For various reasons I haven’t picked up my camera in about six weeks and it is driving me crazy. David duChemin recently wrote a blog post about tending the fire that really spoke to me and I promised myself I’d get out this weekend. But life got in the way. My son Brooks, and otherwise healthy 26-year old, had his lung partially collapse without an apparent reason on Thursday and is now in the hospital. He may get out tomorrow (we hope). With this, Tanya and I have been spending a lot of time driving back and forth to Seattle to visit Brooks in the hospital. So, no photography this weekend.
So instead, since it has also been a few weeks since I posted, I give you some shots from five years ago this month, when Tanya and I drove to San Diego to see daughter Janelle when she was going to university. Along the way we stopped for a couple of hours at Pinnacles National Monument, which in 2013 became a National Park. I don’t imagine much changed when it gained park status, except perhaps more visitors. When we were there in 2010, it was rather out-of-the-way and quiet. I hope it still is. I’d like to get back some day and spend more time exploring. When we were there in 2010, the wildflowers were blooming. Spring is such a wonderful time of year. Enjoy these shots from Pinnacles National
My intention this morning was to get a lot of work done. Instead, I sat down at the computer and played with Photoshop. I long have wanted to learn how to create the tilt-shift look in Photoshop. You know the look, that of a miniature toy town or city. So instead of working, I asked Mr. Google how to do it, and he directed to a tutorial by Denise Lu. It is quite easy.
1. Pick a photo. It seems to work best with a wide view, taken from a high angle so you are looking downward on the scene. Two of the images here were taken from the Smith Tower in Seattle and the third from the Eiffel Tower in Paris.
2. Open the photo in Photoshop and create a duplicate layer so you are not working on the background layer.
3. Enter the Quick Mask Mode (the shortcut is the Q key) and select the Gradient tool. With the gradient tool, select the reflected gradient (the 4th mode over on the gradient tool bar).
4. Draw a gradient starting in the area you want to be in focus and extending to the area out of focus. You can hold the Shift key down to make sure your gradient is straight. A mask (default color red) will appear on the screen showing the area to be in focus. You will likely have to play around with it to get a mask exactly where you want it.
5. Exit the Quick Mask Mode (hit the Q key again) and from the filter pull-down menu select the Lens Blur filter.
6. Pick a radius of somewhere between 20 and 40, at least those are the values I used. The Lens Blur filter screen will let you preview the results.
7. Consider adding saturation with a Hue/Saturation adjustment layer and extra contrast with a Levels or Curves adjustment layer to make the result look for toy-like.
And that’s it! The hardest part is getting the gradient in the proper place. If you have a building sticking out of the in-focus area, such as in my image of Paris here, you can use other selection tools to de-select that portion of the building after leaving the Quick Mask Mode but before applying the Lens Blur filter.
My last post talked about how little snow in the Pacific Northwest mountains this winter. It hasn’t improved this week, as the weather has been spring-like all week-long. I can only blame myself as I jinxed the weather by buying a season snow-park pass and not a one-day pass (snow-park passes are used to park in selected plowed winter destinations in the mountains in Washington and Oregon).
Last Sunday, the high temperature was over 60 degrees F – very unusual for January in western Washington. The day was so nice, I had to run down to the Ruston Way waterfront to capture a few shots of Mount Rainier and Puget Sound. Just a few quick shots of the end of a Tacoma spring day in January.
Every year I seek to capture a few snowy scenes for possible calendar use. At Robinson Noble, where I have my day job, we produce a calendar every year for clients, and I supply all the images. There seems to be some unwritten law that requires the December and January images to have snow in them (sorry that my northern hemisphere bias is showing here!). The problem is that I’m not that much of a winter person, so I don’t get out much in the cold season. Plus, the easiest place for me to get snow images is Mount Rainier National Park, which is only 70 miles from my home. However, the calendar needs variety, so the January and December images can’t be taken in Mount Rainier National Park every year. Now add in that this winter has been very warm in the Pacific Northwest and there is not much snow.
So with all this in mind, I took last Monday off work to go and find some snow. Tanya, Nahla and I drove east into the mountains. At Snoqualmie Pass, it was very dark with mixed rain and snow falling. We kept driving. Coming down from the pass, the weather improved, as it usually does, with sun and mixed clouds. While this area is typically snow-covered in January, it was not this year. We kept driving. We left the interstate and headed toward Blewett Pass and we finally found snow and sun together. We stopped at the top of Blewett Pass and got out the snowshoes. While snowy, the snow wasn’t deep, perhaps about a foot at the parking lot.
We hiked off the northern end of the lot, west along a forest service road. Most of the time we were in the forest, but the views did open up at a few spots. It was an easy snowshoe hike and a nice day to be out. I captured a few shots that might be worthy of being on the calendar next year (let me know if you agree). Mission accomplished.
One of my favorite places to shoot in Tacoma is the Museum of Glass. With its unique architecture, reflecting ponds, and setting on the Thea Foss Waterway next to the historic Albers Mills building, it provides plenty of fun compositions. Though it can be photographed any time of day, I especially like photographing there at night. I really like the varying metal textures of the hot-room cone and “wing” over the elevators on the upper plaza, and how they reflect light at night. I also quite like the contrast between the brick of Albers Mill and the metal of the Glass Museum’s hot-room cone. There is something magic about shooting there in the dark with long exposures; you are never quite sure what you will end up with in your shot. What the camera sees is always different from what the naked eye sees. With practice, I’ve learned to anticipate what my long-exposure images of the Glass Museum will look like, but I always get a couple of surprises as well.
Last Tuesday, about five of us from the Tacoma Mountaineers went down there to shoot. We stayed about two hours and had a good time playing around in the dark. There were very few other people round to potentially mess up compositions; but doing night photography, other people don’t matter too much. With long exposures, they can walk right through your composition and never be seen. It’s the magic of night.
There are quite a few light sources around the area, both from the museum itself and from neighboring properties, so the exposures don’t have to be too long. Most my exposures were one to three minutes using ISO 100 with f-stops of f/8 – f/16. What makes things interesting from a photographic perspective is that the lights have many different color temperatures. There is a general orange glow to the area from sodium-vapor lights that are common in the city, but there is also green, yellow, red, blue and even purple light in the area. There seems to be no “correct” white balance due to all these various light sources, so it is fun processing in Lightroom and playing with the white balance sliders to find pleasing sets of colors. Typically I like one color setting for the buildings, typically something warm, and a different one for the sky. On the photos shown here, I used the Lightroom paintbrush to tone down and darken the orange tone of the sky that results from the city street lights.
Enjoy these images of night at the Glass Museum, and as always, feel free to leave a comment.