I’m working on a couple of other things right now, but am not ready to post about them yet. So I thought I’d give you one more look at the Palouse. In my previous post, I talked about spots in the Palouse that are not on the available photographer’s maps of the area. This is not to say the maps don’t provide for some good subject matter. All the images featured in today’s post were shot at spots shown on the maps. The spring season is about done in the Palouse, but in a few months, these green fields will turn golden; and photographers will again flock to the Palouse for its late summer, golden season. I hope you have enjoyed this series of posts about the Palouse. Please let me know if you have any comments or questions.
Steptoe Butte is by far the most popular destination in the Palouse. When I was there on May 30th for sunset, there was at least one photo workshop/tour going on as well as eight or so other independent photographers at the spot I stopped. There were likely more further up the road. The Palouse is a world-class photography destination, and June is one of the two prime times to be there (the other being August), so even though it was not yet June (albeit by only two days), I was not surprised to see so many tripods. Luckily, if you go and find the place crawling with photographers, there is a lot of room.
But there is so much more to the Palouse than Steptoe Butte. The Palouse is a big area. According to Wikipedia, “the Palouse region was defined as the fertile hills and prairies north of the Snake River, which separated it from Walla Walla County, and north of the Clearwater River, which separated it from the Camas Prairie, extending north along the Washington and Idaho border, south of Spokane, centered on the Palouse River.” Many great shots can be made by driving around looking for scenic barns, patterns on the fields, old houses, etc. But when you only have a day or two to explore, it is helpful to have an idea of where to go.
One option is to join a guided tour or workshop. There are many to choose from, though many also fill up fast. My photographer friend Jack Graham offers Palouse workshops every year, for example. Or you can even go with a custom, personalized workshop, like that offered by Greg Vaughn.
But, if you are more of a do-it-yourselfer, another option is to use a photographer’s map of the Palouse. There are two such maps available that I know of. The first one was created by Teri Lou Dantzler and is available for $25 (who also offers workshops). The other, is free and available from the Pullman Chamber of Commerce. Why consider the $25 map when a free one is available? Because, according to Teri Lou, the Pullman Chamber of Commerce stole her map. I have purchased a map from Teri Lou and also have the one from the Pullman Chamber, and I have to tell you, I think she has a good point. The listed spots are almost identical. Both maps show locations of red barns, other barns, lone trees, viewpoints, abandoned houses, granaries or silos, abandoned farm equipment, and windmills. I will say, Teri Lou’s map does a better job with the roads. There are three types of roads in the Palouse: paved, gravel, and dirt, and if it rains, you better forget about driving on the dirt roads. Teri Lou’s map does, for the most part, a good job differentiating between the three road types while it is less clear on the Pullman Chamber map.
While these maps are helpful, there are a few problems with them. First, some of the mapped barns, other buildings, or trees are no longer there. Others are falling down. Second, the icons used to show photo locations are too large for the scale of the maps (this might be my geologist background raising its head here, but I did find this very distracting). Third, both maps only covers part of the Palouse. They both only go as far north as Rosalia, and neither goes into Idaho. And fourth, they missed a lot. All of the shots in today’s post are from places not on the maps! While the maps are helpful, they are certainly not the ultimate guide. I used them as more suggestions, but exploring on your own may be the best way to get unique shots.
The point I’d like to leave you with is that no guide or photographer’s map about the Palouse is complete. It is a large area, and there are many wonderful photographic opportunities there. One easily could spend a week or more exploring. I’ve made three trips there in the past several years and still have much to see. As I mentioned, all of the images in this post were not on the photographer’s map or (to my knowledge) in any Palouse guide that I have seen. For example, the featured image above of the lone tree was taken northeast of Colton – a barren area on the two maps. If you have the time, do some exploring of the back roads in the Palouse. You never know what you might find.
Earlier this week, Tanya and I spent two nights in the Palouse. I’ve posted about the Palouse before (see this post from last summer about the Palouse in its “brown phase”, and these two posts from three years ago – one about the Palouse in general, including Steptoe, and one concentrating on the church at Freeze, Idaho), so for now, I’ll just post a few images I took from Steptoe Butte. More from the trip later. Meanwhile, enjoy these images taken from Steptoe Butte last Monday evening.
I’m continuing my series of posts on New Mexico. While Tanya and I stayed in Santa Fé, we did take a day trip to Albuquerque to visit Petroglyph National Monument. Rather than take the Interstate, we drove the Highway 14, also known as the Turquoise Trail National Scenic Byway. To fully explore this scenic byway, you may need a full day. We only made a few stops, the longest being in the small town of Los Cerrillos.
Los Cerrillos was founded in the late 1800’s as a mining town, mostly for turquoise. A boom town for a short while, the mines began shutting down in the early 1900’s and the town shrank. Today, according to Wikipedia, the population is less than 250 people. The town certainly has an old west feel to it. Many of the building has small signs telling of their individual histories as boarding house, store, saloon, etc. There is only one paved road in town. There is also a state park, Cerrillos Hills State Park, with hiking trails and a visitor center in town, which we unfortunately didn’t have time to visit.
I spent an hour of so wandering the streets and visiting the Mining Museum ($2 entry fee). What struck me about the town was the large number of great looking doors. Many photographers, me included, seem to like to take pictures of doors, and Cerrillos has more than its share. I also thought the church was quite photogenic. The museum was fun as well. It’s not large, but it is stuffed with old bottles, coffee cans, glass insulators, and antiques of all types, as well as rocks and minerals.
If you find yourself driving between Albuquerque and Santa Fé, try the Turquoise Trail and consider a stop at Los Cerrillos. It will be well worth your time.
Kasha-Katuwe Tent Rocks National Monument is a small national monument in New Mexico. Located roughly halfway between Albuquerque and Santa Fé, and about 25 miles west of Interstate 25. Though more popular since it gained monument status in 2001, it is still relatively unknown, so much so that there are not even exit signs for it on the interstate. Yet, Tent Rocks, is definitely worth a visit.
The park is home to a large number of cone-shaped “tent” rocks and hoodoos made in white- to tan-colored volcanic ash and tuff deposits (left from a series of pyroclastic flows, or nuée ardente, off the Jemez volcano to the north – as a geologist, I just had to get some geology in). Many of the tents have boulder “caps.” The tents range from in height from a few feet to nearly 100 feet. The park is a day-use only facility run by the Bureau of Land Management rather than the National Park Service. The park opens at 8 am in the winter and 7 am in the summer and closes at 5 pm and 7 pm respectively, with the entrance gate closing an hour before the park. There is a $5 entrance fee (or use your National Parks pass).
To best see and photograph the tent rocks, you need to park the car and take a short hike. There are only a few trails in the park, with the two main trails starting at the picnic area. These are the Cave Loop Trail, which is 1.2 miles long, and the Slot Canyon Trail, a mile long (one way), that branches off the Cave Loop Trail half a mile from the parking lot. The featured shot above was taken from the loop trail between the parking lot and the start of the canyon trail. The Slot Canyon Trail is more strenuous of the two, but also more scenic. You can easily combine the two trails, like Tanya and I did, to create a longer walk. If you have time for just one, take the Slot Canyon Trail.
Shortly after leaving the loop trail, the Slot Canyon Trail enters a steep canyon cut through the volcanic ash deposit. Though typically 20 feet wide or so, 500 feet or so from the entrance to the canyon, it forms a tight slot reminiscent of some of the slot canyons in Utah and Arizona (except not in sandstone). Shortly before the tight slot portion, on the west wall of the canyon, a bit off the trail, there are several petroglyphs carved into the rock, including an impressive one of a snake.This is not the only evidence of former inhabitant in the area. The cave, on the Cave Loop Trail, is a small alcove in the ash deposits with a roof black with soot deposits of ancient campfires.
Past the slot section, the canyon opens up bit and there is a great view of the tents looking back down canyon. The trail continues up the canyon which eventually curves westward and upward through some tall tents. Eventually the trail climbs steeply up out of the canyon with good views back toward the upper part of the canyon just traversed, toward the mouth of the canyon, as well out to the plains of the Rio Grande Valley and the far off mountains.
Because of the light-colored rock, mid-day light is not very good for photography. Early morning or late afternoon work well, but beware of the park’s hours. Because of the park’s hours, spring and fall are probably the best seasons to visit. We visited on an April afternoon, with nice afternoon light, leaving shortly before the park closed. A wide-angle lens is needed in the slot canyon, while in places, a telephoto lens will be helpful to isolate tents in your compositions.