the blog of Seldom Seen Photography

Posts tagged “Washington

October Colors

It seems that every autumn, I comment on the lack of fall color in the Pacific Northwest and the need to know where to look for it (for example, see this post from last year, or this one from 2014). Last month I spent a long weekend in northeastern Washington looking for autumn colors, and I came away very impressed with how beautiful fall is there. Northeastern Washington does not get a lot of attention from nature photographers in the state. With Mount Rainier, the Olympics, the Pacific coast, the Columbia Gorge, and the Palouse, who has time for northeastern Washington? Well, if you want some great autumn scenery, make time. And as a bonus, you won’t have to fight for a spot for your tripod; in the 2 1/2 days I spent photographing there, I didn’t see anyone else with a camera.

Crystal Falls

I booked a room for a Friday night in Colville, Washington. Despite an early start from home, the drive (in the rain the whole way, except for at the top of Snoqualmie Pass, where it was snowing) took most the day. Though I only made a few stops on the way for photos, I got to the Colville region with less than an hour’s daylight left, which didn’t leave much time for scouting photo locations. So I headed to the one spot I knew I could get a good shot – Crystal Falls. This pretty little waterfall is 14 miles east of Colville on the Little Pend Oreille River. Though there wasn’t a lot of color at the waterfall, it made a pleasant stop before heading to town for the night.

The next day, I decided to explore the region between Colville and the Pend Oreille River, an area recommended by my photographer friend, Greg Vaughn, in his book Photographing Washington. I headed back east on Highway 20, continuing past Crystal Falls, to a series of small lakes along the upper reaches of the Little Pend Oreille River (the featured photo above is at one of these small lakes, Frater Lake). The previous day’s rain was gone, leaving a wonderful blue sky with scattered clouds and a dusting of snow on the ground in places. The forest around the lakes are thick with western larch, which made the forest a patchwork of bright yellow and dark green. Larch, one of the few deciduous conifers, turn bright yellow in fall and are fairly rare elsewhere in the state, but plentiful here. They are best photographed with back or side lighting.

A boat traveling the Pend Oreille River

Continuing past the lakes, the highway goes by Tiger Meadow, which has several aspen groves along its edges. I spent several hours there roaming the meadow, photographing the aspens and larch, and enjoying the crisp air and solitude (the image in my previous post is from Tiger Meadow). From there, I drove along the Pend Oreille River for a while where I found some colorful cottonwoods. Then I headed back to Colville via South Fork Mill Creek Road, with some beautiful aspen groves along it as well as larch on the hillsides.

I needed to get to the town of Republic where I planned on spending the night. This took me over Sherman Pass in the late afternoon. The larch are thick along Sherman Pass, and the late afternoon sun lit up the forests.

The following morning, I spent a short while photographing cottonwoods along the highway south of Republic (again recommended by Greg Vaughn), but the went off on my own without advice from Greg’s book. I headed west, then north, looking for the ghost town of Bodie, Washington. Along the way, I found more aspens and larch begging to be photographed. At Bodie, the aspens had already nearly lost all their leaves, but it was still fun to photograph the old buildings. From there, I decided to explore another ghost town, Molson, which is up near the Canadian border. The route took plenty of back roads, past some secluded scenery. Unlike Bodie, which is just falling apart with age, the Molson ghost town is actually an outdoors museum, with buildings and equipment moved to the current site and maintained by a historical society. There was plenty to explore there, and I could have easily spent more time doing so. However, I had promised my son, who lives in Yakima, I’d visit him and his girlfriend for dinner, so I put away the camera and headed south.

I’m happy with the shots I brought home with me, and the area is on my list as a place to visit again in the future when October colors come again to Washington.

Red barn near the Pend Oreille River with larch trees dotting the mountain side above

Aspens along South Fork Mill Creek Road

Larch on the mountains near Sherman Pass

Larch along Highway 20 near Sherman Pass

Cottonwood in the San Poil Valley south of Republic

Grove of bare aspens west of Republic

Log cabin in the ghost town, Bodie, Washington

Reflections in a beaver pond on Chesaw Road, Okanogan County

Old house along Chesaw Road, Okanogan County

Old tractor and wind mill at the Old Molson Ghost Town

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New Lightroom CC and Range Masking

Adobe recently updated Lightroom, in the process creating a new version of the program. They renamed the old version Lightroom Classic CC, while the new version took the previous name of the old version: Lightroom CC. Confused yet?

If you have the photography CC subscription service (currently at $10/month), either version is available to download – but you can only have both if you fork out an extra $10 per month. The new Lightroom CC is the wave of the future. It’s main feature is that your Lightroom catalog and all your photos are saved to the Adobe cloud so that you can work on them in Lightroom from anywhere with a internet connection. Sounds like a great idea. The service comes with 1 TB of storage on the cloud. Unfortunately, I would need about 4 times as much space to upload all my photo files. And while I’m sure I could rent extra cloud space, I’m not sure I ready to give Adobe more money yet.

I have my own somewhat convoluted way of working in Lightroom on multiple computers. I export selected portions of my Lightroom catalog with smart previews to the 20GB of cloud storage that comes with the old Lightroom (and the Lightroom Classic), then work with that catalog when away from my main desktop computer. When finished, I import the catalog back into my main catalog. So, for now, I’m sticking with Lightroom Classic.

Plus, Lightroom Classic received a nice upgrade. Reportedly its speed performance has improved, but what I really like is the addition of range masking. Now, any mask made by the adjustment brush, gradient filter, or radial filter can be modified by color or luminance. Simply first create a rough mask using one of the three tools.  Then, at the bottom of the Mask dialog, there’s a new setting labeled “Range Mask” with the default setting of off. Change the setting to color, and you get an amount slider and a color picker tool. Only want your blue sky to be selected, use your mouse to select the color picker, move it to the blue sky and click – the other colors are deleted from the rough mask. You can shift and click to select multiple colors and click and drag to define a “box” of colors. It helps to have the Mask Overlay selected to see how your mask changes.

The luminance setting for the Range Mask works similarly, but with brightness instead of color. It does not including a picking tool, but has a “two-handled” slider for defining a brightness range and a smoothness slider. With your mask overlay on, it is easy to play around with these two sliders to see the effect.

The photo above, that I took in mid-October in northeastern Washington, provides an example of the usefulness of the new range masking. I actually first tried developing the image without the new range masking tools. And while the result was nice, it did have problems. Specifically there was some haloing around the aspen trees, I couldn’t get the brightness of the leaves and tree trunks to what I wanted, and the sky color was not totally natural. I probably could have corrected these issues with Photoshop, but thought I’d try the range masking tools in Lightroom to see if they could help.

Below is a progression of how I developed the image in Lightroom Classic starting with the original image with default Lightroom settings.

Undeveloped image of Tiger Meadows, Colville National Forest

Here is the image in Lightroom following all “global” adjustments. The adjustments applied include setting white and black points, highlight and shadow adjustments, adding clarity and vibrance, lens corrections, a vertical transformation to straighten the tree trunks, and a small amount of dehaze and vignetting. I wanted to add more dehaze, but its effect on the sky was too harsh.

I want to darken the sky, so I’ve added a gradient filter. But obviously, there is a lot more than sky selected. Previously, I’d use the eraser brush to get the right selection – that was a lot of work.

Now with the range masking, instead set the range mask to color and used the color picker to pick blue and used the adjustment slider to give me the correct selection. I then darkened the sky by lowering the exposure and black point, with just a small amount of extra dehaze.

I wanted to give the rest of the image more dehaze, so I made another gradient filter covering almost the entire photograph.

To get rid of the blue sky from the selection, I again set the range mask to color and used the color picker to pick multiple colors except the blue. adjusting as needed with the amount slider. From the resulting selection, I increased the dehaze my desired amount (this amount of dehaze in the sky would cause unacceptable haloing around the trees and would make the sky color less realistic).

Next, it was time to work on the backlit leaves. To select theses, I used the adjustment brush and made a rough selection in the trees.

To get the correct adjustment, I set the range mask to color once again and used the color picker to pick yellow, using the amount slider to get the selection I want. Once I had it, I increased the exposure slightly and gave the shadows a boost.

Next, I wanted to brighten the trunks of the aspens. So again I made a rough selection with the adjustment brush.

To get the correct selection, I set the range mask to Luminance and used the range sliders to get the approximate range for the tree trunks. Once I had a good selection, I increased the exposure and the white point.

Once again, here is the final image with separate adjustments for the sky, the land, the backlit leaves, and the aspen tree trunks thanks to the new range masking tools.

 

 

 


Third Time’s a Charm

As I mentioned in my last post, Tanya and I recently spent several days camping east of Chinook Pass, during which I drove up to the pass for sunrise each morning. Chinook Pass is a great sunrise location, as it sits almost directly east of Mount Rainier and the view of the mountain is fantastic there with two alpine lakes – Tipsoo and Upper Tipsoo. Because of how the two lakes are situated, it is easy to get a reflection of Mount Rainier in upper Tipsoo Lake right from the shoreline, so it is the preferred lake for most photographers who know about it (Upper Tipsoo is not visible from the road, so unless you have prior knowledge or a map, you may not know it is there).

This is a great sunrise location because the rising sun imparts a beautiful alpenglow  on the mountain when it is visible. That’s the tricky part, when it is visible. I tried three consecutive mornings for the shot. The first morning was cloudy; the second morning was foggy at the pass (but clear elsewhere). It wasn’t until the third morning (the day we packed up camp), I was able to capture the sunrise in all its glory.

Another feature of Mount Rainier favored by photographers is that the mountain often forms lenticular clouds. Such clouds can dramatically add to a sunrise (or sunset) shot, particularly if there are no other clouds around to break up a totally blue sky. Such was the case that third morning. In fact, there were two separate lenitcular clouds over Rainier that morning, delighting myself and the, perhaps, 10 or 12 other photographers there.

As you can attest by the photo above and below, I think it was worth getting up a 5 am to drive to the pass by sunrise at 5:30 am to capture this scene.

Sunset shots at Chinook Pass are a more iffy proposition. Because the mountain is west of the pass, you are not guaranteed a good showing of alpenglow. Instead, much depends on the clouds and how they light up. I did try for one sunset shot at Chinook Pass on the trip; the result is below. This shot was taken from above Tipsoo Lake, right next to the highway. Though the sunset was lackluster, luckily there was a lenticular cloud present that gave a bit of color. I captured this image the evening before the sunrise shots above.


Waterfall Hunting at Mount Rainier National Park

Several weeks ago, Tanya and I camped for a few days east of Chinook Pass. There are many Forest Service campgrounds along Highway 410 east of Chinook Pass, and these make a great basecamp for exploring the eastern side of Mount Rainier National Park if you don’t want to (or cannot get into) the campgrounds in the park itself. While there, I drove up to Chinook Pass for sunrise each morning to capture the rising sun on the mountain reflecting in Upper Tipsoo Lake. The first morning was cloudy, the second morning was foggy at the pass (but clear elsewhere), and finally on the third morning, I was able to capture a decent shot (the shot deserves a post of its own, I’ll post it soon).

Deer Creek Falls

On that first day, the overcast conditions persisted through the day, but lightened and became partly cloudy later in the day – though there was still no view of Rainier. However, the light overcast day was perfect for another photographic subject – waterfalls. The Visit Rainier website claims there are over 150 waterfalls in the park. The Park Service just says there are “many.” I venture there are several hundred. My go-to guide for Pacific Northwest waterfalls, the Northwest Waterfall Survey, lists 317 waterfalls in Pierce County, and the majority of these are in Mount Rainier National Park.

However, camping and traveling in a place with little to no cell service, calling up the Northwest Waterfall Survey to locate waterfalls to photograph was a non-starter. I needed to do it the old-fashioned way – look at a map. I had my Mount Rainier East Green Trails map, and I noticed a couple of water falls off Highway 123 near the Owyhigh Lakes trailhead. Though I had no idea whether these falls were visible from the trail, nor how photogenic they are, this seemed like a good destination.

The first one I visited was Deer Creek Falls, a short half mile down the trail. The view from the trail looks down onto the falls as is cascades through a small, steep canyon. The view makes the falls look larger than its stated  height of 62 feet. It is quite scenic. A wide-angle lens is required to capture the full falls, with your tripod set right on the edge of the canyon cliff looking almost straight down. When you first arrive at the falls, there is a rope “barrier” (easy to step over) to encourage people not to get too close to the cliff edge, but I actually thought the view was better a bit further down the trail, past the end of the barrier.

From Deer Creek Falls, I continued down the trail to its intersection with the Eastside Trail. Heading north on the Eastside Trail, the trail crosses two bridges, one over Deer Creek right before its confluence with Chinook Creek, and the second over Chinook Creek just above the confluence. A small unnamed, unmapped waterfall (maybe it is too small to be considered a true waterfall?) is located on Chinook Creek just upstream from the second bridge. Though small, with a height of 5 to 10 feet, I liked the look of it with a clear green pool below the white water and spent about half an hour here photographing from various angles.

Small waterfall on Chinook Creek near confluence with Deer Creek.

Continuing north, the Owyhigh Lakes Trail splits off westward from the Eastside Trail. There are two more waterfalls a mile or so up the Owyhigh Lakes Trail, but I left those for another day and continued north on the Eastside Trail to find Lower Chinook Creek Falls, which can be viewed about a third of a mile past the trail junction where the trail makes its first switchback up the hill. The view is not very good, with plenty of trees in the way. I looked for a way down to the base of the falls, but decided it was too steep. The Northwest Waterfall Survey does suggest there are two possible routes, but one requires going considerably downstream and then back up to the falls wading in the creek itself, the other requiring a rope. Instead, I found a spot a short distance off the trail where I could get a good shot using my telephoto lens.

I needed to get back to camp soon, so I decided against hunting for waterfalls I hadn’t seen before and go to one last spot that is a proven winner that I have photographed several times before – Silver Falls. I hike back up the hill to the car and drove to the Silver Falls Trailhead, on Highway 123 just south of the Stevens Canyon turnoff and park entry station. It’s about a quarter-mile downhill to the falls. This is an amazing waterfall, big and powerful, on the Ohanapocosh River. Below the falls, the water is funneled into a narrow gorge with a foot bridge over the top. The best views, in my opinion, are from the trail on the east side of the bridge and from the large, flat rocks above the river on the west side in between the aforementioned viewpoint and the falls. The featured shot at the beginning of the blog is from this spot. You can also easily access the area on the west side near the top  and above the falls. It you follow the trail north of the falls, there are several spots where you can get down by the river for more beautiful shots. The Ohanapocosh River, with its clear green and blue water, is perhaps the prettiest river in the park.

Lower Chinook Creek Falls

Here is the gorge below Silver Falls. I took this image several years ago.

This is a sample of the Ohanapocosh River above Silver Falls. This image was also taken several years ago.


Shooting Seattle with Airbnb

I’d like to announce I am now offering a photography shooting experience with Airbnb. Airbnb started offering “experiences” as well as home and room rentals last year, and Seattle was one of the first cities they chose to offer experiences in. In early spring, I read in a magazine about Airbnb offering experiences and thought I should apply to host a photography experience in Seattle. I thought about offering a walking photo tour of Seattle – starting a Pike Place Market, covering the waterfront and Pioneer Square, and ending in the International District.

After spending several weeks working on my application to host, I received an invitation to attend a new host seminar in Seattle. I met with the region representative from Airbnb along with about 10 other new hosts. We received instruction and help editing our experience descriptions. They also offered the services of a professional photographer to document my experience and use on my experience webpage (see link above).

Then it was a long wait. Finally, months after initially starting the process, my experience went live a week ago or so. By this time, of course, my summer had filled up and I don’t have many days I can offer it – right now, I’m only scheduled for three days in August. But I’ll be adding more days soon.

In anticipation of going live, I thought I should actually do a dry run since up to this time my timing of my offered experience was made up of a Google estimation of the time necessary to walk the route and my guess at time needed for photography. So on a recent Saturday, I headed up to Seattle to do a dry run with Tanya as my tour “guest.” It was good we did this, as I learned a few lessons I’ll put into action when I actually do my first tour next week. And we were lucky, we ended up in the International District right as Dragonfest was occurring. I was able to get right up in the action and capture the above shot of the dragon parade.

While I can’t offer Dragonfest every time on my photo experience, I do hope to show my guests some of my favorite shooting locations in the city. If you are traveling to Seattle, consider signing up for my experience, I’d love to show you the city.