Some of you may know that a couple of years ago I published an ebook about photographing Seattle. The ebook, Scenic Seattle, the Best Spots – Best Shots Guide to Photographing the Emerald City, is available for ordering here on my blog. Well, this week is you last chance to get a copy, because next week I’m pulling it from sales both here and at all online retailers. So get a copy while you can!
Why Joe, you might ask, are you stopping sales of your book? I’m glad you asked. It’s because I recently signed a contract with Schiffer Publishing to do a revised, updated print edition of the book. My manuscript is due at the publisher at the end of this week. And with that, I am contracted to end sales of the ebook so as not to interfere with the marketing of the new book.
If you miss this last chance to get Scenic Seattle, you need only wait until next spring, when the print edition is due to come out. You may want to wait. The new edition will have more places, more information, and more photos. Better yet, get a copy of both!
To whet your appetite for the new edition, here are a few images that will be in the print edition but not the original ebook version. Want to see more? You will have to wait until spring 2016 (or buy the ebook this week!).
Last week I made a 6-day backpacking trip along the beach in Olympic National Park. More on the trip later. For now I want to just present one image. This is a nightscape I made near my camp at the Norwegian Memorial last Thursday night.
My friend and fellow photographer, Mark Cole, who ventured with me recently to Palouse Falls, also made arrangements to go to the Olympic coast (without my knowledge of his trip, and him without knowledge of my trip) with the expressed intent of doing night photography. As it turned out, we camped about 1/4 mile apart on Tuesday night near the Ozette River, me on the north side and he on the south side. Tuesday night was cloudy. We met up on the wilderness beach on Wednesday morning, and hiked together for a while, and he confirmed he did not get any shots Tuesday night. After awhile, he headed back to his camp and I kept going.
Mark planned to stay Wednesday night at his camp near the Ozette River. I have yet to talk with him, and I don’t know if he made any decent night shots – but it was again cloudy were I was camped.
Then came Thursday. Mark stated he was only out for two nights, so it is probable he missed this. The Milky Way in all its splendor on Thursday night. So this one’s for Mark. Better luck next time!
Technical details – 30-second exposure, ISO 6400, f4, 17mm on a 17-40mm zoom. Light painting done with a headlamp with a Roscoe diffuser and an orange gel.
Last weekend, Tanya, Nahla and I went car camping for three days. As I normally do when we go on a trip, I dutifully packed up the camera gear. However, the gear stayed in the car the entire trip. I didn’t take a single photograph.
Tanya, I imagine, thought this was wonderful. Instead of me getting up at oh-dark-thirty and driving off someplace, I stayed in the tent. Instead of being restless about going someplace to catch the best light in the evening, I sat by the river with Tanya and enjoyed a beer.
And for me? Somehow not taking any photographs was strangely liberating. There was no pressure to bring home at least one good shot, one image worthy of posting on the blog. I spent most the long weekend sitting by the river with wife and dog, doing nothing more strenuous than reading a book.
While I sat by that river, I did notice the interplay of light with the water and the forest throughout the day. Several times, I thought, wow, that would make a good photograph, but I stayed in the camp chair. Maybe it was the heat (the temperature was in the mid 90s (mid 30s C). Maybe it was that I didn’t plan on any photographic subjects prior to the trip (normally I looks for possible subjects and places to go while planning a trip, even if it is not a “photo” trip). Or maybe I was just giving the creative juices a rest. Whatever, the result was the same – the camera stayed in the car.
While it felt good to take a rest from the camera, I don’t expect it will happen again soon. Next week I will be off on a six-day backpacking trip and will be bringing plenty of camera gear along. You can bet it will be used and often. But for one weekend trip, I was liberated.
Since my blog is about photography, it feels wrong not to present an image, even if the theme of the post is about not taking photographs. So, here below, is an image from White Pass, Washington that I took several years ago. We camped about 15 miles east of White Pass last weekend. This shot is a closeup on part of the upper portion of Clear Creek Falls, taken from above the falls.
I haven’t had much time to post lately, so I thought I’d throw something quick out there. One of the classic views on the University of Washington campus is of the Rainier Vista. The Rainier Vista consists of a view down between several university buildings, over the Drumheller Fountain (also known as frosh pond in my long ago days as a student), to Mount Rainier. If you are ever on the campus, this is a shot not to miss.
Perhaps the best time to shoot the Rainier Vista is at sunset, particularly if you want to have some of the classic university buildings in your composition as they are usually lit up at night. If you hit it just right, you can get alpenglow on the mountain balancing nice light on the buildings. I’ve never been that lucky.
But you can also make nice images in the afternoon as well. These were taken in mid-afternoon several weeks ago. A polarizer helps a lot to cut the haze in front of the mountain. Pick a telephoto lens to really draw the mountain into the frame, or a wide-angle lens to de-emphasize the mountain.
While at the university, check out the Graduate Reading Room in the Suzzallo Library as well.
I took the accompanying photograph last Sunday in Seattle. It is for a revised, updated version of my Scenic Seattle book that will soon be published in a print edition (scheduled for spring 2016). This is a view of Lake Union, a portion of downtown Seattle, and Mount Rainier from the Aurora Avenue Bridge (officially named the George Washington Memorial Bridge, though I have never heard anyone call it that).
Great view, but … The sidewalk is fairly narrow and separated from the traffic lanes by a short wall. The other side of the sidewalk is separated from the great void below by vertical cabling (the cables are there to prevent people jumping off the bridge to commit suicide. The bridge is nearly 170 feet, or50 meters, above the water). This gives the sidewalk a kind sided cage-like feel – with the roaring traffic in the cage with you. The speed limit on the bridge is 40 miles per hour (64 kph), but in my experience, if you drive 40 mph on it, you will get rammed from behind. I’d guess the average traffic speed is above 50 mph (80 kph). And there are six, narrow lanes of traffic. Not a comfortable place to shoot.
And to make matters worse, whenever you photograph along busy roads, there always seems to be at least one jerk (I’m being kind here; I want to use a word my Mother would not be proud of) who honks their horn while you are studiously looking through the viewfinder. I was on the bridge about 10 to 15 minutes Sunday and was surprised only one person honked. But that honk did nearly scare the pants off me. (So maybe it was a good think the cables were there so I didn’t jump.)
Further, those cables don’t make it easy to take a photograph. Typical DSLR lenses are small enough to stick through the cables, but only when pointed 90 degrees off the axis of the bridge. To take the shot shown above, you need to angle your camera at 30 to 45 degrees off the axis of the bridge. With my camera, that means physically forcing pushing the cables aside with the lens barrel. In some spots, it wasn’t possible. The cables were too tight. But I did find a spot with the gap between cables slightly larger and the cables a bit looser than average. With a bit of strength, I was able to turn the camera and force the cable apart enough to take the shot. With the cables pushing back, I had to use a fast shutter speed – which was probably needed anyway because the whole bridge shakes with the traffic (forget about using a tripod here).
I possibly could have wedged my camera completely through the cables and used the live view function to compose a shot. But with the long drop, I didn’t feel particularly good about that option either. But for shooting with a phone or a small camera, reaching past the cables is viable if you trust yourself to hang on.
Still interested in getting the shot? The access is rather easy. Park on Troll Avenue N between N 35th and 36th Streets near the Troll (the Fremont Troll statue is underneath the Aurora Bridge at the intersection of Troll Avenue and 36th). Take the stairs on the right side of the Troll up to the bridge and walk south until you reach the view you want. Just don’t expect to be too comfortable.