I can’t count the number of times I’ve been through Longmire in Mount Rainier National Park; dozens at least, maybe a hundred times over my life. Usually I drive right past on the way to Paradise, but even so, I have stopped many times over the years. The main reason I usually don’t stop at Longmire is that I’ve always considered the view of Rainier to be, frankly, not so good. I’m sure it was great then they built the lodge, but it’s my supposition that over the years, the trees have grown up around Longmire meadow, blocking much of the view of the mountain. Additionally, if you shoot from the lodge, the road runs through the foreground.
Last week I discovered I was wrong. Longmire has a great view of Rainier! Perhaps this is old news to everyone out there whose ever been to Mount Rainier National Park, but it was news to me. Last week my photographer buddy, Mark Cole, and I went to the park to go snowshoeing and take a few pictures. We stopped at Longmire, not because that was our destination (we had planned on going to Paradise), but because the road to Paradise was closed due to the snowplow needing a replacement part. I was resigned to the fact that our photography would be limited to snowy forest scenes, perhaps a few shots of the Nisqually River, and maybe a view of Rainier from the Rampart Ridge trail if we decided to snowshoe it.
We stopped in to talk to the ranger, largely to see if the road to Paradise would open later that day, but we also asked about where to snowshoe at Longmire. We mentioned the main purpose of our outing was photography. He told us about Rampart Ridge, but said the best view of Rainier was at the Community Building right in Longmire. Both Mark and I had never heard of the Community Building nor the road to it. The ranger told us of a road which travels through the employee living area, crosses the Nisqually River on a suspension bridge, and runs down the south bank of the river to the Community Building (and a short distance beyond). We drove to the Community Building and couldn’t believe our eyes, the view of the mountain was awesome. Some of Longmire’s buildings are visible on the north bank of the river, but by wandering along the river, and through careful composition, the buildings can be eliminated from a photo. The bridge is also in the view, but it is pretty scenic, so I kept it in my compositions. I’m not sure what the view looks like here without snow, but with snow, it is great.
We ended up spending an hour of more there, snowshoeing along the river, taking photos of the mountain from several different locations. By the time we finished, we didn’t have enough daylight left to do the Rampart Ridge loop, so we wandered up the Wonderland Trail toward Cougar Rock looking for more shots of the river. But as sun set approached, we again crossed the bridge at Longmire and took shots of the alpenglow on Rainier with the river and bridge in the foreground.
Thanks to a broken snowplow, I discovered the Longmire does have a great view. Who knew?
Between family obligations and work, I haven’t been able to get out and do any photography this month. So instead of showing something new, I’ll show something old. Six years ago on November 24th, I shot the above image of Snoqualmie Falls. This is in total contrast to the present November. This year, we have not had a frost yet at my house in Tacoma. But six years ago, a blast of freezing Arctic air descended on western Washington, first bringing snow, then bitter cold.
That Thanksgiving Day in 2010, I packed up Tanya and our newfie, Carson, and drove up to Snoqualmie Falls to see what it looked like in the deep freeze. It was magnificent. The mist off the cascading water had encased the canyon walls in huge icicles, creating a very unusual, and photogenic, view of the falls.
There are several viewpoints at the falls, but only the one close to the parking lot was open due to the ice. While a nice viewpoint, it looks down on the falls, rather than being more level with the falls, and I do not think it is that great for photography. So I carefully walked around a barrier and carried my tripod down to one of the lower viewpoints to capture this shot. Yes it was icy, but not overly so. Plus, there was no one else around, so I could more easily position my tripod where I wanted. I think this little bit of rule-breaking was worth it. (Not that I would ever suggest any photographer should go into closed areas without permission to make an image!)
I’m very thankful about what that freezing Thanksgiving Day six years ago gave me. And thank you to all my friends and readers of my blog – if you are American, enjoy your Thanksgiving holidays, and if not, just have a great end of November.
This is the post I was preparing when my friend Gary died. I had hoped to post this while it was still possible to hike to Ingalls Lake, but it is quite possible it is snowed-in for the season by now. I took the hike on October 10th, hoping to find good fall colors.
As I’ve mentioned in a previous post, to find good autumn colors in Washington State, you need to know where to look and have good timing. My goal for the hike to Ingalls Lake was to see some of those fall colors – specifically the subalpine larch trees. Larch trees are conifers, but unlike other conifers, they are not evergreens. The needles on larch trees turn a beautiful yellow then fall off in autumn. What makes them extra special is their setting. In Washington State, they are only found high in the mountains, which can create some incredible autumn scenery.
Even without the nearby larch trees, Ingalls Lake is spectacular. An alpine lake set in a rocky bowl at the base of Ingalls Peak with a view of the spectacular Mount Stuart that just won’t quit. The conditions were nearly perfect for my hike. It was partly sunny after a rainy weekend – at least it was rainy in the lowlands. At Ingalls Lake there was fresh snow, which just enhanced the scenery.
This nine-mile roundtrip hike immediately starts uphill from the parking lot as the trail switchbacks up to Ingalls Pass where it enters the Alpine Lakes Wilderness Area. The lower part of this portion of the trail is through forest, but the later part is not and has great views of the Esmeralda Peaks and Fortune Pass to the southwest. Once Ingalls Pass is reached, the view expands dramatically to include Ingalls Peaks and all the Stewart Range, anchored by Mount Stewart directly across the valley.
Ingalls Lake is not visible from the pass and is separated from it by the lovely Headlight Basin. The southern side of Headlight Basin has impressive groves of larch trees. The basin also includes many small streams, meadows, bare rock slopes, and boulder fields.
Just past the pass, the trail splits. The more direct route to the lake cuts downhill then uphill again through Headlight Basin. The main trail circles around the west side of the basin, not gaining or losing much elevation. The trails meet up again about 1/4 mile from the lake. From there, the trail scrambles uphill to the lake.
Since I was searching for fall colors, in particular the larch trees, the lake was a secondary objective. But what a secondary objective! I think you’ll agree from the images I’ve included here that the lake is spectacular. And neither was I disappointed by the larch trees.
I had hoped to stay in the basin until sunset, but as the afternoon wore on, more and more clouds were moving in and I thought the sunset might be a bust. So instead, I headed back downhill, stopping in the forested section of the trail to take more images of autumn color in the forest underbrush (the trees here are evergreens). As it turned out, the sun did break out again at sunset. Being back down low, I didn’t get much in the way of sunset shots, but I can’t complain, overall it was one of my best photo hikes in years. Perhaps, based on the images above and below, you will agree.
Tanya and I recently returned from a trip to Quebec and Vermont. We spent four days in Montreal. When talking about the trip to friends here in Tacoma, the most common question asked is why we went to Montreal. They can understand going to Vermont for fall color, but not Montreal.
We chose to go to Montreal because we had never been there before and it didn’t cost too much in terms of frequent flyer miles. When I booked the trip about six months ago, I hadn’t really thought about Montreal either. I didn’t know what tourist attractions the city has or what we would do when in the city.
After this trip, I can highly recommend Montreal as a fun, interesting destination for photographers and non-photographers alike. Montreal, and Quebec in general, is like a little slice of Europe inside North America. French is the native language of most Montrealers. But it is not just the language that sets it apart, the city is different (in a good way) from the other major American and Canadian cities I’ve been to, especially in the old part of the city (called Old Montreal). In Old Montreal, most the streets are narrow, some are set-aside for pedestrian use only, and many are paved with cobblestones – all features of many European cities. There are very many churches in the city (such as the Notre Dame Basilica featured above and in my last post), many being very large and impressive, again reminiscent of Europe. You can easily find traditional French food, and most of the wine is also French. If you are a beer drinker, at least one like me, it is also hard, in my opinion, to find a decent micro-brew there, just like my experiences in Europe. (Traveling the short distance across the border into Vermont was another story – Vermont is chock full of good micro-brews.) There are several open-air markets, again very similar to many European cities.
From a photographer’s point of view, the city is a visual delight as well. I hope the images I posted here can give you a taste of why you should visit Montreal.
Adobe added a new Transform panel in Lightroom CC in June, and since I typically don’t check what is new in each Lightroom upgrade, I didn’t see this new panel until last month. When I did find it, I thought it was amazing. So much so, that from now on, I’ll be checking each upgrade to see what other new features might be available to improve my workflows.
The old transform was under the Lens Correction panel in the Develop Module under the Manual tab, where there were sliders for you to manually adjust lens, vertical, and horizontal distortions; rotation, scale, and aspect ratio. I made wide use of the vertical and horizontal sliders, but not so much the others. I found it was easier to correct rotations or change the aspect ratio with the crop tool and I usually don’t change the scale of an image except upon export. And while these transform tools where very helpful, sometimes I couldn’t get the results I wanted.
With release 2015.6 of Lightroom, Adobe removed the manual transform sliders from the Lens Correction panel and placed them in a new Transform panel (located directly underneath the Lens Correction panel, see the first screenshot below). The lens distortion slider is gone, and two new sliders, for X and Y offsets, are added. But the best new feature is the addition of automatic or guided distortion corrections. There are six options: off, auto, guided, level, vertical, and full. The pop-up help in Lightroom for each of these options states:
- Auto: “enables balanced level, aspect ratio, and perspective corrections”
- Guided: “draw two or more guides to customize perspective corrections”
- Level: “enable level corrections only”
- Vertical: “enable level and vertical perspective corrections only”
- Full: “enable full level, horizontal, and vertical corrections”
There is also a guide tool in the upper left-hand corner with a guide tool. This tool essentially works identically to pressing the Guide button. In both cases, a guide tool becomes active which allows you to place guides on the image to show Lightroom what should be level and vertical. You are allowed to add up to four guides.
I’ve illustrated the use of this new features with an image I took in Sainte-Chapelle in Paris last year. The space is small and crowded, tripods are not allowed, and a wide-angle lens is needed. These conditions make it quite hard to a decent level and perspectively correct shot. The original image, shot with my 28-300mm zoom lens set at 65mm (at 1/20 second, f5.6, ISO 6,400), is shown here below after all Lightroom corrections except those under the Transform panel.
The next image, below, is a screenshot showing the Transform panel open in the Lightroom Develop module. No transform corrections have been selected – the Off button is active. Please note, that when using the Transform corrections, it is best to have the lens profile corrections already active in the Lens Corrections panel.
The images below are the results of selecting the Auto, Level, and Vertical buttons. In this case, the results from the Full button is identical to the Vertical button.
Below I show the steps in using the Guided correction either by guide tool or selecting the Guided button.