the blog of Seldom Seen Photography

Travel Photography

Ingalls

Ingalls Lake

Ingalls LakeThis is the post I was preparing when my friend Gary died. I had hoped to post this while it was still possible to hike to Ingalls Lake, but it is quite possible it is snowed-in for the season by now. I took the hike on October 10th, hoping to find good fall colors.

As I’ve mentioned in a previous post, to find good autumn colors in Washington State, you need to know where to look and have good timing. My goal for the hike to Ingalls Lake was to see some of those fall colors – specifically the subalpine larch trees. Larch trees are conifers, but unlike other conifers, they are not evergreens. The needles on larch trees turn a beautiful yellow then fall off in autumn. What makes them extra special is their setting. In Washington State, they are only found high in the mountains, which can create some incredible autumn scenery.

Snow, larch trees, and Mount Stewart from Ingalls Pass

Snow, larch trees, and Mount Stewart from Ingalls Pass

Even without the nearby larch trees, Ingalls Lake is spectacular. An alpine lake set in a rocky bowl at the base of Ingalls Peak with a view of the spectacular Mount Stuart that just won’t quit. The conditions were nearly perfect for my hike. It was partly sunny after a rainy weekend – at least it was rainy in the lowlands. At Ingalls Lake there was fresh snow, which just enhanced the scenery.

This nine-mile roundtrip hike immediately starts uphill from the parking lot as the trail switchbacks up to Ingalls Pass where it enters the Alpine Lakes Wilderness Area. The lower part of this portion of the trail is through forest, but the later part is not and has great views of the Esmeralda Peaks and Fortune Pass to the southwest. Once Ingalls Pass is reached, the view expands dramatically to include Ingalls Peaks and all the Stewart Range, anchored by Mount Stewart directly across the valley.

Ingalls Lake is not visible from the pass and is separated from it by the lovely Headlight Basin. The southern side of Headlight Basin has impressive groves of larch trees. The basin also includes many small streams, meadows, bare rock slopes, and boulder fields.

Just past the pass, the trail splits. The more direct route to the lake cuts downhill then uphill again through Headlight Basin. The main trail circles around the west side of the basin, not gaining or losing much elevation. The trails meet up again about 1/4 mile from the lake. From there, the trail scrambles uphill to the lake.

Since I was searching for fall colors, in particular the larch trees, the lake was a secondary objective. But what a secondary objective! I think you’ll agree from the images I’ve included here that the lake is spectacular. And neither was I disappointed by the larch trees.

I had hoped to stay in the basin until sunset, but as the afternoon wore on, more and more clouds were moving in and I thought the sunset might be a bust. So instead, I headed back downhill, stopping in the forested section of the trail to take more images of autumn color in the forest underbrush (the trees here are evergreens). As it turned out, the sun did break out again at sunset. Being back down low, I didn’t get much in the way of sunset shots, but I can’t complain, overall it was one of my best photo hikes in years. Perhaps, based on the images above and below, you will agree.

Esmeralda Peaks as viewed from the trail up to Ingalls Pass

Esmeralda Peaks as viewed from the trail up to Ingalls Pass

Larch trees on the trail west of Ingalls Pass

Larch trees on the trail west of Ingalls Pass

Rock slope and larch in Headlight Basin

Rock slope and larch in Headlight Basin

The larch grove near Ingalls Pass, Iron Peak in the background

The larch grove near Ingalls Pass, Iron Peak in the background

Closeup of larch needles

Closeup of larch needles

Ingalls Lake and Mount Stewart

Ingalls Lake and Mount Stewart

Another view of Ingalls Lake and Mount Stewart

Another view of Ingalls Lake and Mount Stewart

Some of the color in the forest underbrush on the hike back.

Some of the color in the forest underbrush on the hike back.

A bit of fall color along the North Fork Teanaway River near the trailhead.

A bit of fall color along the North Fork Teanaway River near the trailhead.

 


Quick Shot – Basilique Notre-Dame de Montréal

160912_montreal_5818Tanya and I are currently enjoying a trip to Quebec and Vermont, both places neither of us have been before. We first spent four days in Montreal, staying in an apartment in Old Montreal just down the street from the Notre Dame Basilica. To tell the truth, I didn’t know Montreal had a Notre Dame until a month or so ago when preparing for this trip. The Basilica is stunning, almost impossible to describe in words. Luckily, I take photographs! Also, what is amazing besides the Basilica itself, is that the Notre Dame Basilica allows tripods! I had assumed not, but thought it didn’t hurt to ask, and was surprised with the yes. So, here I give you a quick shot of view looking up in the Basilica near the organ and choir loft. I’ll post more from our trip later. For now, enjoy this image of Basilique Notre-Dame de Montréal.


New Transform in Lightroom

151214_Paris_8008

151214_Paris_8008

 

 

 

 

 

 

Adobe added a new Transform panel in Lightroom CC in June, and since I typically don’t check what is new in each Lightroom upgrade, I didn’t see this new panel until last month. When I did find it, I thought it was amazing. So much so, that from now on, I’ll be checking each upgrade to see what other new features might be available to improve my workflows.

The old transform was under the Lens Correction panel in the Develop Module under the Manual tab, where there were sliders for you to manually adjust lens, vertical, and horizontal distortions; rotation, scale, and aspect ratio. I made wide use of the vertical and horizontal sliders, but not so much the others. I found it was easier to correct rotations or change the aspect ratio with the crop tool and I usually don’t change the scale of an image except upon export. And while these transform tools where very helpful, sometimes I couldn’t get the results I wanted.

With release 2015.6 of Lightroom, Adobe removed the manual transform sliders from the Lens Correction panel and placed them in a new Transform panel (located directly underneath the Lens Correction panel, see the first screenshot below). The lens distortion slider is gone, and two new sliders, for X and Y offsets, are added. But the best new feature is the addition of automatic or guided distortion corrections. There are six options: off, auto, guided, level, vertical, and full. The pop-up help in Lightroom for each of these options states:

  • Auto: “enables balanced level, aspect ratio, and perspective corrections”
  • Guided: “draw two or more guides to customize perspective corrections”
  • Level: “enable level corrections only”
  • Vertical: “enable level and vertical perspective corrections only”
  • Full: “enable full level, horizontal, and vertical corrections”

There is also a guide tool in the upper left-hand corner with a guide tool. This tool essentially works identically to pressing the Guide button. In both cases, a guide tool becomes active which allows you to place guides on the image to show Lightroom what should be level and vertical. You are allowed to add up to four guides.

I’ve illustrated the use of this new features with an image I took in Sainte-Chapelle in Paris last year. The space is small and crowded, tripods are not allowed, and a wide-angle lens is needed. These conditions make it quite hard to a decent level and perspectively correct shot. The original image, shot with my 28-300mm zoom lens set at 65mm (at 1/20 second, f5.6, ISO 6,400),  is shown here below after all Lightroom corrections except those under the Transform panel.

The original shot, not level and plenty of vertical distortion

The original shot, not level and plenty of vertical distortion

The next image, below, is a screenshot showing the Transform panel open in the Lightroom Develop module. No transform corrections have been selected – the Off button is active. Please note, that when using the Transform corrections, it is best to have the lens profile corrections already active in the Lens Corrections panel.

The image in Lightroom Develop module with the Transform panel open.

The image in Lightroom Develop module with the Transform panel open.

The images below are the results of selecting the Auto, Level, and Vertical buttons. In this case, the results from the Full button is identical to the Vertical button.

Image after selecting the Auto button

Image after selecting the Auto button – improved, the image is almost (but not quite) level, and the vertical perspective is improve but far from perfect

Image after selecting the Level button

Image after selecting the Level button – nice job on leveling, vertical perspective unchanged from original

Image after selecting the Vertical button

Image after selecting the Vertical  or Full buttons (without cropping) – better than the Auto button, both horizontal and vertical perspectives well corrected, though not perfectly

Below I show the steps in using the Guided correction either by guide tool or selecting the Guided button.

Guide tool in use, picking two spots to define, in this case, a horizontally level line. The tool opens up a zoom window to allow the exact placement of the two spots.

Guide tool in use, picking two spots to define, in this case, a horizontally level line along the base of the altar. The tool opens up a zoom window to allow the exact placement of the two spots.

Here I've placed a second guide, this one defining a vertical line. With the placement of the second guide, the image adjusts. If it is still not satisfactory, a third and fourth guides can be added.

Here I’ve placed a second guide, this one defining a vertical line along the left-hand stained glass window. With the placement of the second guide, the image adjusts. If it is still not satisfactory, a third and fourth guides can be added.

Here a third guide has been added, creating a further correction.

Here a third guide (another vertical one, this one along the right-hand window) has been added, creating a further correction.

And now, a fourth guide, in this case, another horizontal one.

And now, a fourth guide, in this case, another horizontal one at the top of the altar. Now the image shows a better correction than any of the automated buttons. Results, of course, depend greatly on the selection and placement of the guides.

You have the option of checking the Constrain Crop checkbox at the bottom of the panel. This crops off the white space created by the corrections, but often it does not do a very good job as was the case here.

You have the option of checking the Constrain Crop checkbox at the bottom of the panel (this works with any of the buttons, not just the Guided one). This crops off the white space created by the corrections, but often it does not do a very good job as was the case here.

Instead you can use the crop tool, shown here, and adjust the cropping for a better composition. Here the crop tool was locked to the original aspect ratio.

Instead you can use the crop tool, shown here, and adjust the cropping for a better composition. Here the crop tool was locked to the original aspect ratio.

In this case, I wanted to show more of the stained glass windows, so I unlocked the aspect ratio and extended the crop upwards to make a vertical panorama. This crop resulted in my finished and featured image at the top of the post.

In this case, I wanted to show more of the stained glass windows, so I unlocked the aspect ratio and extended the crop upwards to make a vertical panorama. This crop resulted in my finished and featured image at the top of the post.

 

 

 


Southern Cascade Waterfall Sampler

Iron Creek Falls

Iron Creek FallsI’ve previously posted about the waterfalls along the Lewis River in the South Cascades of Washington. There are literally several hundred waterfalls in Gifford Pinchot National Forest, which covers most of the South Cascades. If you enjoy shooting waterfalls, you could easily spend days in the area. However, if you have limited time, beside visiting the Lewis River falls, you might consider the two I feature here, which are easily accessed by very short hikes from paved, forest service roads.

The waterfall featured above is Iron Creek Falls. It is located along Forest Road 25 east of Mount Saint Helens. The trail to the falls is several hundred feet long and drops right down to the creek bed, though you might have to scramble over a few downed trees to get to a good view. This time of year, when the creek flow is relatively low, you can get right out in the creek bed and shoot from directly in front of the falls. Though not particularly high (with a listed drop of 38 feet), I think this small waterfall is quite pretty with its colorful plunge pool.

Langfield Falls (below) is on Big Mosquito Creek northwest of the town of Trout Lake on Forest Road 88 just east of the Big Tire Junction. The trail to the falls is about 500 feet long, dropping to a viewpoint a short distance above the falls. As you can see from the photo below, at this time of year, when the creek flow is low, the waterfall is limited to one side of the cliff. When the creek flow is higher, the falls spread wide over the rock face, totally changing the character of these falls.

Langfield Falls

 


Rookie Mistakes

Gorge MoonsetI hope you are having a great summer (or winter for my friends down south). I’m not sure where the time has gone this summer. It seems like I’ve been busy, but have little to show for it. I know my time has not been taken up by photography. I sort my image in my Lightroom catalog by date, and the catalog for July only has two dates in it. Same with August – and those two were from consecutive days of a non-photography trip where the camera barely left the bag. The purpose of the trip earlier this month was a family reunion. Us Beckers gather every year the first weekend in August.

This year, the get-together was at my sister’s house in Lyle, Washington. For those of you that don’t know where Lyle is, it is a small town in the Columbia River Gorge, on the Washington side of the river, ten miles or so east of Hood River, Oregon. My sister actually lives north of town another 10 miles or so in a house with a fantastic view of Mount Adams. However, I didn’t take any shots of Mount Adams when I was there, the air was quite hazy.

Tanya and I stayed right in the town of Lyle in an Airbnb house with a view of the Columbia River. The only photograph I planned to take that weekend was the image above. I knew by checking the Photographer Ephemeris that the crescent moon would be setting directly down the gorge from Lyle. In fact, I didn’t have to travel far to get the shot. The image above was taken from the deck of our rental.

So why is this post called “Rookie Mistakes?” Because I made a mess of my photo shoot. For those of you that have been to the Columbia River Gorge, you probably know the wind blows there a lot, and the night I shot this image was no exception. So, one would think that I, being somewhat of a professional photographer, would take precautions against camera shake. Well, I thought I did. I used my sturdiest tripod, I bumped up the ISO to 800 and used wide apertures to make for shorter shutter speeds. I shot some 30 images. All of them had camera shake to a certain extent. The one above, the last image I shot that night, was the best of the lot. I used Photoshop’s shake reduction filter, and that helped, but I could have done more. I should have used a weight on the tripod. I should have left the stabilizer on my lens, which I normally turn off when shooting from a tripod, turned on. Bad mistakes. I’m lucky I had even one halfway decent shot.

Mistake number two – the moon (and the planet above it in this image, Jupiter, I think) moves fast. My shutter speeds were between 2.5 and 30 seconds. When shooting stars at night, a 30-second exposure is typically not long enough to have star trails show when using a very wide-angle lens. However, I was not using a very wide-angle lens; I was using a telephoto lens. In everything I shot with a shutter speed over 2.5 seconds, the moon was horribly blurred due to the earth’s rotation. The image above is actually a composite, the moon and Jupiter are a 2.5 second exposure, the rest is a 10 second exposure.

All I can say is that when I downloaded these images to my computer, I was very disappointed. I let the excitement of the photo shoot overwhelm good technique. That’s why it is important to get out and practice your craft as much as possible. Keep working on your technique until it becomes second nature. I guess I’m not there yet. Here I encountered two different, unrelated phenomenon that, had I been thinking properly, should have made me use a fast shutter speed. Neither did. I failed and am lucky to have anything to show. But, I learned a lesson and, hopefully, will not make these mistakes again.