Later this month, Tanya and I will be off for a quick trip to Utah with friends. Nahla, unfortunately, gets to stay home with our housesitter. Rather than driving down like we usually do, due to only having a week for the trip, we will fly down to Salt Lake and rent a car. We plan on spending two days at Capital Reef National Park, before heading down to Escalante for two days, and finishing up with two days at Bryce Canyon National Park. This is a great time to go; it is usually sunny and warm, but not yet hot, with fewer thundershowers (than summer) ruining those slot canyon hikes. In anticipation of the trip, I’m posting a few shots from my past trips to the area. The one above is from the Grand Staircase – Escalante National Monument. The two below are from Capital Reef and Bryce Canyon. Looking forward to getting more shots like these.
One of the challenges of shooting in RAW format is deciding what and how much processing to do. (Tangent – why is RAW capitalized? It is not an acronym such as JPEG or TIFF. It simply means unprocessed. In Wikipedia, it isn’t capitalized. But somehow, it doesn’t look right to me. I’m usually a stickler for correct writing – just ask anyone at my day job where I edit everyone’s reports; they may even call me a grammar nazi – but leaving it uncapitalized when every other file format is capitalized seem wrong. So grammar nazi or not, I’m capitalizing it.) When shooting in JPEG mode, the camera does the processing for you. You can always tweak it later, but the majority of the work is done. With RAW, you should do the heavy lifting and process the image yourself, at least if the default processing by your RAW converter program (Lightroom in my case) doesn’t do a good job. And it is rare when I find I can’t do a better job processing than the default.
But the question remains, what to do and how much? Some might answer, just enough so that it looks like it did in real life. But what is that? Take, for example, the images presented here. These are shots of water seeping out of sandstone near Moab, Utah. I’ve included both my processed versions and the original RAW versions from Lightroom with zeroed developing (with all the sliders set to zero – realize, however, there still is some processing involved, it is impossible to present true RAW images, some processing must occur to translate the images into something humans can view). I took these images in the shade on a sunny, blue-skied morning. So these were naturally lit by a broad, blue sky, which cast a rather flat, blue light onto the sandstone. Does that flat, blue light truly show what I saw, or do my processed versions show what I saw? The answer is up to me as the maker and you as the viewer. Did I go too far?
Well, what did I do to turn the RAW images into the finished images? They were first processed in Lightroom, correcting for lens distortion and chromatic aberration. Then I set the white point and the black point to add contrast, took a little off the exposure, and adjusted the highlights and shadows to bring detail into the blacks and whites. I added some clarity to add a bit of sharpness and some vibrance to add saturation. I then adjusted the color temperature, increasing it to remove the blue tint. I then added a radial filter to lighten the water patterns and darken the rest. And finally, made minor changes to many of these adjustments to fine tune them. I then took the images to Photoshop, performed Tony Kuyper’s triple play to add punch to the highlights and shadows, lighten up the orangy-browny vegetation on top, and added a “smart glow” to punch up the color a bit. In total, it took about 10 minutes each to do all this work.
I’d think the most controversial of these changes would be the changes to the color, in particular adding vibrance and the smart glow. The rest is pretty standard old-school darkroom photography made digital (except perhaps the Kuyper triple play, that doesn’t really change the images that much). The problem here is deciding what is too much in terms of the color. Because the subjects were in shadow, it is difficult to determine what the colors would look like in the sunshine. And of course, what sunshine are we talking about? Sun at noon? Sun at sunset?
I guess the answer is it depends. Did I take it too far? I don’t think so; you may. But these are close to what I wanted to show when I took the images. So for me, the answer is no; I processed them as I thought proper. For you the answer may be different. If you think so, let me know your thoughts.
Moab was the first stop on our recent Southwest trip. Moab is an amazing photography town. Two national parks are right next door – Arches National Park is only a few miles outside of town; Canyonlands National Park is a short drive further. But there is much to see and photograph outside the parks as well. I’ve been to Moab perhaps five times and have not come close to seeing it all. This trip, we camped in Arches and I concentrated on photographing places I hadn’t photographed before (including a couple of spots outside the park, like Bowtie Arch).
Because of our schedule, even though we spent three days there, I only had one afternoon golden hour opportunity for photography. Though the weather was good, there was a lot of haze in the air. With those conditions, I decided to pick between making the pilgrimage to Delicate Arch with dozens of other photographic acolytes (which I have photographed before, but only many years ago and in the middle of the day) or hiking in the Klondike Bluffs area – a remote part of the park that I had never been. With the less the haze making less than ideal conditions, I decided on Klondike Bluffs and I was not disappointed. I hiked to Tower Arch, and though part of Tower Arch was in shadow, the photography was good. And besides that, I was the only person on the trail. It was an amazing experience.
While in Arches, I also decided to work on some night photography. Again, the conditions weren’t perfect. As I mentioned, the sky was hazy, and since there was some moonlight (it was a couple of days before first quarter), the skies were not completely dark. But the moonlight did allow me to get some moonlit landscape shots. And since the moon was not close to full, I was still able to get a lot of stars in the shots. Overall, I’m happy with the results.
Enjoy these shots from Arches National Park.
Tanya and I have been on the road for the past week and only today have an internet connection. We’ve been enjoying a trip through the American Southwest, first stopping in Moab and camping in Arches National Park, then on to Monument Valley and Canyon de Chelly National Monument. Last night, taking a few days off from camping, we pulled into Page, Arizona and are staying a very nice AirBnB.
This morning, we were scheduled to go to Lower Antelope Canyon at 8 a.m. and Upper Antelope Canyon at 11 a.m. However, we woke to rain and a weather forecast of 70% showers or thunderstorms and a flash flood watch. And though the sun is shining at this very moment, we decided that investigating slot canyons was not a good idea in this weather. Thus, I’ve been working all morning downloading flash cards from earlier in the trip. So my loss due to weather is your gain because I get to post this image of Bowtie Arch near Moab, Utah.
Moab is known for Arches National Park, and we did camp there. However, not all the arches are in the park. Bowtie Arch, also known as Bowtie Pothole Arch is a small arch very close to its larger and more famous cousin, Corona Arch. Both are not in the park but rather are reached from a fairly easy, but fun, 1.5 mile hike off the Potash Road 10 miles south of Moab. The path is well marked and makes use of several cables for steep spots and even one short metal ladder. My photo reference book suggests afternoon is a better time to photograph Corona Arch, but morning (when we went) worked very well for Bowtie Arch and okay for Corona Arch (by walking underneath the arch and photographing the sunlit side).
I hope to post another shot from the road soon, but until then, enjoy this image of Bowtie Arch.
I still haven’t had much chance to get out for some new photo adventures, so here’s one from five years ago this month (or close enough, the actual trip started in September but ended in October). I took these images on a raft trip through Stillwater and Cataract Canyons on the Green and Colorado Rivers in Canyonlands National Park . Tanya and I joined the trip about 1/3 of the way in, at Mineral Bottom; the trip actually started at Green River State Park and traveled through Labyrinth Canyon prior to reaching Mineral Bottom. My brother Rob joined us on the trip (though he came down earlier and made the entire trip). My good friend Rob Tubbs organized trip and served as trip leader.
As is typical with river trips, the trip starts (or ends) with a shuttle. In this case, we started with a shuttle. We drove most our gear and extra beer down to Mineral Bottom, then drove Hite (the take out site) on Lake Powell. From there, we few back in a small plane, dropping into the canyon to land on a weedy dirt runway at Mineral Bottom. Then it was time to load up, and off we went.
The Green River through Labyrinth and Stillwater Canyons (120 miles) is all flat water, making it one of the classic canoe/sea kayak trips in the United States. We were in rafts, not canoes or kayaks. The advantage of floating it on a raft is that, unless you are rowing, you can kick back and enjoy the view without the effort. Plus you can carry a lot of gear, food, and beer. Much scenery was appreciated; much beer was drank.
Unlike the first portion of the float, the final leg of the journey, 45 miles on the Colorado River through Cataract Canyon, has loads of whitewater, most of it coming in a single day. One of our rafts flipped in Cataract (luckily, not the one Tanya and I were on – my brother wasn’t so lucky), providing even more excitement for the BRD (big rapids day).
I highly recommend this trip for anyone thinking of an American Southwest float trip. The trip can easily be customized to your own personal level of expertise, time and cost. You can do the whole thing with an outfitter, or on a private trip. The float through Labyrinth can be done completely on your own, taking out at Mineral Bottom. The float through Stillwater (without continuing through Cataract) requires a pickup by jet boat at the confluence of the Green and Colorado Rivers (for a ride back up the Colorado to Moab). Several outfitters can provide this service at reasonable prices.
I’m considering going again someday by kayak, taking a little more time to photograph. Concerning this trip five years ago, I was happy with the photos I came away with, though none were out of this world. I think the black and white conversions I made from the trip worked the best. As always, your opinions are welcome.