If you read my last post, you know I was not optimistic about shooting the supermoon. As it turned out, though not 100%, I felt well enough to go out. And the weather actually did cooperate, sort of anyway. As you can see, I did get a shot of the supermoon over Seattle. While I am pleased with this image, it is not exactly the one I wanted. From my vantage point in Manchester, on the west side of Puget Sound from Seattle, the moon rose right next to the Space Needle. That is the shot I had hoped for. But there were clouds on the horizon and the moon was not visible until about half an hour after moon rise. In fact, I captured this shot 31 minutes after the moon rose. And, I do have to admit, the clouds did present some nice color to the shot.
Anyway, I thought you might like to see what I came up with. After shooting the moon this evening, I’m now thinking of trying for a lunar eclipse shot in the morning. Is it moon madness?
I haven’t had my camera out all month, and I’m going crazy. Last week had hoped to go out, but the flu interfered with my plans. I haven’t left the house since last Monday. I’m starting to feel better, and with just a few days left in January, perhaps I will be able to venture out yet. There is a supermoon and total lunar eclipse coming up on Wednesday after all (however, the weather report does not hold much promise). The pending supermoon made me think of some shots I took of the moon (though not a supermoon) five years ago. The weather forecast that day in January 2013 was also not so promising, but the day ended up being glorious, and I captured many good images that day including the one here.
If you do try to photograph the supermoon, remember that perhaps the best time to photograph the moon rise is the day before the full moon (in this case, Tuesday, not Wednesday). The day before the full moon, the moon will look just about as big, but it will rise before the sun sets, allowing an image like this one. On Tuesday, here in Tacoma, the moon will rise at 4:28 p.m. and be 99.6% full, while the sun will set at 5:09 p.m. So, provided the clouds part, if you go to West Seattle, you can capture an image like this (but with a bigger moon). If you wait until Wednesday, the moon will rise at 5:43 p.m. and still be 99.6% full (the actual 100% full moon occurs Wednesday morning), but the sun will set at 5:10 p.m.
Your other option is to photograph the moon setting. In that case, it is usually better to photograph the moon the day after the full moon, Thursday in this case when the moon will set 48 minutes after the sun rises and still be over 98% full. As far as the total lunar eclipse goes, the eclipse will be total from 4:51 a.m. to 6:07 a.m. on Wednesday. All the times given here are for Tacoma, and the actual moon rise, set, and eclipse times will likely be different for you. Timeanddate.com provides an excellent online resource for determining the eclipse timing.
With any luck – like the flu giving up its hold on my body and the ceaseless rain and cloud cover actually ceasing – this Tuesday or Thursday, I might have a chance to capture a supermoon. I’m not holding my breath, but I do wish you good luck in you lunar adventures this week.
Last Thursday was Thanksgiving in the United States. I’m thankful to live in such a place that can give sunrises like the one I found on Thanksgiving morning. Normally, you need clouds in the sky for good sunrise or sunset shots, but in this case, I thought I might have something even without the clouds because I knew the sunrise was going to be close to Mount Rainier. Using the Photographer’s Ephemeris, I saw the sun would rise along the flank of the mountain as viewed from the Fox Island bridge, about 14 miles from my home.
The morning was crisp and cold, just about freezing, which made for a few low-level clouds and a scattered mist on the water. As the sun was rising, the moon was setting in the west, near the Olympic Mountains. It couldn’t have been a more beautiful morning. The official sunrise was at about 7:40 a.m., but because it rose in line with the mountain, it didn’t crest the mountain until almost 8:00 a.m. And crest it did, over the very top of the mountain. Being out there on the bridge, photographing the sun and the moon in a beautiful setting, I was very thankful on Thanksgiving morning.
I must be obsessed with the moon lately writing two posts in a row about the moon. Yesterday I joined others from the Tacoma Mountaineers photo group in shooting the full moon from Gig Harbor. Actually, yesterday was the day before the full moon, or what some call the Photographers Moon, since it looks full and rises before the sun sets. As viewed from Gig Harbor yesterday, the moon rose north of Mount Rainier, and by sunset was near the mountain. Unfortunately, the clouds did not cooperate, and the late afternoon sunshine was blocked by high clouds in the west. The beautiful sunset light on the harbor and mountain did not materialize. The golden hour turned pale.
The featured image above was taken shortly before sunset. Not a bad image overall, but a pale imitation of what it could have been. Imagine what it would have looked like if clouds in the west had not been blocking the sun. Imagine Rainier lit with a warm glow and the clouds burning with pink. Yesterday, it was not to be.
I’ve been thinking of this shot for several years, and last night just didn’t cut it for me. In looking ahead, the Photographers Moon next month (on June 11) and in July (also on the 11th) will rise closer to the mountain than yesterday. I think I will go back and try again. Anyone want to join me in my moon madness?
I have trouble photographing the moon. Okay, it’s not so hard before for the sun sets (which is why the best full moon pictures are typically taken the day before the full moon and, consequently, before the sun sets), but after dark, I have lots of problems. There is just too much contrast. The moon is bright, basically as bright as anything lit by sunlight on a cloudless sunny mid-day. Everything else is dark. The dynamic range of any scene with the moon is too much for a camera to handle.
Perfect time to try some HDR photography, right? Maybe, but I’ve never gotten it to work well. I’ve always get funny looking light artifacts around the moon; all my attempts at using HDR for scenes with the moon have looked awful. How about shooting one exposure for the moon, one for the rest of the scene, and combining them in Photoshop. Again, maybe you can do that, but every time I’ve tried it, it doesn’t work – there’s too much glare around the moon and I can’t get the sky to look right.
Last month when I wanted to photograph the full moon rising behind the Glass Museum in Tacoma, I was disappointed when there were clouds on the eastern horizon and the moon wasn’t visible. Less than an hour later, the moon rose above the clouds, and though it was no longer aligned with the Glass Museum, it lined up nicely with the cable bridge over the Thea Foss Waterway. Nice shot, I thought, except now it was way too dark to capture both the moon and the with a single exposure. I set up the tripod anyway and took a series of shots, hoping that perhaps the contrast would not be too extreme.
Later, when I downloaded the shots, I was disappointed to find out contrast was too great – moon troubles were visiting me again. I tried HDR (once again) and was disappointed with the results (once again). I was frustrated. At that point, I figured someone else must have an answer to this problem, so I spent some time researching moon photography on Google. Most advice centered around photographing during twilight before it was too dark. Not helpful in my case. After a bit of searching, I found a YouTube video (which I can’t find again to credit here), where the photographer used HDR for only the moon and the area of sky immediately around it, a single image for the rest of the shot, then combined the two images in Photoshop. He then re-imported the resultant image into Photomatix for additional tone mapping, which I thought wasn’t necessary. But the first part sounded interesting.
I had a series of seven images, shot one f-stop apart. I imported all into Photomatix and worked it for the moon only. I re-imported the HDR moon image into Lightroom. Then I took a single image from the original seven and worked it in Lightroom for the foreground only. I also worked the HDR moon image in Lightroom to approximately match the sky to the sky (away from the moon) in the foreground image. I exported both images to Photoshop into a single document, with the foreground image as the background layer and the HDR moon image laying on top. I used a layer mask on the HDR moon layer to mask out everything but the area around the moon, feathering the mask match the sky in the underlying layer. The two skies didnt quite match, so I used a curves layer with a clipping mask on the HDR moon layer to get the tone of the two skies to be more similar. Once I was satisfied with the result, I continued with my normal Photoshop workflow to finish the image.
Perfect? No. But in the end, after a lot of work, the result is the best moon image I’ve ever captured after dark. What do you think, is it any good? And please, if anyone has some better way to handle my moon troubles, be kind and let me know.