If you are like me, it is often difficult to do serious photography when traveling with your family. I wish I had a simple method to address this problem, but I don’t. If you do, please let me know! Or perhaps you don’t think this is a problem. If that is that case, please tell me why.
When traveling with Tanya, she usually requires me classify the trip as a “photograph trip” or a “non-photography trip.” On non-photography trips, I can still take my equipment, but I am expected not to disrupt any trip plans with photography. On photography trips, the world’s my oyster and I dictate when and where.
When we take a big trip, like our trip to Europe last month, they are by default non-photography trips. This is especially true when we travel with others; in this particular case, traveling with my mother-in-law and my son. One word of advice – if you want to get a lot of photography in while traveling, don’t travel with your mother-in-law.
On a photography trip, I tend to take the whole bag. But for non-photography trips, I go more minimal. I usually take my camera backpack as a carry-on in the plane, but I don’t typically carry it around when out shooting except when I’m going out by myself (see below). Even then, I take some of the gear out instead of my normal kit. I typically take my Canon 6D body with battery grip, a 28-300 mm lens, a 17-40 mm lens, about 5 or 6 memory cards, a polarizing filter, a split-neutral density filter, a Canon speedlight flash, four batteries, a battery charger, a tripod, my laptop, a card reader, and a few various accessories (lens cloth, etc.). In addition to the backpack, I also bring a Think Tank Pro digital holster as a smaller bag.
So when on a non-photography trips and heading out with the family, I go with a minimal set of equipment. I will put the 28-300mm lens on the camera, take the battery grip off, and put the camera in the holster (the camera will not fit in the holster with the battery grip on). In the pockets of the holster, which are rather small, I’ll carry a spare battery, a spare memory card, a cleaning cloth, and the polarizing filter. Sometimes, if I know I will want it, I’ll carry the 17-40mm lens in my coat pocket (no room in the camera holster). Rarely I’ll carry the tripod as well with this minimal setup. This minimal set of equipment allows me to get quality photographs without impacting the family, though I will often have to shoot at a higher ISO than I’d like due to not having the tripod (see my last post).
But my main strategy to get quality photography time is to go out without the family. This usually means going out at night after the family has retired to our lodgings for the evening or getting up extra early and going out prior to everyone else being ready for the day. This is one reason I like to stay near major attractions that might look good at night. On your recent trip, we stayed within easy walking distance of the Louvre when in Paris and near the Block of Discord in Barcelona. When going out on my own, I carry my full kit in the photo backpack and always take the tripod (even with high ISOs, it is hard to shoot at night without a tripod). The added advantage is that often there are not very many people around wandering into my frame when shooting, and even if they do, the exposures are long enough that they typically don’t show up if they keep moving.
Shooting at night also has the added advantage of making the sky easier to deal with. When doing travel photography, you typically don’t have a lot of time at any one destination. So you can’t necessarily wait for those “good” sky days. Often the sky is a mass of clouds without any redeeming detail, and if you place it in your composition, it sits there like a huge blown-out white blob. Not to mention the contrast problem it creates with the foreground and your image’s subject. Not a problem at night. At worst, clouds pick up scattered lights from the city and take on an orange glow, which is easy to fix in processing.
The images accompanying this post are from two nights I went out by myself, once in Paris and the second in Barcelona. Unlike my previous post, these images were all taken with an ISO of 100 or 200 while using a tripod. The featured image at the top of the post is of the courtyard of the Louvre.
My recent trip to Europe confirmed something I already knew, travel photographers need to embrace high ISOs. Sure I took my tripod along on the trip, and I used it frequently. But mostly when outside buildings. Most museums and other indoor attractions prohibit tripods, often monopods, and even selfie-sticks (not that I have one – I use my tripod or monopod instead). There are a few exceptions, the Metropolitan Museum of Art in New York for one (see my previous blog about tripods in New York), but more and more it seems tripods are a no-no (and don’t even get me started on places that prohibit photography entirely, where people left and right are using their cell phones to take photos (often with flash), but if I get my DSLR out, I get a stern warning).
When planning a trip, I usually try to research whether tripods are allowed in various attractions I want to visit, but in this case, I didn’t have a lot of time to prepare and failed to do the research. Further, traveling with my mother-in-law, I didn’t figure I’d have a lot of photography time (and I was right). But even if you have time to do such research, it is often had to find rules related to tripods on the internet, and worse, sometimes the information is either wrong or incorrectly enforced at the attraction. For my recent trip, I just assumed tripods weren’t allowed in any indoor attraction I visited – an assumption that was usually confirmed by signs at the various attractions.
There is another consideration. I can’t even imagine trying to set up a tripod in Sainte Chapelle in Paris (which doesn’t allow tripods; the featured image above, by the way, is Sainte Chapelle taken at ISO 6400, f/5, 1/30 sec), there was barely room to stand. Even if tripods are allowed, due to the number of people visiting, it is often impractical to use them. For example, in Seattle, tripods are allowed at Pike Place Market and in the Seattle Aquarium, but due to crowds, can be hard to use.
Of course there is the final consideration about just carrying it around. There were places on my recent trip where I could have used a tripod, but didn’t have it with me because I didn’t want to lug it around with me. Sometimes it was because I was visiting another attraction in the same day that didn’t allow tripods; other times it was because I was too lazy (I know, my bad).
Yes, it is best to use low ISO with long exposures and a tripod to minimize digital noise, but often that is not an option. Luckily, the high ISO capabilities of today’s digital cameras are quite good, and getting better with each generation of camera. During my recent trip, I found myself shooting at ISO 3200 and 6400 quite often. I even got up to 25,600 several times; the digital noise was horrible, but it was that or not get the shot. That’s what it came down to, getting a shot or not. You be the judge, was it worth using high ISO to get the shots accompanying this post?
Granted, spending five days in Reykjavík over Christmas does not make me an expert on Iceland in winter. Further, my vacation was a true family affair (besides Tanya, our son, Brooks, and Tanya’s mother, Maxine, joined us on the trip), making time for photography difficult. However, I did learn a few things, not the least of which is that I want to go back and spend a lot more time there. If you are thinking of going to Iceland in winter, here’s some things I learned.
- The light is incredible. The blue hour starts a full two hours before sunrise and lasts until two hours following sunset. And in between the blue hours, the entire time the sun is up, is the golden hours. When I was there, the sun was never above 3 degrees above the horizon. The light was magical.
- The light is short. Even with the long twilight hours, there isn’t a lot of time for photography. On Christmas day, for example, the sun rose in Reykjavík at 11:22 a.m. and set at 3:32 p.m. This is the perfect time to visit for photographers who like to sleep in.
- Expect a lot of contrast. Even with the great light, there is still a lot of contrast. Iceland is made of volcanic rocks, which are black. There will be snow – it’s Iceland after all.
- Be ready for wind. Though it wasn’t windy every day, when it was windy, it was very windy. With the low light levels and the wind, a tripod is absolutely necessary.
- Don’t like the weather, wait a day. The weather seemed to be totally unpredictable. Our first full day in the country, the high was just above freezing, it was mostly cloudy, there were a few scattered rain and snow showers, and there was no wind. The second day, a day we decided to do a day trip to the Snæfellsnes Peninsula, it was below freezing, there was fog and low clouds, and even though it didn’t snow much, there were blizzard conditions with a steady wind over 30 mph (48 kph). The following day, Christmas, it was cold, a high of 16 degrees F (-9 C), but mostly clear with no wind. The day after Christmas had a high temperature a few degrees above freezing, with a partly cloudy skies and no wind. And our last day in the country, it was rainy with strong winds (strong enough to nearly blow our rental car off an icy road). The moral – keep your plans flexible as the weather.
- It’s expensive, but so what. Yes, prices are high, especially for food. But with a little prudence, you can keep to a budget. Try an off-brand rental car for instance; we paid about $280 for a 5-day rental of a mid-sided all-wheel drive SUV (a Ford Kuga) at Saga Car Rental (run by Thrifty, which, by the way, was at least $100 more), the equivalent at Hertz – about $700. Besides, chances are you are on vacation, worry about your bank account when you get home.
- Skip the tour and do it yourself. Rent a car (see above) and drive the Golden Circle by yourself. You’ll be on your own schedule, giving more time for photography. However, before doing so, critically consider your winter driving skills. On our trip to the Snæfellsnes Peninsula, we came upon one unprepared rental car drive who was blown off the road.
- It probably goes without saying, but dress warmly in layers. The wind chill can be brutal.
- If you speak English, don’t worry about the language; nearly everyone speaks English.
- Take your whole photography kit. You’ll find lots of opportunities to use your wide-angle as well as your telephoto lenses.
- Be prepared. Research before you go as well as when you are there. I recommend the photographer’s road map of Iceland by Michael Levy. Want to see the aurora, check out this website with real-time northern lights forecasts. The site also give temperature and wind forecasts.
On my trip several weeks ago, besides visiting Silver Falls State Park, I drove through some of the Oregon Cascades. It was, perhaps, not the height of autumn color in the Cascade Mountains, but it was close. Prime time may have been last week, or maybe this one. Regardless, now is the time to be out there; the mountains in Oregon, and here in Washington, only surrender some of their green for a short time each year.
I hoped I’d have more time to write a post about the Oregon Cascades, but unfortunately I don’t. I will say they do seem more accessible than the Washington Cascades, with more and better access roads. After just a couple of days there this fall, I know I’d like to go back for at least a week, if not longer. So with that, I’ll just post a few images I captured in the mountains (and one in the Columbia Gorge, as well), and let the images speak for themselves about autumn in the Oregon Cascades.
As I previously mentioned, last weekend I headed up to Alaska on a fishing trip. And most of my time was spent fishing rather than on photography. Weather was a major factor in keeping the camera in the bag – it rained four out of the five days I was there.
The trip was sponsored by Holt Services, a drilling firm we often use in my day job as a geologist. I was part of a group of 18, mostly geologists and drillers. Many fish were caught and much beer was drunk. We stayed at and fished from the Clover Pass Resort, about 20 minutes north of Ketchikan. The first couple days of fishing were not so good; I only caught on fish – a 10-pound coho (silver salmon). The last two days were much better; I caught nine coho. We saw plenty of wildlife as well, including bald eagles, Dall’s porpoises, gray whales, and seals.
Overall, it was a great trip, except for the limited photography opportunities. I didn’t get anything too special, but since I mentioned it in my previous post, I thought I should post a few images. So, without further ado, here are some shots from the land of salmon.