the blog of Seldom Seen Photography

Posts tagged “travel photography

A Visit to the Amazon Spheres

Last January, a new Seattle landmark opened – the Amazon spheres. Located in downtown Seattle on the Amazon campus, the spheres are three spherical conservatories created to give Amazon employees a bit of nature in which to work and relax. The spheres contain over 40,000 plants from cloud forests throughout the world. The spheres are three to four stories tall and formed by more than 2,600 panes of glass.

Last week, Tanya and I had the opportunity to visit the inside of the spheres as part of Amazon’s Take Your Parents to Work Day – our daughter Janelle works for Amazon. At the time, I only had my smart phone with me and all the images shown here from inside the spheres were captured with my phone. As it turned out, the following day, Tanya and I visited downtown Seattle again. This time I took my regular camera, and while Tanya did some shopping, I visited the spheres for some outside shots.

The spheres are a popular attraction, but if you want to visit the inside, you will need to do a little planning ahead. Visits are restricted to Amazon employees and their guests on Mondays through Fridays. The spheres are only open to the general public on the first and third Saturdays every month from 10 a.m. to 6 p.m. Further, reservations are required. Reservations can be made up to 30 days in advance at this website. Times available for the next opening on October 6th are already about half full; so if you want to visit, be sure to make your reservation well in advance.

The sphere website states that photography inside the domes is for personal use only and that flash and tripod use is prohibited. However, I asked one of the Amazon security personnel yesterday about tripods, and she said they are okay. I guess it pays to ask.

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Smoke Correction – Reducing Smoke Induced Haze

Though clear now, the skies of Washington State, and indeed most of the Pacific Northwest, have been very smokey almost the entire month of August. The smoke is from wildfires, both in the United States and Canada. I fear, with climate changes, this may be our new “normal” for August, as smokey skies have been prevalent in August the past several years.

As long as the smoke is not too thick, smokey skies can have some advantages to landscape and travel photography. Though I tend not to, some people like the sunsets provided by smokey conditions. I do, however, appreciate that smokey conditions can soften light and can extend golden hour conditions by changing the color of sunlight. On the other hand, they can also dim sunlight so that the light during the actual golden hours is weak.

In my opinion, the disadvantages outweigh any advantages gained. I am fond on blue skies and wide vistas. Smoke can suck the blue out of the sky and obscure views with haze. I also like to use telephoto lenses to pull in distance subjects. Obviously, this does not work so well if there is a lot of smoke.

On my trip to the Palouse last month, the skies were quite smokey. Not smokey enough to totally ruin the trip, but I certainly did not have ideal conditions. The Palouse is known for its blue skies with great clouds. On my last trip, the sky, though clear, was more of a dusky gray. It was also cloud free on except for one day. So much for the wide sky shots I often favor, such as this one I posted on instagram. I found myself following several techniques to minimize the effects of the smoke.

1. Limiting distance in my compositions – instead of including distant hills and vistas in my compositions, I selected relatively close subjects, or chose compositions where the distant background was less important. For example, on my August visit to the Palouse, I did shoot one evening from Steptoe Butte. However, with the smokey haze, I chose one of the lower viewpoint instead of going to the top, and I mostly shot compositions with subjects relatively close to the butte rather than subjects thousands of meters away.

Instead of photographing distant hills from Steptoe Butte, most my images were of nearby hills such as these. This image also has the sky eliminated and uses the Dehaze correction described below.

In this example, I chose to photograph this barn near to the road (and also eliminate any sky).

2. Eliminating or limiting the amount of sky in my compositions – with the sky not the blue color one expects, in many cases, I tried to either totally eliminate the sky from my composition or at least limit the amount of sky in the shot.

In this scene from Latah County in Idaho, I purposely minimized the amount of sky in the composition. It also uses the Dehaze and selective color corrections described below.

Here, concentrated on details of these old trucks in Sprague, Washington, eliminating any sky from the composition.

3. Processing using the Dehaze slider in Lightroom – I often use the dehaze slider in lightroom, and not just to remove haze; I like the microconstrast it adds to images. However, smokey conditions are what the dehaze slider was made for. While processing images from the August Palouse trip in Lightroom, I found myself adding more dehaze than I normally would.

Another sample of an image where I used the dehaze slider more than normal. This image also uses the sky color correction described below.

4. Adding blue back into the sky in Lightroom – I typically do not do selective color corrections in Lightroom. Typically I’ll set the color balance for the entire photo and let well enough alone (saving selective color adjustments for Photoshop if I want to do them at all). But with new masking tools for the gradient and brush tools, I found it relatively easy to add some blue back into the sky in Lightroom. Typically, I’d make a fairly tight gradient (or perhaps the brush too) and apply it to the area of the photo containing the sky. Then, using the range mask tool in color mode, I select a wide portion of the sky. This usually masks most of the non-sky areas, but to be sure, I’ll check the Show Selected Mask Overlay checkbox (which uses a red tone to indicate where the gradient is effective). Depending on the image, I may or may not need to do some cleanup of the mask with the eraser brush). To correct the sky, I’ll move the temperature slider toward blue, typically move the exposure slider down about 1/2 to 1/2 a stop, and move the clarity slider down as well. Depending on the image, I may also increase the dehaze slightly. Sounds complicated, but it is fairly easy with a bit of practice. This technique does a nice job on restoring sky color (see the examples below).

This is the Genesee Valley Lutheran Church in Idaho. Here I’ve used the technique described to reduce the smokey haze from the sky. The same image without the correction is shown below

Without the selective sky color correction.

 


Two Summer Seasons of the Palouse

My recent posts of the Palouse featured images captured in June when the landscape is green. However, mid to late summer in the Palouse looks totally different. June is green; August is golden. Most photographers prefer the green season – on a Tuesday night back in June, my photographer buddy Don and I shared the top of Steptoe Butte with at least 50 other photographers. Last week I returned to Steptoe Butte, and I had the only tripod in sight. Is one season better than the other? In my opinion, at least photographically, they are both great. You can visit the same locations and get two totally different images.

There are non-photographic differences. The weather is hotter in August than June. The average high temperature in June is 84 degrees F in Colfax and 72 degrees in Pullman. In August, those average highs jump to 91 and 83 degrees. Plus, the air quality is typically better in June. In recent years, late summer has brought many wildfires to the Pacific Northwest, which cause smoky conditions in the Palouse. This August was no exception, and the distant views were limited. On the other hand, a photographer wandering around in the tall grass in June is likely to find ticks looking for a meal; while in August, the ticks are mostly gone (though they can return in the fall). Plus it is much easier to find a motel room in August than in June (unless you come on the weekend of a WSU football game (which can sometimes start in late August).

Though the some of the comparison images below were shot from slightly different vantage points and/or different times of day, you can see the difference between the green and golden seasons. Green or golden, which is better? You be the judge.

Barn on Shawnee Road in August

Barn on Shawnee Road in June

Old house on Whitman Road in August

Old house on Whitman Road in June

Lone tree along Tennessee Flat Road in August

Lone tree along Tennessee Flat Road in June – BTW, Steptoe Butte is in the background in both shots

Barn along Hoffman Road in August

Barn along Hoffman Road in June

View from Skyline Drive in June

View from Skyline Drive in June

Old building in Wilcox in August

Old building in Wilcox in June,


Non-golden Gold

One thing I like about the Palouse is there are still plenty of good shots to be made outside the golden hours. Granted, when photographing in the region, I still aim to shoot in around sunrise and sunset, but I keep shooting well into the day. I captured all the images presented here more than four hours after sunrise and more than four hours before sunset – in other words, in the middle of the day. And maybe some of them might be better if shot during the golden hours, but I think some are pretty good anyway. Perhaps some might even be photographic gold?

It’s great to be able to capture a few good shots outside the golden hours, because in mid-June in the Palouse, the sun rises very early (a little before 5 a.m.) and sets quite late (just before 9 p.m.). This makes for a very long day. My normal schedule for shooting in the Palouse is to: get up early and catch sunrise, then drive around shooting and scouting until about 11 a.m.; eat lunch; return to my motel and plan the afternoon/evening shoot; take a nap; head out again shooting/scouting starting about 3:30 or 4 p.m.; shoot sunset; drive back to the motel, plan the morning shoot, and go to bed.

There are a couple of reasons why the Palouse can offer photographic gold during the non-golden hours. First, is the tendency for the skies to have white puffy clouds in the afternoon (and sometimes in the morning). The shadows cast by the clouds can give definition to the landscape, breaking up the flat light of mid-day. Secondly, there are plenty of subjects available that work well at almost anytime of day.

Now, I wouldn’t recommend making a trip to the Palouse and ignoring the golden hours, but if you decide you don’t want to get up at o-dark-thirty some morning, know there are still some decent photography waiting for you out there. As always, your comments on my musings and/or images is most welcome. Enjoy these shots of mid-day Palouse.


Steptoeless – A Photographic Guide to Non-Steptoe Butte Palouse Viewpoints

Without a doubt, Steptoe Butte is the most popular photography destination in the Palouse. And deservedly do. Rising more that 1,000 feet above the surrounding landscape, there is no better place to capture an iconic shot of the rolling hills of the Palouse. If you only have time to go one place in the Palouse, this is it.

However, if you would rather not share the view with dozens (or more) of other photographers, or if you are just looking for someplace else to go, there are several other places I know of that can give you similar shots to those captured at Steptoe Butte.

Kamiak Butte

Most blog posts that recommend where to shoot in the Palouse, as well as Greg Vaughn’s excellent Photographing Washington, Kamiak Butte is mentioned as a good place to get similar views to Steptoe Butte. Though a bit lower in elevation than Steptoe Butte, its peak is more than 1,000 feet above the surrounding lands. There are several differences, however. Kamiak Butte is elongated, running northeast to southwest, so it doesn’t give the all directional views that Steptoe does. Also, most of its northern half is forested (Steptoe is treeless), so views to the north and northwest visible except in a few spots. Perhaps the largest difference is access. Kamiak Butte is a Whitman County park. The park access road is gated, and the gate locked from dusk to 7 a.m. If you want to drive up there for sunrise photos in the summer – forget it. Plus, unlike Steptoe, you need to hike to the viewpoints on Kamiak. The main loop trail up to the viewpoints is 3.5 miles, but you can get to the first viewpoints in about half a mile (with an elevation gain of about 320 feet).

Having to access the viewpoints by trail makes it difficult for sunset shots as well. Unless you are a trail runner, it might be difficult to shoot at sunset, hike back to your car, and get out the gate before it is locked for the night. (And yes, the sign specifically states you can get locked in.)

On the plus side, there will be fewer people there and the wildflower display at Kamiak is wonderful – in my experience, much better than at Steptoe. There is also no fee to visit Kamiak, while Steptoe Butte is a state park and requires a $10/day fee (or an annual state parks pass – the Discovery Pass).  Also, you can camp at Kamiak, while there is no camping at Steptoe.

I didn’t want to take my chances with the gate, so I my recent trips, I shot from Kamiak in the mid-afternoon and went elsewhere for sunset. The gate to Kamiak Butte County Park is in Kamiak Butte Park Road (image that!) at GPS coordinates 46.880353, -117.149009.

Marvin Wells Road

I found one source (Photograph America Newsletter #54) that suggested Marvin Wells Road as a good viewpoint. On this road, you can get to an elevation of about 2,975 feet, about 700 feet of the top of Kamiak Butte. The road approaches the butte from the west and skims along the bottom of the treeline (with the trees above the road on the butte). The view is not so vast as you get from the top, being only toward the west through north, nor will you be 1,000 feet above the surrounding landscape, but you do not need to worry about being locked out at sunrise or locked in after sunset.

Also, the elevation difference may not be as big a deal breaker as you might think. There is some debate about where is the best place to shoot on Steptoe, and many photographers prefer not going completely to the top, photographing instead from pullouts between some 400 to 600 feet lower than the summit. Marvin Wells Road puts you just underneath that same elevation range.

If you like your sunset between just you and your tripod, I can guarantee you, you won’t find any other photographers at the viewpoints along Marvin Wells Road (unless, of course, my blog post goes viral – ha ha!). Plus, there will be little to no traffic. The road leads to a single farm on the side of Kamiak Butte. I shot there several times during my recent visits and didn’t see any other photographers and only a single car passed me.

The best approach to the Marvin Wells viewpoints is from the west (the road does loop around to Fugate Road, just a mile east of the entrance to Kamiak Butte County Park; however, Marvin Wells Road off of Fugate is a very sketchy “summer” road [dirt roads open only in the summer] that I chose not to test with my SUV). Both South Palouse River Road (from the west) and Fugate Road (from the east) merge directly onto Marvin Wells Road below the butte. The viewpoint at GPS coordinates 46.862410, -117.182667 is to the west and northwest. By driving a little further on the road you can also see more to the northeast.

Woody Grade Road

The viewpoint at Woody Grade Road is directly east of Steptoe Butte on the eastern edge of the Palouse region (in Idaho). It has an elevation of just over 3,030 feet, but the nearby surrounding lands are only about 500 feet lower. Still, you can get some good shots here. This spot, to my knowledge, is not mentioned any in other guides to the Palouse. I found it by searching Google maps.

There are two views here; one is a wide-open view to the west and north, and the other is a more restricted view to the south. The two viewpoints are about 500 feet apart.

You can access the Woody Grade viewpoints either from the south or from the west. Woody Grade Road west of the viewpoints is a summer road, which was in good shape when I drove it last month. South of the viewpoints, it is a good gravel road – so that is the preferred approach, especially if it has rained recently. Besides, it you approach from the south, you will go by a nice old school house (on Yellow Dog Road) that will surely tempt your camera lens.

The road from the school to the turn off to Woody Grade Road is Schneider Road. It continues east past Woody Grade Road, and it looks like there may be another viewpoint along it a bit more than a mile past the Woody Grade turn – though I didn’t go check it out on my recent visit. The viewpoints on Woody Grade Road are at about GPS coordinates 47.018650, -117.010974, and without a doubt, you will not be sharing this view with other photographers. The old school on Yellow Dog Road is at 46.99672, -117.033538.

Skyline Drive Road

With a name like Skyline Drive, is it surprising this road has good views (including the featured image at the top of this post). I found this viewpoint several years ago by just driving around the Palouse scouting for good photographic subjects. At the time, it was the middle of the day, and I made a note to go back in better light – which I did on my recent trip. In doing an internet search, I found that I wasn’t the first to discover this spot – I found several blogs mentioning it. However, I venture to say it is not widely known. In the two times I’ve been to this section of road, I’ve only seen one other person. On my recent trip, just before sunset, a hunter came walking up the hill from one of the fields below. Seeing my camera, he remarked on the view and warned me about ticks (if you do wander around in the grasses of the Palouse, checking for ticks is very good advice).

The northern and western end of Skyline Drive Road starts just north of Farmington, Washington, a right-hand turn off the Tekoa Farmington Road if driving north. The road winds up a hillside and then traverses through Mary McCroskey State Park in Idaho. Skyline Drive Road is nearly 20 miles long, and I have only explored the northwestern end.  As the road continues from there into Idaho, it enters a forest. However, in examining it using Google Earth, it appears there may be several other spots where it leaves the forest and provides views of the Palouse. On a future trip, I hope to explore the full length of the road looking for additional viewpoints.

The northwestern end of the road near Farmington offers wonderful views of the Palouse to the south, west, and northwest, with Steptoe Butte forming a distant bump on the horizon. This portion of the road is at elevation 3,000 to 3,200 feet while the nearby surrounding lands are at about 2,600 feet.

The road itself is dirt and may be unpassable during or after wet weather. I found the road to be generally in good shape. The Idaho state parks website suggests the road may be “too rough” for a family car, but I don’t believe this northwestern section is. Though there are many spots along the road to take great photos, general GPS coordinates for this northwestern section of road are 47.125139, -117.042153.

Other Viewpoints

There are many other viewpoints with more limited views in the Palouse region. Typically these occur where a road crests one of the rolling hills that is somewhat higher than its surrounding neighbors. I’ve found several that are worth mentioning, and I will do so in when my guide to the Palouse comes out next year. For now, I’ll just show you two examples from one such spot, the crest of Clear Creek Road (46.897361, -117.185005).

Meanwhile, I’m on the hunt for more viewpoints in the Palouse. If you happen to have a favorite one, particularly if I’ve missed it, please leave a comment or drop me an email.