Every year I seek to capture a few snowy scenes for possible calendar use. At Robinson Noble, where I have my day job, we produce a calendar every year for clients, and I supply all the images. There seems to be some unwritten law that requires the December and January images to have snow in them (sorry that my northern hemisphere bias is showing here!). The problem is that I’m not that much of a winter person, so I don’t get out much in the cold season. Plus, the easiest place for me to get snow images is Mount Rainier National Park, which is only 70 miles from my home. However, the calendar needs variety, so the January and December images can’t be taken in Mount Rainier National Park every year. Now add in that this winter has been very warm in the Pacific Northwest and there is not much snow.
So with all this in mind, I took last Monday off work to go and find some snow. Tanya, Nahla and I drove east into the mountains. At Snoqualmie Pass, it was very dark with mixed rain and snow falling. We kept driving. Coming down from the pass, the weather improved, as it usually does, with sun and mixed clouds. While this area is typically snow-covered in January, it was not this year. We kept driving. We left the interstate and headed toward Blewett Pass and we finally found snow and sun together. We stopped at the top of Blewett Pass and got out the snowshoes. While snowy, the snow wasn’t deep, perhaps about a foot at the parking lot.
We hiked off the northern end of the lot, west along a forest service road. Most of the time we were in the forest, but the views did open up at a few spots. It was an easy snowshoe hike and a nice day to be out. I captured a few shots that might be worthy of being on the calendar next year (let me know if you agree). Mission accomplished.
One of my favorite places to shoot in Tacoma is the Museum of Glass. With its unique architecture, reflecting ponds, and setting on the Thea Foss Waterway next to the historic Albers Mills building, it provides plenty of fun compositions. Though it can be photographed any time of day, I especially like photographing there at night. I really like the varying metal textures of the hot-room cone and “wing” over the elevators on the upper plaza, and how they reflect light at night. I also quite like the contrast between the brick of Albers Mill and the metal of the Glass Museum’s hot-room cone. There is something magic about shooting there in the dark with long exposures; you are never quite sure what you will end up with in your shot. What the camera sees is always different from what the naked eye sees. With practice, I’ve learned to anticipate what my long-exposure images of the Glass Museum will look like, but I always get a couple of surprises as well.
Last Tuesday, about five of us from the Tacoma Mountaineers went down there to shoot. We stayed about two hours and had a good time playing around in the dark. There were very few other people round to potentially mess up compositions; but doing night photography, other people don’t matter too much. With long exposures, they can walk right through your composition and never be seen. It’s the magic of night.
There are quite a few light sources around the area, both from the museum itself and from neighboring properties, so the exposures don’t have to be too long. Most my exposures were one to three minutes using ISO 100 with f-stops of f/8 – f/16. What makes things interesting from a photographic perspective is that the lights have many different color temperatures. There is a general orange glow to the area from sodium-vapor lights that are common in the city, but there is also green, yellow, red, blue and even purple light in the area. There seems to be no “correct” white balance due to all these various light sources, so it is fun processing in Lightroom and playing with the white balance sliders to find pleasing sets of colors. Typically I like one color setting for the buildings, typically something warm, and a different one for the sky. On the photos shown here, I used the Lightroom paintbrush to tone down and darken the orange tone of the sky that results from the city street lights.
Enjoy these images of night at the Glass Museum, and as always, feel free to leave a comment.
Earlier this week Nahla, Tanya and I ventured out on Veteran’s Day in search of some the last fall colors of the season. Two weeks earlier, my friend and fellow photographer Bob Miller visited me in Tacoma. He asked for suggestions of photographic side roads he could visit on his drive home to Arizona. I suggested the Yakima Canyon Road, also known as State Route 821. Bob posted some great photos from the drive on Facebook.
I was particularly taken with one of his shots, taken from the suspension bridge over the Yakima River leading to the trail up Umtanum Creek. A year and a half ago, Tanya, Carson and I hiked this trail, and one of my favorite photos of Tanya (and Carson) was taken on this bridge. Because of Bob’s shot, I decided we should try the same road. Bob definitely had better color than we did, but it was worth the drive anyway. The day was cold and windy, but sunny. I came away with some good shots, and may post more of them later. But today, I want to feature the one I took from the bridge, just to show Bob what a difference two weeks makes. By the way, though it looks fairly warm in this photo, it was near freezing with the wind blowing about 20 mph. Brr!
While doing my series of posts about the Southwest, I did manage to get out one Saturday in October to hunt for autumn colors here in Washington State. As I’ve mentioned before, fall colors are not the best in the Evergreen State, but they can be found if you know where to look. Timing is also important, as they don’t last long and snow can come to the higher elevations unexpectedly anytime in October. That was the case two years ago when a few days after taking fall color shots at Mount Baker, a snowstorm hit and the area was snow-covered until spring.
This year, we headed over to Leavenworth, Washington a couple of weekends ago. I was accompanied by Tanya, her mother Maxine, and Nahla. Leavenworth was crowded, as it was the last day of their annual Octoberfest. It took us about 20 minutes to go the last 2 miles into town, and another 10 minutes to find a parking spot. But I was there for the color, not the beer and brats (though I did have beer and brats while there, how could I not?). After lunch, I left Tanya and Maxine in town and Nahla and I headed up Icicle Creek, just west of town, into the Okanogan-Wenatchee National Forest. The color wasn’t too bad. I stopped at four or five places and got a few good shots.
After Icicle Creek, I picked up the girls and we drove up Highway 2 along the Wenatchee River as it winds through Tumwater Canyon. The color, I thought, was much better here, and I wished I had more time. However, it was already late and the sun set early this time of year. I shot until it got dark, and was quite happy with the results.The shot above is one of my favorites from the trip, shot at the very end of the day. It was shot on a tripod at ISO 200 and f11 for 30 seconds with a circular polarizer (actually it is two merged shots, one with the polarizer set for the water and the other with it set for the foliage).
It’s probably too late now to catch much color there, but come next October, you may want to try Tumwater Canyon and Icicle Creek. Just remember, if you go during Octoberfest, you may need a little extra time to get through Leavenworth.
I enjoy night photography, though I’ll be the first to admit that I have a lot to learn. I have previously written on the topic. However, in that case, my post focused on night photography in the city. In today’s post, I’ll focus on night photography in the wilderness (or at least far from city lights).
During my recent backpacking trip in the Olympic Mountains, I played with night photography on two nights. My main focus on those nights was to capture some shots of the Milky Way. When shooting star filled skies, and not trying for star trails, here are a few hints:
- plan your shot by seeing where the Milky Way will be – download the free program Stellarium, a planetarium for computers which can show you how the night sky will look anywhere in the world at anytime now or in the future.
- pick a spot outside of cities – light pollution blocks many visible stars; my trip to the Olympic Mountains was perfect
- for the best star shots, avoid times when the moon is up – like light pollution, moonlight will drown out many stars; it was just after new moon when I was in the Olympics, moonlight was not a problem
- use as “fast” a lens as you can – I used my f4 17-40mm zoom because I wanted the wide-angle view. However, my f2.8 24-70mm lens would have been a better choice for its better light gathering ability
- don’t be afraid of high ISOs, you will need it – I used ISO settings of 3,200, 6,400, and 8,000 coupled with noise reduction in Lightroom.
- avoid shutter speeds more than 30 seconds, otherwise you will start getting star trails – up to 30 seconds typically works okay for wide-angle shots (perhaps up to 24 mm), but if you use a less wide-angle lens, you will need a faster shutter speed. The shots here had shutter speeds of 20 to 30 seconds
- use a wide open aperture – I had my lens wide open at f4 (again, an f2.8 lens would have been better)
- use a tripod – goes without saying
- if you want some color to the sky, don’t wait until it is too dark – the length of time after sunset the sky will retain color depends on which direction you point the camera and your latitude (it gets darker quicker at lower latitudes); my shots here were taken between 1.5 and 2.5 hours after sunset
- auto-focus will not work, so turn it off – auto-focus does not work in low light; to focus you can choose to take some test shots and check a magnified view on your LCD panel of some of the stars; alternatively, manually set the focus to the hyperfocal distance or biased to the infinite side of the hyperfocal distance (that’s what I did)
- consider using less vignetting correction in post-processing – the profiled vignetting correction for my lens in Lightroom adds a lot of noise to the edges of the images (not a problem in full light conditions, bad news in low light)