One of my favorite places to shoot in Tacoma is the Museum of Glass. With its unique architecture, reflecting ponds, and setting on the Thea Foss Waterway next to the historic Albers Mills building, it provides plenty of fun compositions. Though it can be photographed any time of day, I especially like photographing there at night. I really like the varying metal textures of the hot-room cone and “wing” over the elevators on the upper plaza, and how they reflect light at night. I also quite like the contrast between the brick of Albers Mill and the metal of the Glass Museum’s hot-room cone. There is something magic about shooting there in the dark with long exposures; you are never quite sure what you will end up with in your shot. What the camera sees is always different from what the naked eye sees. With practice, I’ve learned to anticipate what my long-exposure images of the Glass Museum will look like, but I always get a couple of surprises as well.
Last Tuesday, about five of us from the Tacoma Mountaineers went down there to shoot. We stayed about two hours and had a good time playing around in the dark. There were very few other people round to potentially mess up compositions; but doing night photography, other people don’t matter too much. With long exposures, they can walk right through your composition and never be seen. It’s the magic of night.
There are quite a few light sources around the area, both from the museum itself and from neighboring properties, so the exposures don’t have to be too long. Most my exposures were one to three minutes using ISO 100 with f-stops of f/8 – f/16. What makes things interesting from a photographic perspective is that the lights have many different color temperatures. There is a general orange glow to the area from sodium-vapor lights that are common in the city, but there is also green, yellow, red, blue and even purple light in the area. There seems to be no “correct” white balance due to all these various light sources, so it is fun processing in Lightroom and playing with the white balance sliders to find pleasing sets of colors. Typically I like one color setting for the buildings, typically something warm, and a different one for the sky. On the photos shown here, I used the Lightroom paintbrush to tone down and darken the orange tone of the sky that results from the city street lights.
Enjoy these images of night at the Glass Museum, and as always, feel free to leave a comment.
The wind was so strong, the rain was falling sideways yesterday at Ocean Shores. As you might imagine, the beach was fairly empty, except for hundreds of seagulls, all standing at attention facing into the wind.
Carson, our Newfoundland, thought it was great out in that rain and wind. On the other hand, while Tanya and I both thought it fun to see these conditions at the beach, we spent little time outside the car – it was more fun looking at the surf through the car windows. And with blowing sand accompanying the sideways rain, I thought it best to leave the camera inside the car too, so no photos of the beach today.
Which is fine, because we weren’t at Ocean Shores do photography, but to pick up my entries in the 33rd Annual Ocean Shores Photography Show, which ran Friday through Sunday. I had eight entries in the Professional Photographer division. Of the eight, six won ribbons – both 1st and 2nd place in Seascape/Maritime category, 1st place in the Architecture category, 2nd place in the Miscellaneous category, 3rd place in the Flora category, and an Honorable Mention in the Landscape category. I guess you can say it was raining ribbons!