Here it is almost the end of August and I haven’t posted since mid-July. How easy it is to get out of the blogging habit. Even staying mostly home during the pandemic, it is easy to get wrapped up in things and forget to post. Well, I probably should finish the series I started on the Principles of Photographic Improvisation from the book The Soul of the Camera by David duChemin. My previous two posts covered the first three principles Saying Yes, Contribute Something, and Try Something. The fourth principle is There Are no Mistakes.
Wow, there are no mistakes. Seriously!. I have trouble with this one. It seems like I make mistakes all the time. I use the wrong f-stop or ISO, I try to hand-hold at too slow a shutter speed, or I focus on the background instead of the subject. I delete a lot of images after I download them. Not just ones with bad exposure, but also because I typically shoot multiple shots with the same composition with slightly different exposures or trying to capture the “right” moment. For example, I shot my niece’s socially distanced wedding last weekend, taking around 1,500 images. I’m slowly editing those down, and will probably delete 1,000 to 1,200 of them.
DuChemin talks about how photographers often talk about their “keeper rate” as if photography is “a baseball game and someone out there is recording our stats.” Guilty as charged, Mr. duChemin. I mentally think about my keeper rate, not so much as how many I keep (I probably keep too many), but how many are worth keeping and turning into something other than a raw snapshot. DuChemin continues, describing how his own language is often littered with negativity, for example, saying that he went out shooting and “every frame was crap.” (Another admission, I’ve said that too.) He says such an attitude suggests that “we should go out, press the shutter, and end up with a great photograph. As if musicians sit down at the piano and come up with a finished piece the first try. They do not. But they might find a few melodies or harmony that provides clues about the rest of the song the will, eventually, become a classic.”
He asks, “there was a reason you pressed the shutter; what was it?” He’s right. Every time we press that shutter button, we do so for a reason. Our eye saw something and we tried to capture it. Our capture may have been imperfect, or even plain bad, but there was a reason. You need to explore that reason, examine why you tried, and learn from the experience to, perhaps, do better next time. DuChemin suggests those imperfect frames are “part of a process. If you discard them without first giving them a chance to speak, you’ll miss whatever possibilities they were just about to whisper to you. That’s how the creative process works…”
If you are like me, you might come upon a great scene and you start shooting. But as you shoot, you change up the composition a little, or pick a different aperture, or move over ten feet, or get down low. As you explore the scene with your camera, you might learn from you earliest shots, and the images grow better. When I’m editing, most often the earliest shots in a series of images of the same subject are the ones that I throw away. Why, because they often they are bad. But also because I learned as I shot, and the later images are better. I might not keep them, but they are useful to me. In that sense, he is correct, there are no mistakes.
In several posts ago, I mentioned how I’ve been trying to get a shot of Mount Rainier with the moon rising behind it. I tried in June without much success – while you could see the moon and the mountain, the light didn’t cooperate with my vision for the image. I tried again in July. This time, the mountain and the rising moon were covered by clouds. I tried again in August, and this time, I was successful (I’ll post those images in my next blog). Were those two earlier attempts mistakes? Were the images I did take not worthwhile?
The ones I took in June I will probably not do anything with. But I did learn from them; the experience helped me with my technique, and therefore, did help with my successful shots from August. And going out to shoot in July wasn’t a mistake either. I didn’t come home with any images of the moon, but I did shoot the three images featured here, as well as several other “keepers.” And I certainly wouldn’t call any of them mistakes. (In case you are wondering, all three were taken from Dune Park here in Tacoma.) So perhaps there are no mistakes, the only true mistake is not learning from our imperfect attempts.
As you may know, the Seattle area is a hot spot for Covid-19 in the United States, though it is spreading fast elsewhere as well. Two days ago, our State’s Governor announced a moratorium on gatherings of more than 250 people the three counties forming the Seattle metropolitan area. Major League Baseball is postponing the start of the season – it’s just as well, the Mariners had already announced they were moving the home opener (which I attend every year) out of town. I got a call from the theater about a cancelled show Tanya and I have tickets to later this month.
On Tuesday, Tanya and I went up to Seattle to visit our daughter, Janelle, and her partner, Matt. We ate at a restaurant we have been to several times before. It has always been packed, and reservations are usually necessary, even on Tuesday nights. We walked in at 7 pm and besides two people at the bar, we were the only customers in the place. That’s one of the “nice” things about this virus outbreak, it’s easy to find a table at a restaurant, at least until the restaurant’s close due to lack of business. Another bonus was the lack of traffic on the freeway.
In addition to the moratorium on crowds, the health department recommends keeping a separation of at least 4 to 6 feet from other people. Public life around here is pretty much at a standstill.
What is one to do? How about going out and shooting some photography? Luckily, photography is one activity that is easy to do while keeping that separation from other people. Besides, if you like to shoot the type of photography I do, crowds are a pain and something to avoid. So if Covid-19 has got you down, take your camera out and do some photography!
That’s exactly what I did a few days ago when I headed over to Dune Park.The official name for the park is Dune Peninsula at Point Defiance Park. I guess we could call it DPPDP, but it is easier to call it Dune Park.
It is the newest park in Tacoma, opening last July. As its official name suggests, the park is located on a small peninsula. The peninsula is not a natural feature, but instead consists of a pile of slag from the old Asarco smelter that formerly existed near the park location. Apparently, they dumped the slag in Puget Sound to create a boat basin for the Tacoma Yacht Club, which also occupies a portion of the peninsula – the park on the outside of the peninsula facing Puget Sound and the yacht club on the inside, facing the boat basin. The park is a remediated portion of the Asarco superfund site. By the way, the park is named after Frank Herbert’s novel Dune; pretty cool in my opinion. Herbert was a Tacoma native. The shoreline trail through the park is named the Frank Herbert Trail.
I’ve made several trips to Dune Park over the past several months to shoot the view of Mount Rainer.The view of Rainier from the park is magnificent, perhaps the best in the City of Tacoma. With a telephoto lens, the Mountain towers over the city and Commencement Bay. But it also looks great with a wider view incorporating the curving shoreline. The view is good for sunset year round and for sunrise portions of the year – at least when the Mountain is out. The blue hour can also provide excellent images.
My trip to the park Monday evening was my third trip trying to capture a decent sunset. The alpenglow on the mountain has been good two of the three times I’ve gone, but I’ve yet to get some good sunset clouds. Monday there was a little cloud cap on the top of the mountain, but it was so small it is almost not visible in the images. Still better than nothing and no need to get within 6 feet of anyone else! The featured shot above is from Monday, as is the wider-angle shot below. The final shot is from December, in the blue hour after sunset.
The park is less than 2 miles from my house, so I’ll keep trying for the great sunset. In the meantime, enjoy these shots, wash your hands frequently, and stay healthy!
Summer is here and I have not been able to get out and play in the wonderful Pacific Northwest outdoors. It feels like I’m wasting my summer away! Hopefully you are finding time to go out and do what you love this July. I am hoping perhaps to get a backpacking trip in later in the month. Last week I did manage to get over to Point Defiance Park with my camera to take a few shots. I found myself concentrating on details of plants, buildings, etc. Here’s a few shots from my evening playing in the park. Enjoy your summer (or winter for those of you in the other hemisphere!).
If you read my last post, you know I have been frustrated by not having time to go out and shoot. I’m still pretty busy with other stuff, but did find a few hours last Thursday to sneak out with the camera. The evening sky was partially overcast with light clouds, which provided a nice diffuse, low-contrast light. The air as still. A perfect evening for macro flower shots. Luckily, I live less than two miles from one of the nicest dahlia and rose gardens in the Puget Sound region. I grabbed the gear and headed over to Point Defiance Park.
As I was entering the gate to the garden (the garden is surrounded by a 10-foot tall fence to keep the deer out), a gardener was coming out. She told me they had just dead-headed the whole garden and it was in prime condition. I couldn’t have picked a better time. The dahlia blooms did look like they were in their prime, as were most the roses. I set up the tripod, slapped on a 100-mm macro lens and some extension tubes and lost myself in the work. Perfect!
I wasn’t the only photographer there that night, there were three portrait photographers in the garden, two doing senior-high photos and one was shooting two young children (I don’t envy that poor photog). They were making money, and may or may not being enjoying their work. I was not making money, it is highly unlikely I will ever sell any of the images I made that night, instead I was enjoying my craft and saving my sanity.
Occasionally, there was the slightest breath of a breeze, slightly moving the blossoms. I turned up the ISO a couple stops to keep the shutter speed less than a second, and kept on shooting. I ended up shooting for about two hours until the light started fading and the exposure times became increasing long. It was the perfect antidote to my pent-up need to create.