops off the canyon rim and circles midway along the canyon wall to the the top of the falls. At one point, almost directly below the main viewpoint by the parking lot, it is possible to get down to the river in the bottom of the canyon by dropping down a steep scree slope. The trail from the north, drops into the upper canyon from the railroad tracks that run west of the park. This is reportedly the easier way in, though you must hop a fence along the tracks to reach the trail and the descent is still steep. You should also be careful along the tracks because it is an active rail line. If you do take the northern route into the canyon, you will pass by a nice stretch of white water above the falls. There is certainly no need to take these trails into the canyon to get good photographs, the views from the top are spectacular (and indeed, during my recent trip, we did not hike into the canyon). Reportedly the trail continues several miles up canyon to Upper Palouse Falls, a fall of less than 20 feet, and during the spring, when the flow in the river is greatest and the area has plenty of blooming wildflowers, this may be a good day hike option.
Marmots are active around the main falls viewpoints, and with a bit of patience, you can get rather close to take portraits of these groundhog relatives. The park is also home to many types of birds. When there recently, I saw several varieties I had not seen before.
Overall, Palouse Falls is a great place for photography. It is worth a quick stop on your way to or from the Palouse; or better yet, spend the night there to experience the falls at sunrise and sunset. You won’t be disappointed.
Want to learn how to take photos similar to my shot of Balance Rock shown here? Recently I blogged about a lecture by Royce Bair about shooting Milky Way nightscapes. I hope some of you were able to attend. The lecture was in advance of his new ebook on the subject. The ebook is now ready.
Though I took the Balanced Rock shot prior to reading Royce’s book, I wish I had the book first; it would have solved several problems I had with the shoot. I am currently planning a trip next week to Eastern Washington to do some night photography (weather permitting) and Royce’s book will certainly be making the trip with me. It has helped me plan the trip and plan particular shots I hope to take. Prior to going, I will be purchasing a new spotlight (for light painting) based on book recommendations. In particular, I like his “recipes” for taking these type of shots. They make the process much easier.
Royce recently contacted me and is offering a special limited-time 25% discount on his ebook. His book “Milky Way NightScapes” is 140 pages about starry night landscape photography including planning, scouting, forecasting star/landscape alignment, light painting, shooting techniques and post processing. I have a copy and it is very informative. It sells for $19.99, but he is offering a $5 discount to readers of my blog.
The eBook can be previewed or ordered here.
To receive the discount:
1. Scroll to the bottom of the web page
2. Click on the ADD TO CART button
3. In the shopping cart, enter TWAN in the Discount Code box
4. Click the “Update Cart” button to get your $5.00 discount and have it reduce the total to $14.99
5. Click the yellow PayPal checkout button and make your payment
6. You can now download the eBook PDF
Your net price will be $14.99. This discount code is for a limited time only.
I should probably note that I did not receive anything for this recommendation. It’s just a great little ebook that give concise, usable information and advice on how to shoot Milky Way landscapes.